Amid the overwhelming flow of information, writing is often reduced to a mere technical skill—the ability to arrange words so they read smoothly. Yet in an academic context, writing is fundamentally an intellectual act: a way of thinking, responding, and ultimately taking a position in relation to reality.

In a workshop organized by the Master’s Program in Literature at the Faculty of Cultural Sciences, Universitas Gadjah Mada, Prof. Dr. Aprinus Salam, M.Hum. emphasized that students should not remain confined to the classroom. Ideas, he argued, must be brought into the public domain—into mass media and shared spaces where discourse is exchanged and debated. “Students need to be present in the public sphere through their writing. It is also important to include institutional affiliation as a form of academic responsibility,” Aprinus noted.

There is often a noticeable gap between academia and the wider public. Overly technical language, ideas circulating within limited circles, and a tendency to write merely for assignments can strip knowledge of its broader relevance. This is where the essay finds its significance.

Unlike formal academic writing, essays do not demand rigid structures. They allow space for subjectivity, reflection, and even doubt. Paradoxically, this is precisely where their strength lies—in the courage to take a stance, not merely present data.

However, this freedom is not without direction. Essay writing still requires strategy. There is a long, often invisible process behind it: reading, experimenting, failing, and trying again. Prof. Aprinus illustrated that the journey of writing can be winding—from critiques that fail to “break through” to discovering more nuanced, even ironic ways of expressing ideas.

Writing, then, is not only about the end result, but about the process of finding one’s voice.

One approach offered is to use literary works as a lens for interpreting reality. Fiction is no longer seen as a separate world, but as another way of understanding the real one. From there, writers can build bridges between imagination and concrete social conditions.

Depth, too, becomes essential. In an age that favors speed and superficiality, there is a call to slow down and immerse oneself in a single idea, figure, or perspective until it is fully internalized—not to imitate, but ultimately to move beyond it.

In this session, there was no conventional Q&A. Instead, participants were invited to reflect directly through reviews of the essays they had previously submitted. The feedback may have seemed simple, yet it touched on fundamental aspects: appropriate length, fresh and relevant titles, and the courage to take a clear stance.

What may appear technical, in fact, conceals deeper questions: for whom do we write, and why?

When students begin to write for mass media, they are not merely practicing a skill—they are assuming a role. They step into the public sphere as thinking individuals who do not simply consume information, but actively produce it.

At this point, writing becomes more than just an academic exercise. It becomes a path home—a way for intellectuals to reconnect with the very reality that gave rise to them.

[Master of Arts in Literature, Khotibul Umam]

Amid the noise of everyday life, many things seem to unfold as if by default: traffic jams, crowded markets, and casual conversations in digital spaces. Yet for a social scientist, these are far from ordinary occurrences. They are living “texts,” rich with meaning and waiting to be interpreted more deeply.

During a Social and Cultural Essay Writing Workshop held on Wednesday (April 8, 2026) by the Master’s Program in Literature at the Faculty of Cultural Sciences, Universitas Gadjah Mada, Prof. Dr. Agus Suwignyo, M.A. emphasized that the work of social scientists does not operate within fixed spatial boundaries. Their “laboratory” is life itself—a fluid, dynamic, and often unpredictable space.

According to Agus, social scientists inhabit a broad and ever-changing field of inquiry, as their object of study is human interaction across various dimensions of life. “All social phenomena—from traffic congestion to everyday habits—can serve as material for analysis that reflects social structures and public policy,” he explained.

He stressed that sensitivity is the key foundation of a social scientist’s work. With such sensitivity, seemingly mundane phenomena can be transformed into meaningful and critical analysis.

In the discussion session, participants highlighted the condition of social critics in Indonesia, who are perceived to face pressure from the state. Agus acknowledged that the situation is neither entirely hopeful nor entirely bleak. He argued that criticism will persist as long as social awareness remains alive within society.

“What matters is the courage to question reality while remaining grounded in one’s conscience,” he said.

He further asserted that subjectivity in social analysis is inevitable, but it must be anchored in rationality and a commitment to marginalized groups. This approach is essential for upholding social justice amid the complexities of power relations.

The discussion also addressed the shifting nature of social criticism—from what was once organic to forms that are increasingly complex due to interventions by various actors, including the state. In this context, social scientists are required to be more discerning in distinguishing between authentic, organic public voices and those that are manipulative.

Ultimately, being a social scientist is not only about analytical ability, but also about maintaining integrity. As reality becomes increasingly blurred, perhaps the only reliable compass is conscience—constantly reminding us that the primary task of social science is not only to understand humanity, but also to stand up for it.

[Master of Arts in Literature, Khotibul Umam]

Yogyakarta, March 3, 2025 – A choir composed of students, lecturers, and administrative staff enlivened the Open Senate Meeting celebrating the 80th Anniversary of the Faculty of Cultural Sciences Universitas Gadjah Mada by performing two popular Indonesian songs, “Ondel-Ondel” and “Rumah Kita.” The performance created an atmosphere of togetherness while celebrating cultural diversity through specially prepared musical arrangements.

The performance was arranged and conducted by Muhammad Rasyid Ridho, who also served as the trainer and conductor. The choir was supported by several accompanying musicians, including Riski Puluhulawa on piano, Emilia Widya Pranasari on viola, Sekar Arrum Sri Kinanthi on violin, and Fairuz Aufa Anza on kendang.

The first song performed was “Ondel-Ondel,” popularized by Benyamin Sueb in 1971. The song is widely recognized as a lively representation of Betawi culture that developed amid the dynamic life of Jakarta. Through its simple yet energetic lyrics, the song portrays ondel-ondel as a cultural icon in the form of giant puppets that were once believed to symbolize protection for the community.

Over time, ondel-ondel has become not only part of tradition but also a symbol of identity and cultural pride for the Betawi people. The song also reminds audiences of the importance of appreciating cultural heritage and preserving local wisdom amid ongoing societal change.

The choir then performed “Rumah Kita,” a song popularized by Achmad Albar together with the legendary band God Bless. Widely known since the late 1980s, the song conveys a heartfelt message about the meaning of home as a space for togetherness.

In the context of the FIB UGM anniversary celebration, the song was interpreted as a symbol of unity among members of the academic community. The campus environment, particularly at Universitas Gadjah Mada, is seen as a shared home where people from diverse backgrounds come together to learn, create, and build their future.

This choir performance, involving members from different groups within the faculty, added vibrancy to the series of events commemorating the 80th anniversary of the Faculty of Cultural Sciences. Through music and performing arts, messages about the importance of unity, respect for diversity, and the preservation of local culture were warmly conveyed to the audience. These values form an essential foundation for fostering an inclusive and sustainable academic community.

[Public Relations of FIB UGM, Candra Solihin]

Yogyakarta, March 3, 2026 – The Faculty of Cultural Sciences (FIB) Universitas Gadjah Mada presented awards to five outstanding members of its academic community during the 80th Anniversary (Dies Natalis) celebration at the FIB UGM Poerbatjaraka Auditorium. This initiative serves as an institutional appreciation for the dedication and achievements of both lecturers and educational staff in advancing science, education, and community development.

In the outstanding lecturer category, FIB UGM presented an award to Dr. Elan Ardri Lazuardi, S.Ant., M.A., from the Anthropology Study Program. Dr. Lazuardi possesses specialized expertise in medical anthropology and public health services. Throughout his career, he has received various prestigious academic recognitions. These include the High-Quality Scientific Article Award in Health and Medicine from the Ministry of Research and Technology in 2020, as well as the Dean’s Award for Outstanding PhD Theses from the University of New South Wales in the same year. Previously, he earned the Early Career Research Award for the best oral presentation category from the Australian Society for HIV, Viral Hepatitis, and Sexual Health Medicine in 2018.

The next recipient of the outstanding lecturer award is Dr. Raden Rucitarahma Ristiawan, S.Par., M.Sc., from the Tourism Study Program. This tourism and cultural landscape expert earned a doctorate in Cultural Geography from Wageningen University, the Netherlands, in 2024. His dissertation discusses the commodification of landscapes in the development of geopark tourism in Indonesia. Dr. Ristiawan has consistently researched community-based tourism practices from his undergraduate studies at UGM to his master’s program at the University of Glasgow, United Kingdom, in 2017.

The third lecturer to receive a similar award is Wildan Sena Utama, S.S., M.A., Ph.D., from the History Study Program. This historian focuses on modern international and transnational relations between Indonesia and the Afro-Asian world in the 20th century. Dr. Utama completed his doctoral education at the University of Bristol in 2023. His dissertation highlights the role of Indonesian figures in the Afro-Asian movement during the 1950s and 1960s to demonstrate the importance of South-South solidarity in the history of national independence, anti-imperialist movements, and efforts to build a more decolonial world order.

From the educational staff ranks, FIB UGM appreciated the performance of two staff members who are considered to have made major contributions to the smooth operation of the faculty. Dyah Ayu Retnowati, A.Md., received the outstanding award in the Academic and Student Affairs division. Meanwhile, Tri Iswanto received an award in the General Affairs division for his crucial dedication in supporting the smooth running of administrative services and activities within the faculty.

This appreciation is expected to boost the motivation of the entire academic community to continue innovating and providing the best service in the future. This step aligns with the higher education institution’s commitment to continuously building a high-quality, inclusive, and resilient learning ecosystem to produce human resources capable of bringing a positive impact to the advancement of civilization.

[Public Relations of FIB UGM, Candra Solihin]