Yogyakarta, 2/7/2025 – The 4th International Seminar on Malay-Javanese Studies (SEMEJA) was held at the University Club of Universitas Gadjah Mada, presenting an inspiring discourse on the power of women’s narratives in Javanese literature. Dra. Wiwien Widyawati Rahayu, M.A., together with two of her students, Yudha Adistira and Saktia Hidayah, presented a study entitled “Leadership of Female Characters in the Novel Kidung Trěsna Sang Pikatan: Rancière’s Democratic Perspective.”

In her presentation, the researcher highlighted how female characters in the novel by Alexandra Indriyanti Dewi serve as agents of social change. Utilizing the radical democracy theory of Jacques Rancière, they interpreted that leadership in the story does not stem from structural power but from political actions that challenge the established patriarchal symbolic order.

Wulan, Pramodawardhani, and Sri Kahulunan emerged as representations of female figures manifesting Rancière’s three main concepts: dissensus, egalitarianism, and the reversal of hierarchy. Wulan, depicted as tělik sandhi, experiences inner conflict and subtly challenges the system through apparent compliance, a form of dissensus that quietly disrupts the power structure. Meanwhile, Pramodawardhani reflects the spirit of egalitarianism through her sharp political strategies and involvement in the development of Borobudur Temple. On the other hand, Sri Kahulunan firmly opposes the claim that leadership must be male-dominated, showcasing women’s courage in repositioning power.

Interestingly, all three characters were also analyzed through the lens of Donna Haraway’s cyborg feminism, positioning them as hybrid subjects that reject old dichotomies such as male-female or public-private. With this approach, female figures emerge not merely as complements to historical narratives but as leaders who reshape the power map.

This presentation contributes significantly to the discourse on gender and politics within the realm of literature, affirming that Javanese literature can also serve as a democratic space that validates women’s voices as active subjects of social change. More than just a historical romance, Kidung Trěsna Sang Pikatan stands as a text of resistance against patriarchy and a symbol of Javanese women’s bravery in carving their nation’s history.

The seminar also emphasized the importance of cultural diversity in literature, showcasing how different narratives can coexist and enrich the understanding of gender roles. By empowering girls through education for sustainability, the event highlighted the need for equal opportunities in literary representation, ensuring that women’s stories are told and celebrated.

In conclusion, through the presentation session by Dra. Wiwien Widyawati Rahayu, M.A., SEMEJA IV not only celebrated the contributions of experts and academics in Malay-Javanese studies, but also reinforced the importance of education and cultural diversity in building a more inclusive and sustainable future. The narrative presented is a call to action for everyone to recognize and support the vital role of women in literature and society.

[Public Relations of FIB UGM, Candra Solihin]

Yogyakarta, 1/7/2025 – The 4th International Seminar on Malay-Javanese Studies (SEMEJA 2025) was officially opened at the University Club of Gadjah Mada University (UGM) on July 1, 2025. The seminar brought together academics, researchers, and cultural observers from Indonesia and Malaysia. The opening ceremony commenced solemnly at 8:30 AM, starting with a prayer, followed by welcoming speeches from various dignitaries, including the Dean of the Faculty of Cultural Sciences at UGM and the Director of the Institute of Malay Civilization (ATMA) at Universiti Kebangsaan Malaysia (UKM).

In his welcoming address, Prof. Dr. Setiadi, S.Sos., M.Si., the Dean of the Faculty of Cultural Sciences at UGM, expressed his appreciation for the presence of all participants and partners from UKM, particularly ATMA. He emphasized the importance of continuing scientific collaboration that had been delayed due to the COVID-19 pandemic. “This seminar serves as a strategic platform to delve into the historical, cultural, linguistic, and civilizational ties between the Malay and Javanese communities. UGM believes that Malay-Javanese studies provide significant benefits in strengthening international academic networks and preserving our shared cultural heritage,” said Prof. Setiadi.

He also highlighted that this seminar is not only relevant for cultural and historical experts but also for academics from various fields who wish to develop scientific perspectives rooted in local and regional identities. This aligns with the Sustainable Development Goals (SDGs) of promoting quality education and fostering global partnerships.

This year, SEMEJA IV focuses on how cultural heritage can play a role in community empowerment and strengthening regional integration. The issues raised include language, arts, and culture; leadership and regional integration; heritage preservation as a catalyst for community development; strengthening heritage and sustainable development; and social solidarity through cross-border cultural cooperation.

With an inclusive theme and approach, SEMEJA IV is designed to foster meaningful dialogue, knowledge exchange, and strategic cooperation among academic institutions, local communities, and stakeholders from Indonesia and Malaysia. The seminar marks an important milestone in the efforts to preserve Malay-Javanese culture and create a shared space for academic integration and local values at both regional and global levels.

The opening ceremony also featured a cultural performance of Javanese dance by Ratnatraya, an art student organization from the Department of Javanese Language and Literature at UGM. This was followed by an inaugural speech by YBhg. Dato Haslina Abdul Hamid, the Secretary-General of the Malaysian Ministry of National Unity, and a keynote session led by Prof. Dr. Heddy Shri Ahimsa-Putra from UGM’s Graduate School.

The seminar is scheduled to last for two days, July 1 and 2, 2025, featuring a variety of scientific discussion sessions, community forums, and cultural performances. The presence of stakeholders from both countries is expected to pave the way for closer and more sustainable academic and cultural collaborations.

As part of the seminar’s commitment to the SDGs, particularly in education in developing countries, the event aims to leverage technology and cultural insights to enhance educational outcomes and community engagement. By fostering global partnerships, SEMEJA IV seeks to create a collaborative environment that empowers communities through shared knowledge and cultural understanding.

In conclusion, SEMEJA 2025 not only serves as a platform for academic discourse but also as a celebration of the rich cultural heritage shared by the Malay and Javanese peoples. The collaborative efforts between UGM and UKM exemplify the potential of academic partnerships in addressing global challenges while promoting local identities and cultural preservation.

[Public Relations of FIB UGM, Candra Solihin]

Yogyakarta, 28/5/2025 — Thirteen students from the Arabic Study Program at Universitas Gadjah Mada (UGM) participated in the Period III Undergraduate Graduation Ceremony for the 2024/2025 academic year. Among them, Muhammad Ghazi Al Ghifari earned the distinction of being the fastest graduate in the Faculty of Cultural Sciences (FIB), completing his degree in just 3 years, 6 months, and 12 days.

The announcement was made by the Dean of FIB, Prof. Dr. Setiadi, M.Si., during the Mangayubagya Graduation Ceremony held on Wednesday, May 28, 2025, at 1:00 PM in the Soegondo Auditorium. In the heartfelt event, Al Ghifari also delivered a speech on behalf of the graduates. He expressed his gratitude to everyone who had supported the graduating students and encouraged his peers to uphold integrity and apply the knowledge gained during their time at university.

Originally from Petaling Banjar Village, Bangka Regency, Bangka Belitung Province, Al Ghifari was admitted to the Arabic Study Program on May 25, 2021, through the Penelusuran Bibit Unggul Berprestasi Seni (Special Admission for Artistic Talent). After completing seven semesters, he defended his undergraduate thesis on February 12, 2025, titled “The Quality of DeepL Translations in Translating Fictional Texts from Arabic to Indonesian”. He officially graduated with a GPA of 3.93 and earned his Bachelor of Arts (S.S.) degree on February 28, 2025, at the age of 21 years and 6 months.

Al Ghifari noted that there was no special formula behind his academic achievement. “I simply committed to writing my thesis every day—even if it was just a paragraph—and consulted with my advisor weekly,” he said. The consistent support of his parents was also a major motivation for completing his studies swiftly and preparing to pursue a master’s degree.

He also praised the Arabic Study Program at UGM as an ideal environment to study the Arabic language, literature, and culture. The program holds national and international accreditation and is supported by a team of highly qualified and professional lecturers. Al Ghifari hopes the program will continue to grow in quality and reputation on the global stage.

Looking ahead, Al Ghifari is determined to pursue a master’s degree with a focus on Middle Eastern political, economic, and cultural issues.

Author: Muhammad Ghazi Al Ghifari

Yogyakarta, 16/06/2025 – The Master’s Program in American Studies held a seminar titled “Introduction to Bodies that Haunt: Rethinking the Political Economy of Racialized Death.” Taking place in Room 709, 7th Floor of the Soegondo Building at the Faculty of Cultural Sciences, this event served as a platform for critical discussions on racial violence, politicized death, and cultural memory within a global context—particularly in the Americas and Southeast Asia.

Moderated by Achmad Munjid, Ph.D., the seminar featured two prominent speakers with strong backgrounds in cultural studies, feminism, and historical memory: Dr. Emily Itamura and Dr. Rachmi Diyah Larasati.

The discussion began with an introduction by the moderator, who drew parallels between horror films and everyday life, highlighting the mass production of ghosts in popular culture. From this point, the seminar explored the meaning of “bodies that haunt”—a term that goes beyond traditional ghostly figures, referring instead to collective trauma, unresolved death, and suppressed forms of knowledge.

Dr. Rachmi Diyah Larasati opened the first session by examining the concept of ghosts through a local Indonesian lens. She explained that in Indonesian culture, ghosts often emerge as warnings, memories, or connections to unresolved political violence. In her talk, titled “Train and Its Fugitive Rhythms: Reflecting on Political Violence through Sound Aesthetics,” Dr. Rachmi encouraged the audience to interpret sounds and rhythms—such as train noises—as invisible archives of political violence. These sounds, she argued, act like ghosts: ever-present and evocative, even if not always consciously perceived.

She emphasized the importance of seeing ghosts not simply as supernatural beings, but as a way of rereading history shaped by trauma. Ghosts become embodied through shadows, feelings, sounds, and memories that seep into our everyday lives.

Building on this, Dr. Emily Itamura led participants into the historical trauma of the Cambodian genocide through her presentation “Love Story, Ghost Story: The Cambodian Genocide, Labour Extraction, and Hout Bophana.” She highlighted how love stories can become ghost stories within the context of violence, and how female figures like Hout Bophana continue to haunt post-genocide development narratives.

Dr. Emily argued that the United States, as a modern imperial power, is a haunted space—saturated with the legacies of colonialism, racism, and capitalist extraction of nonwhite bodies. She pointed to Hmong, Laotian, and Vietnamese communities in Minnesota as groups who carry the “ghosts” of war and forced migration—now inextricably woven into the fabric of American cultural life.

The conversation between Dr. Rachmi and Dr. Emily unfolded into a rich cross-cultural dialogue, blending feminist theory, imperial critique, and ethnographic approaches to explore how haunted bodies continue to reappear in collective memory, art, and sound.

The event concluded with a powerful insight: ghosts are not simply objects of fear, but forms of alternative knowledge about trauma, violence, and histories left unresolved. Ghosts act as reminders that not all experiences can be archived or silenced by official historical narratives. They emerge through sound, shadows, and emotions—quietly shaping how we remember the past and envision the future.

This seminar served as a reflective space where theory met lived experience, popular culture intersected with violent histories, and Indonesian localities resonated with global traumas. A poignant reminder: haunted bodies are not meant to be dismissed—they are meant to be heard.

[Humas FIB, Alma Syahwalani]

Yogyakarta, 30/5/2025 — A night full of meaning and memory unfolded at the event Tujuh Puluh Dua Tahun Cak Nun dan Bicara Bicara, held on Friday Pahing, May 30, 2025, at Kawasan Cagar Kreatif Tanah Air, Ngaglik, Sleman. The event was attended by artists, close friends of Cak Nun, and invited guests.

This celebration marked a tribute to the long intellectual and spiritual journey of Cak Nun as a cultural figure and scholar who has shaped the landscape of Indonesian thought since the 1970s. Hosted by MC Seno Classical, the evening featured various performances and speeches from close companions who shared their personal testimonies about Cak Nun.

In his address, Prof. Dr. Aprinus Salam shared personal stories with the maestro. “I met Cak Nun for the first time when I was still in junior high school, around 1979. Since then, I have followed his works, especially his poetry. In fact, both my undergraduate thesis and master’s thesis were about his poetry,” he began. One of the most memorable aspects for Prof. Aprinus was Cak Nun’s autodidactic way of learning. “I was always curious about how he learned. I once observed that he would disassemble a computer, study all the components one by one, and then reassemble it. He could even fix broken cars. That was remarkable,” he explained.

As a closing note, he shared a lasting memory. “One story I always tell that shows how extraordinary he is, is that he eats and sleeps the least among us. His level of asceticism was profound. During Ramadan, at 3 AM, he would routinely send out his writings, showing how deeply he valued time,” he said.

The second testimony came from Budi Sarjono, a long-time friend of Cak Nun since 1974. “I met him in 1974 when I was working at Basis Magazine. He would often ask, ‘Bud, do you have paper? Envelopes? Stamps?’ Then he would sit down and rapidly type two to three articles to be sent to various newspapers. I was deeply impressed,” he recalled.

Budi also shared a poignant experience. “One of the most meaningful memories was when I invited him to deliver a sermon and read poetry at a Catholic Mass in 1975. Although there was some tension with church officials at the time, what I emphasize is how Cak Nun expressed his heart to God with sincerity. That moment shook me.” He also described Cak Nun as a humble friend. “With his already well-known name back then, he still enjoyed gathering with us, talking until late at night. Sometimes, he would call me just to ask to be scolded,” he added with a smile.

That night was more than a birthday celebration, it was a tribute to a thinker who never tires of seeking meaning, nurturing culture, and voicing the conscience of the people. Tujuh Puluh Dua Tahun Cak Nun dan Bicara Bicara stands as a testament to how his intellectual and spiritual journey continues to inspire many to this day.

[Master’s Program Literature, Marsya Kamila]