Yogyakarta, Thursday, October 31, 2024. The Indonesian Literature Student Family (KMSI) of the Faculty of Cultural Sciences UGM organized the annual UGM Bulan Bahasa (Language Month) event held at the Faculty of Cultural Sciences UGM. The event, held at Soegondo Courtyard, Faculty of Cultural Sciences UGM, is open to the public and presents various activities such as Unjuk Kebolehan, food bazaar, language exhibition, Serap Book, Suar Memoar, music band performances, and others. Of the various activities, one of the activities that attracted the attention of visitors because of its uniqueness was a board with pasted paper containing writings of hope called, Suar Memoar.

The Suar Memoar board is displayed in the hallway and front yard of the Soegondo Building, with the aim of attracting the attention of general visitors. On the Suar Memoar, students and visitors can write their hopes and stories by writing on sticky notes which are then attached to the board. A number of papers containing hopes, dreams, complaints, and motivational messages, written by students and visitors. This is unique, because the Suar Memoar board does not only contain papers on one board, but also on several other boards, so that Suar Memoar becomes one of the favorite objects during Language Month.

Yogyakarta, Saturday, 2nd of November 2024. The Korean Language Student Association organised an event entitled, ‘Women’s Film Festival: The Voices from South Korea and Indonesia’ as one of the 19th Korean Day series on 2 November and 3 November. This activity aims to explore the issue of women’s careers through films directed by women from both countries. Both Indonesia and South Korea share many similarities on this issue, including women’s opportunities to access education, employment, and politics. Typical cultural challenges still pose barriers, such as the normalisation of double burden, discrimination, and the threat of violence. The event was held at Soegondo Auditorium, Faculty of Cultural Sciences UGM, and was divided into two sessions on the first day, starting in the morning and afternoon.

In the morning, the event started with the screening of Kim Ji-Yong’s film: Born 1982, which is an adaptation of the novel by Cho Nam-joo, following the life of Kim Ji-young, an ordinary South Korean woman who faces the pressures and gender biases that permeate a patriarchal society. The story delves into the sensitive issue of Ji-young’s gradual struggle with societal expectations placed on women, especially in terms of career, family, and identity. Participants watched Cho Nam-joo’s adaptation of the novel, at the two-hour film screening. After the film screening session, participants were given the opportunity to ask questions guided by a moderator and presented by film director Kim Ji-Yong: Born 1982, Kim Do Young, via Zoom.

In the Q&A session, various participants asked director Kim Do Young a number of questions, such as the challenges and difficulties in making the film, the film’s contribution to feminism, criticism that arose, and others. The participants then ended the Q&A session with a group photo with Kim Do Young.

Yogyakarta, Friday, 1st of November 2024. The English Literature Department Student Association (IMAJI) held English Days 2024. This event is an annual event that has a series of activities to enliven the 78th Dies Natalies of the English Literature study programme. One of the series of English Days 2024 activities is a theatre performance held on 1 November 2024 at Soegondo Auditorium, Soegondo Building, Faculty of Cultural Sciences UGM, from 18.00 WIB to 21.30 WIB.

Before going to the the main performance, the event began with a speech from Florinesya Zahwa Raihania, as the Chairperson of the English Days 2024 Committee. On this occasion, Flori expressed her gratitude to the audience and those involved in supporting the success of English Days 2024. The speech was then continued by English Literature Lecturer, Hasyim Kurniawan, S.S., M.App.Ling.. Mr Hasyim conveyed the importance of student organisation events as a great source and learning experience. He said experiences in organisational activities train skills and leadership and problem solving and will help every aspect of students’ future.

After the speeches ended, the theatre performance titled, ‘The Front Stage Facade’ began, telling the story of the dark side of the entertainment industry. The show began with a dance music performance which would then accompany certain moments during the show. The reveal of the main players in this theatre is the character Jackie (Rizqi) as, ‘Starboy’ who plays the role of an American entertainment industry figure who is famous abroad, followed by Avery (Dewi) playing the role of the main manager of the theatre talent from the French owner of a company engaged in the entertainment industry, Jacques (Aimar). In addition, there are major characters who appear after the first part of the show which further increases the tension and excitement of the theatre with the appearance of Rita (Tyaz) and Pamela (Vari). Meanwhile, supporting characters such as Boy 1 (Nida), Boy 2 (Ipeh), Girl 1 (Felice), Girl 2 (Zahwa), Girl 3 (Nia), and Girl 4 (Chu), liven up the atmosphere of the theatre performance with various unique moments.

The English Days 2024: A Step Into the Centre Stage theatre performance was one of the amazing theatre performances in early November. It was a closing event that was well attended by the general public and students. Congratulations on the event success!

Yogyakarta, Wednesday, April 24, 2024 – Dr. Wildan Sena Utama, M.A., a lecturer in the Department of History, featured at the workshop titled Mapping the Internationalization of Art in the Global South Context – Collaboration Among Art Institutions. Organised by the Biennale Foundation Discussion, the event aimed to disseminate ideas on why the values of the Bandung Spirit remain relevant in international politics and Indonesia’s foreign policy. It also served as a reflection on the upcoming 70th anniversary of the Asia-Africa Conference next year, and how to revive the Bandung Spirit at the grassroots level.

Dr. Wildan delivered his presentation at the historic Savoy Homann Hotel, one of the accommodations used by Asian and African leaders attending the 1955 Bandung Conference. During the workshop, he analyzed key values from the Asia-Africa Conference that are still important to promote and spread at the grassroots level today. These values include decolonization, world peace, and international cooperation—three principles from the Bandung Spirit that remain highly relevant. The Asia-Africa Conference Museum, managed by the Ministry of Foreign Affairs, regularly organizes discussions to keep the spirit of the Bandung Conference alive, recognizing its continued significance in today’s global political context.

The presentation was followed by contributions from representatives of the National Archives of Indonesia, the Indonesian Ministry of Foreign Affairs, lecturers from UNPAD’s International Relations department, cultural figures from Bandung, and heritage activists.

Yogyakarta, Monday night 19th of August 2024, the Faculty of Philosophy, Universitas Gadjah Mada (UGM), organized a shadow puppet show in the framework of the anniversary of the Faculty of Philosophy. The performance featured a special play, Gajah Mada Suci, which was performed collaboratively by UGM students who are members of the UGM Surakarta Style Javanese Arts Unit (UKJGS). One of the important roles in this performance was carried out by M. Rafi Nur Fauzy, a student of the Javanese Language, Literature, and Culture Study Program class of 2023, chosen to perform a play that was collaboratively worked on by the academics community of Universitas Gadjah Mada.

The script for the performance of Gajah Mada Suci was written by Dr. Rudy Wiratama S.I.P., M.A., lecturer of Javanese Language, Literature and Culture Study Program. Gajah Mada Suci tells the story of the scapegoating of Gajah Mada under the pretext of the failure of the Majapahit Kingdom expansion. The expansion also coincided with the kingdom’s internal political turmoil. To make matters worse, Gajah Mada was accused by the elites of trying to remove him from the kingdom. As a result, Gajah Mada felt desperate and afterward he visited the residence of his friend, Mpu Tantular. After a long dialog, Gajah Mada was finally enlightened, that the efforts he had made so far were not in vain. The spirit of Amukti Palapa to unite the archipelago will continue in the next era.

“The performance of the Gajah Mada Suci is a form of depiction of the Indonesian nation that has experienced an identity crisis by winning over an interest and power through any means. Gajah Mada, who was a knight, finally moksa due to the deviant behavior of the Majapahit elite. After that, the Majapahit Kingdom lost its authority and then receded until it reached its collapse,” explained Rafi in an interview (05/09/2024).

As a special play, Rafi and his fellow UKJGS students practiced hard for a maximum performance. “The performance of Gajah Mada Suci has its own challenges for us. We practiced preparing for the performance in only half a month. Plus, this is my first time to play the Gajah Mada puppet, so it must be carefully prepared.”

“With these challenges, Alhamdulillah, the show can run smoothly. It was a great experience for me,” he continued.  Rafi hopes that the Gajah Mada puppet show will be held continuously because it is the work and identity of UGM as well as containing values that need to be socialized.

The existence of the Gajah Mada puppet is a real effort to promote the history and culture of the archipelago while still applying its relevance to the times. Through culture, we are not only ‘displaying’ aesthetics, but also reaffirming the nation’s identity through noble values for a better Indonesia.