The Faculty of Cultural Sciences at Universitas Gadjah Mada (FIB UGM) held an orientation session and course registration for National and International Student Exchange participants for the even semester of 2026. The event took place in Meeting Room 1, Poerbatjaraka Building, FIB UGM. It was attended by students from South Korea, Taiwan, Brunei Darussalam, Italy, and Japan, as well as from Universitas Brawijaya, Universitas Sebelas Maret, Universitas Andalas, and Universitas Udayana. The Vice Dean for Academic and Student Affairs of FIB UGM was also present at the event.

The session aimed to provide students with an understanding of the faculty environment and academic system, including class schedules, the academic calendar, and classroom learning culture. In his remarks, the Vice Dean stated, “We hope the students will adapt well and make the most of this opportunity to enrich their academic and cross-cultural experiences.”

Through this activity, FIB UGM seeks to foster an open and collaborative learning environment amid the diverse backgrounds of its students. Cross-campus and cross-country interactions are expected to strengthen academic networks while supporting students’ continuous capacity development.

[Public Relations of FIB UGM, Candra Solihin]

Yogyakarta, February 13, 2026 – The Faculty of Cultural Sciences at Universitas Gadjah Mada held a screening of When The Water Horse Seeks A New Home at the 7th Floor Auditorium of Soegondo Building on Friday (13/2) at 2:00 p.m. WIB. The event was attended by Cultural Anthropology students of the Faculty and presented a cinematic work that traces the journey of Rohingya refugees through the story of a small object washed ashore on the coast of Aceh.

Written and directed by Andrianus Oetjoe Merdhi, the film is based on the discovery of a small plastic animal figurine left behind on an abandoned boat once used by Rohingya refugees. The vessel was found stranded on a remote beach in Aceh, nearly two thousand kilometers from the figurine’s place of origin. The small object serves as a silent marker of human movement, loss, and resilience amid displacement.

According to its synopsis, the film follows the object’s journey across oceans and borders in search of its owner. This search unfolds the human story behind the experiences of refuge and forced displacement endured by the Rohingya community.

The project was co-produced by Gerhard Hoffstaedter of the University of Brisbane. The production received support from the University of Bielefeld and Volkswagen Stiftung. The screening, attended by Cultural Anthropology students of the Faculty of Cultural Sciences UGM, provided a space for discussion on migration, identity, and collective memory. Through a reflective visual approach, the film invites audiences to understand the human dimension of cross-border displacement.

By focusing on a simple object, the film underscores that every trace left behind holds a story. Revisiting such traces becomes an important step in fostering empathy, broadening perspectives, and sustaining humanitarian values amid ongoing global dynamics.

[Public Relations of FIB UGM, Candra Solihin]

Yogyakarta, 13 January 2026 – Galuh Febri Putra underwent an Open Doctoral Promotion Examination at the Faculty of Cultural Sciences, Universitas Gadjah Mada (UGM) on Tuesday. In the examination held in the Multimedia Room of the Soegondo Building, Galuh defended his dissertation entitled Sexual Narratives in Motinggo Busye’s Novels from 1967 to 1969: A Study of Political Aestheticization, which analyzes literature as a medium of critique against power during the New Order era.

In his dissertation, Galuh examines the works of Motinggo Busye published in the early New Order period, specifically Tante Maryati (1967), Perempuan Paris (1968), and Cross Mama (1969). The study is rooted in the political context of Indonesia in the 1960s, when the government exercised strict control over freedom of expression in literature and media to support political and economic stability.

Galuh explained that the sexual narratives in Busye’s works go beyond mere entertainment. Instead, he argued, sexuality functions as an aesthetic strategy to disrupt mainstream literary patterns that tended to be repetitive and aligned with dominant ideology. “The sexual narratives in Motinggo Busye’s novels are used as a form of resistance against the New Order political system and as a means of raising readers’ social awareness,” Galuh stated during the examination.

The research outlines three primary focuses: the role of sexual narratives as an intervention in the New Order’s storytelling politics; the auratic effects these narratives produce in building class consciousness; and the role of such narratives in creating deautomatization of repetitive erotic literature of that period. Galuh employs the theory of political aestheticization to explain how literature can lose critical power when trapped in mass production devoid of social substance.

In his analysis, Galuh shows that Motinggo Busye incorporated criticism of patriarchy, capitalism, and authoritarianism through his portrayal of characters’ sexuality. Sexuality is thus positioned not only as a symbol of social tension and class conflict, but also as a medium to challenge state control over bodies and morality. This approach distinguishes Busye’s works from other erotic literature of his time, which generally prioritized sensation without social reflection.

The study’s findings also reaffirm the relevance of literary studies in interpreting Indonesia’s socio-political dynamics. By contributing theoretically to the development of sociological approaches to literature and political aestheticization, this dissertation is expected to serve as a reference for researchers and authors who view literature as a productive space for critique.

The open examination concluded with an emphasis that literary scholarship remains deeply connected to efforts to build critical societal awareness. Through re-reading past literary works, academic inquiry contributes to preserving collective memory, fostering freedom of thought, and nurturing cultural practices that support a more just and sustainable social life in the future.

[Public Relations of FIB UGM, Candra Solihin]

Yogyakarta, January 8, 2025 — The Faculty of Cultural Sciences (FIB), Universitas Gadjah Mada (UGM), facilitated the distribution of donations from Jogokariyan Mosque to 18 FIB UGM students from Sumatra who were affected by flooding. This assistance reflects the care and solidarity of various elements of society toward students directly impacted by natural disasters.

The event was attended by four representatives of the affected students from Sumatra, the Dean of the Faculty of Cultural Sciences, Prof. Dr. Setiadi, M.Si., the Vice Dean for Research, Community Service, Cooperation, and Alumni Affairs, Dr. Mimi Savitri, M.A., the Vice Dean for Finance, Assets, and Human Resources, Suray Agung Nugroho, S.S., M.A., Ph.D., Paksi Raras Alit as a representative of artists from the Jogja Hanyengkuyung Sumatra organizing committee, representatives of the Jogokariyan Mosque management, and volunteers.

Paksi Raras Alit explained that on Tuesday, December 23, 2025, the Jogja Hanyengkuyung Sumatra initiative was held as an expression of solidarity by musicians, event organizers, volunteers, and the Yogyakarta community to support those affected by flooding in Sumatra. He also noted that coordination had been carried out with Kagama and Kagama Care for the construction of sanitation facilities (MCK) in the affected areas, which has now begun. The fundraising effort was conducted in collaboration with Jogokariyan Mosque, which is widely recognized for its transparent and trustworthy fund management system, ensuring that the assistance would be distributed effectively and appropriately.

A representative of the volunteers stated that their presence at FIB UGM also served as an opportunity to strengthen ties and was expected to mark the beginning of further cooperation in social and humanitarian initiatives. Meanwhile, a representative of the Jogokariyan Mosque management explained that the mosque had been entrusted by the Jogja Hanyengkuyung Sumatra committee, along with recommendations from Kagama FIB, to distribute aid to FIB UGM students affected by the disaster in Sumatra.

The Dean of the Faculty of Cultural Sciences, Prof. Dr. Setiadi, M.Si., emphasized that FIB UGM remains open to various forms of collaboration, particularly those related to community assistance and community service activities. He also reaffirmed his support for synergy among universities, communities, and society in addressing shared needs.

The financial assistance distributed by Jogokariyan Mosque amounted to IDR 3,000,000 per student. The aid is distributed every three months through the Faculty of Cultural Sciences, UGM. The symbolic handover of the assistance during the final session of the event was represented by four affected students from Sumatra.

This donation distribution activity not only aims to alleviate the economic burden faced by students affected by the disaster but also seeks to ensure the continuity of their education while strengthening the spirit of mutual cooperation and cross-community partnerships. Through collaboration among educational institutions, religious communities, artists, volunteers, and alumni, this initiative also supports the achievement of the Sustainable Development Goals (SDGs), particularly in mitigating post-disaster social impacts, ensuring inclusive access to education, and strengthening partnerships for sustainable development.

[Public Relations of FIB UGM, Alma Syahwalani]