Yogyakarta, 16/06/2025 – The Master’s Program in American Studies held a seminar titled “Introduction to Bodies that Haunt: Rethinking the Political Economy of Racialized Death.” Taking place in Room 709, 7th Floor of the Soegondo Building at the Faculty of Cultural Sciences, this event served as a platform for critical discussions on racial violence, politicized death, and cultural memory within a global context—particularly in the Americas and Southeast Asia.

Moderated by Achmad Munjid, Ph.D., the seminar featured two prominent speakers with strong backgrounds in cultural studies, feminism, and historical memory: Dr. Emily Itamura and Dr. Rachmi Diyah Larasati.

The discussion began with an introduction by the moderator, who drew parallels between horror films and everyday life, highlighting the mass production of ghosts in popular culture. From this point, the seminar explored the meaning of “bodies that haunt”—a term that goes beyond traditional ghostly figures, referring instead to collective trauma, unresolved death, and suppressed forms of knowledge.

Dr. Rachmi Diyah Larasati opened the first session by examining the concept of ghosts through a local Indonesian lens. She explained that in Indonesian culture, ghosts often emerge as warnings, memories, or connections to unresolved political violence. In her talk, titled “Train and Its Fugitive Rhythms: Reflecting on Political Violence through Sound Aesthetics,” Dr. Rachmi encouraged the audience to interpret sounds and rhythms—such as train noises—as invisible archives of political violence. These sounds, she argued, act like ghosts: ever-present and evocative, even if not always consciously perceived.

She emphasized the importance of seeing ghosts not simply as supernatural beings, but as a way of rereading history shaped by trauma. Ghosts become embodied through shadows, feelings, sounds, and memories that seep into our everyday lives.

Building on this, Dr. Emily Itamura led participants into the historical trauma of the Cambodian genocide through her presentation “Love Story, Ghost Story: The Cambodian Genocide, Labour Extraction, and Hout Bophana.” She highlighted how love stories can become ghost stories within the context of violence, and how female figures like Hout Bophana continue to haunt post-genocide development narratives.

Dr. Emily argued that the United States, as a modern imperial power, is a haunted space—saturated with the legacies of colonialism, racism, and capitalist extraction of nonwhite bodies. She pointed to Hmong, Laotian, and Vietnamese communities in Minnesota as groups who carry the “ghosts” of war and forced migration—now inextricably woven into the fabric of American cultural life.

The conversation between Dr. Rachmi and Dr. Emily unfolded into a rich cross-cultural dialogue, blending feminist theory, imperial critique, and ethnographic approaches to explore how haunted bodies continue to reappear in collective memory, art, and sound.

The event concluded with a powerful insight: ghosts are not simply objects of fear, but forms of alternative knowledge about trauma, violence, and histories left unresolved. Ghosts act as reminders that not all experiences can be archived or silenced by official historical narratives. They emerge through sound, shadows, and emotions—quietly shaping how we remember the past and envision the future.

This seminar served as a reflective space where theory met lived experience, popular culture intersected with violent histories, and Indonesian localities resonated with global traumas. A poignant reminder: haunted bodies are not meant to be dismissed—they are meant to be heard.

[Humas FIB, Alma Syahwalani]

Yogyakarta, 31/05/2025 – Another proud achievement came from mahadaya (students of Cultural Sciences). Nurcholish Ramadhan, a 2024 student from the Department of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences UGM, successfully directed the production of a theater performance entitled Sat-Set. The show was performed by Teater Berdaya in Prabusena (Cultural, Art, and Islamic Appreciation Stage of PD IPM Bantul) 2025 on Saturday night, May 31, 2025 at 20.00 WIB, at the 1st Floor Hall of the Da’wah Building of PDM Bantul.

Sat-Set Theater tells the story of the love journey of Fikar, a 28-year-old man, the son of a panewu (sub-district head), who falls in love with Alya – the daughter of his late father’s best friend. An accidental meeting in the square is the beginning of Fikar’s love story. After some research, Fikar learns that Alya is the daughter of Paklik Pram, his father’s old friend. They stay close for a month, but Fikar never proposes. To provoke Fikar’s sincerity, Paklik Pram created the rumor that Alya would be married off. The plan worked. Although Fikar initially only expressed his feelings in front of Paklik and Bulik Pram, he finally received their blessing. Later, Fikar went to the park where he often visited with Alya. There they meet again after not seeing each other for several days. Finally, Fikar expresses his love and immediately asks Alya to marry him.

The uniqueness of Sat-Set theater lies in its source of inspiration. Nurcholish Ramadhan said that Sat-Set was inspired by Serat Riyanta, a Javanese literary work written by R. B. Soelardi in 1918. In an online interview conducted on June 12, 2025, Nurcholish explained that his interest in the fiber began with a course assignment. “After I read Serat Riyanta from beginning to end, I was interested and liked the story, so I had an idea to translate it into a performance,” he explained.

The production process of the performance was not free from challenges. Nurcholish mentioned that the limited duration required him to summarize the narrative of Serat Riyanta effectively, without losing the essence of the story. In addition, funding constraints were also an obstacle. Nevertheless, he was grateful that the performance could run optimally.

“Through this performance, I learned to go deeper into the work that was referred to when it was adapted into a theater script. Then, I feel happy to be able to accommodate the potential and talents of my fellow Muhammadiyah students in the arts,” he said.

Sat-Set Theater is a tangible form of nguri-uri ‘preserving’ and ngurip-urip ‘enlivening’ regional arts, literature, and culture. Past literary works hold a wealth of historical values, knowledge, moral and didactic teachings, and interesting stories to be revived. Through the excavation, preservation and utilization of these cultural treasures, the community not only benefits sustainably, but also builds a sense of pride in the nation’s noble identity. As Nurcholish said at the end of the interview. “A history and culture will always be preserved when there are people who want to nyinau (learn) and adum ilmu (share knowledge),” he concluded.

[Haryo Untoro]

Yogyakarta, 14/06/2025 – As a student, maintaining a balance between academic and non-academic activities is essential. Keysha Almira, a 2023 undergraduate student in Tourism, has exemplified this well. After performing as a Color Guard in the Marching Band UGM concert titled “Pangupajiwa: Marta Sang Mahapatih Gadjah Mada” in November 2024, she has now shifted her focus to becoming a Drill and Display coach of Marching Band UGM.

Keysha’s daily routine mirrors that of many students. From morning to afternoon, she focuses on her academic responsibilities, while her evenings are devoted to coaching fellow members of the Marching Band UGM. Her commitment reflects strong time management skills, which she considers crucial for balancing academic and extracurricular pursuits. To maintain this balance, Keysha organizes her schedule by creating daily to-do lists and using Google Calendar. This method helps her avoid scheduling conflicts and ensures she can allocate time for both her studies and her passion in the marching band.

According to Keysha, balancing academic and non-academic activities is very important. “You can’t just study in class all the time. As students, it’s also important to develop our passions outside of academics,” she said. Her perspective highlights the importance of holistic student development, in line with the Sustainable Development Goals (SDGs) which emphasize quality education.

Keysha encourages her peers not to hesitate in exploring activities beyond their academic curriculum. “Don’t be afraid to explore things outside of academics. As long as your time management is structured, everything will be fine,” she advised. This mindset not only supports personal growth but also contributes to a well-rounded campus life.

Marching Band UGM has long served as a platform for students to express their creativity through music and teamwork. With the routines she’s building, the band is expected to enhance its performance quality, especially in the Drill and Display segment. Keysha’s role as a coach stands as proof that students can develop their potential through non-academic activities as well.

Through her journey as both a student and coach, Keysha aims to inspire others to pursue their passions while remaining committed to their academic responsibilities. Her story serves as a reminder that with proper planning and dedication, students can achieve a fulfilling and balanced university experience.

In conclusion, Keysha Almira’s journey reflects the importance of structured development in both academic and non-academic fields. Her proactive approach to time management and her passion for the arts contribute meaningfully to her personal growth at Universitas Gadjah Mada.

[Humas FIB, Alma Syahwalani]

Yogyakarta, 06/13/2025 — The Department of Cultural Anthropology presented Mike McGovern from the University of Michigan as a resource person in a seminar entitled “Resentment Three Ways: Is Resentment Politically Destructive, or Can it be Constructive?” Cultural Anthropology students attended this event to explore the complex nature of resentment and its impact on society.

In his presentation, Mike McGovern highlighted that most European thinking on resentment follows the views of Friedrich Nietzsche, who belittled this sentiment as part of a “slave rebellion in morality,” which he said characterized Judeo-Christian culture. According to Nietzsche, resentment is considered an emotion that is past-oriented, childish, and ultimately detrimental to the individual who experiences it.

This seminar aims to explore the multifaceted nature of resentment, especially in the context of education and conflict resolution. Mike McGovern emphasized that understanding resentment is essential to fostering dialogue and promoting peace in societies that end conflict. He argues that hurt can lead to destructive political outcomes or serve as a catalyst for constructive change, depending on how it is managed.

Mike McGovern brings together three case studies from Myanmar, Guinea, and the United States to illustrate how hurt operates in different social and economic contexts, each producing different trajectories and outcomes. In Myanmar, for example, hurt has fueled protracted ethnic conflict, divisions, and hampered progress toward reconciliation. Meanwhile, the situation in Guinea shows how collective hurt over colonial legacies has fueled movements toward social justice and political reform.

Throughout the seminar, McGovern encouraged participants to reflect on their own experiences with hurt and consider how these feelings can be transformed into positive action. He emphasized the importance of education in this process, as it provides individuals with the tools to engage in constructive dialogue and resolve conflict.

As the seminar concluded, participants left with a new understanding of the dual nature of hurt. While it can be a source of discord and conflict, it also has the potential to inspire change and foster unity when approached thoughtfully. The event emphasized the importance of addressing emotions such as hurt in efforts to achieve sustainable development goals, especially in the areas of education and conflict resolution.

[Humas FIB UGM, Candra Solihin]

Yogyakarta, 31/05/2025 – At INCULS (Indonesian Language and Culture Learning Service), learning Bahasa Indonesia goes beyond the classroom. One of the approaches used is contextual learning—bringing students closer to the culture behind the language. A perfect example of this was the recent field trip to Borobudur and Prambanan Temples on May 31, 2025, with the 2024/2025 KNB (Kemitraan Negara Berkembang) scholarship students. Both temples are UNESCO World Heritage Sites that hold rich historical and cultural significance, making them ideal learning destinations.

The journey began early in the morning at the Faculty of Cultural Sciences, with participants traveling by bus. After a two-hour ride, the group arrived at Borobudur Temple in Magelang. There, students climbed the temple while listening to explanations from a local guide about the history, architectural structure, and philosophical meanings behind the stone reliefs carved into the temple walls. The interaction between the students and the guide was active and lively, with many students asking questions, recording the explanation, and taking photos to document the experience.

After exploring Borobudur, the group headed to Kampung Ulam Restaurant for lunch.The menu featured traditional dishes such as Javanese style fried chicken, empal bacem, sautéed vegetables, tempe, sambal, and crackers. Beyond being a break from the trip, the lunch provided an opportunity to experience local food culture in a friendly and relaxed setting.

The journey continued to Prambanan Temple in Sleman, Yogyakarta, where the group arrived around 4 p.m. Despite the cloudy weather, the visit went smoothly. At the site, students listened to further explanations from the guide about the history of Prambanan, the values reflected in its reliefs, and the legend of Roro Jonggrang, which is closely linked to the temple’s origin story.

This field trip was more than just a sightseeing tour. It was part of INCULS commitment to making language learning more meaningful. By visiting cultural and historical sites, students not only improve their language skills, but also develop a deeper understanding of Indonesian identity and traditions. Experiences like this help students connect more personally with the language and culture, and also a great way to build friendships and memories during their time in Indonesia.