Khabib Anwar, widely known by his digital persona “Rektor Desa” (Village Rector), continues to promote village empowerment through a creative, digital-based approach. He is recognized as a village empowerment practitioner, creative mentor, and local economic mobilizer who focuses on content development and YouTube optimization.

Through the identity of “Rektor Desa,” Khabib carries a vision of bringing educational standards and professionalism to the village level. He believes that villages should not be left behind in the digital transformation, particularly in utilizing social media as a platform for education, promoting local potential, and strengthening community-based economies.

In various sharing sessions, Khabib emphasizes that becoming a beginner YouTuber is not about owning expensive cameras or sophisticated equipment. “It’s not about how expensive your camera is, but how strong your willingness is to start telling stories,” he said. He stressed that the most crucial step is having the courage to begin with whatever tools are available, because consistency in creating content is far more valuable than luxurious equipment.

According to him, digital platforms such as YouTube can serve as strategic spaces for rural communities to showcase local potential, promote MSME products, and share inspiring grassroots stories. With the right content strategy and sustained commitment, villages can build economic independence while expanding their market networks.

Khabib Anwar’s initiatives and ideas are aligned with the Sustainable Development Goals (SDGs), particularly in promoting inclusive and sustainable economic growth (SDG 8) by strengthening the creative capacity of rural communities. The use of digital technology to expand access to information and economic opportunities also supports reducing inequalities (SDG 10) and building sustainable communities (SDG 11). Furthermore, this effort reflects the importance of partnerships and collaboration within the digital ecosystem (SDG 17).

Through consistency and the courage to take the first step, “Rektor Desa” demonstrates that digital transformation can begin in villages, by villages, and for the advancement of villages themselves.

Yogyakarta, February 26, 2026 – Indonesian novelist and sociologist Okky Madasari, Ph.D., delivered a critical reflection titled “The Representation of Marginalized Voices: Who Speaks for Them?” at a public discussion forum in Yogyakarta. In her presentation, she encouraged participants to question who truly speaks on behalf of marginalized communities.

Okky elaborated on various forms of marginalization occurring across different spheres of life, including economic, political, cultural, identity-based, and even global political marginalization. According to her, marginalized groups often face not only limited access to resources but also the loss of space to represent themselves within public discourse.

“Representation that does not stem from empathy and solidarity will continue to exclude and sideline marginalized communities,” she emphasized. She warned that without critical awareness, voices claiming to represent marginalized groups may, in fact, reinforce unequal power relations and perpetuate social exclusion.

In the context of Ramadan, Okky also underscored the importance of social piety. “Ramadan is about social piety. A mosque is not only a place of worship, but also a space for dialogue and critical education,” she stated. She encouraged society to transform religious spaces into arenas for fostering empathy, solidarity, and advocacy for vulnerable groups.

The discussion is closely aligned with the Sustainable Development Goals (SDGs), particularly the commitment to reducing inequalities (SDG 10) by strengthening the participation and representation of vulnerable groups in decision-making processes. Furthermore, the promotion of critical dialogue, social justice, and inclusive public spaces supports the goal of peace, justice, and strong institutions (SDG 16). Efforts to build collective awareness and social solidarity also contribute to the creation of inclusive and sustainable communities, in line with SDG 11.

Through this reflection, Okky Madasari reaffirmed that advocating for marginalized voices is not merely about providing them with speaking space, but about ensuring empathy, solidarity, and structural transformation so that they can become full subjects in social and political life.

[Public Reation of FIB UGM, Alma Syahwalani]

The Faculty of Cultural Sciences at Universitas Gadjah Mada (FIB UGM) held an orientation session and course registration for National and International Student Exchange participants for the even semester of 2026. The event took place in Meeting Room 1, Poerbatjaraka Building, FIB UGM. It was attended by students from South Korea, Taiwan, Brunei Darussalam, Italy, and Japan, as well as from Universitas Brawijaya, Universitas Sebelas Maret, Universitas Andalas, and Universitas Udayana. The Vice Dean for Academic and Student Affairs of FIB UGM was also present at the event.

The session aimed to provide students with an understanding of the faculty environment and academic system, including class schedules, the academic calendar, and classroom learning culture. In his remarks, the Vice Dean stated, “We hope the students will adapt well and make the most of this opportunity to enrich their academic and cross-cultural experiences.”

Through this activity, FIB UGM seeks to foster an open and collaborative learning environment amid the diverse backgrounds of its students. Cross-campus and cross-country interactions are expected to strengthen academic networks while supporting students’ continuous capacity development.

[Public Relations of FIB UGM, Candra Solihin]

Yogyakarta, February 13, 2026 – The Faculty of Cultural Sciences at Universitas Gadjah Mada held a screening of When The Water Horse Seeks A New Home at the 7th Floor Auditorium of Soegondo Building on Friday (13/2) at 2:00 p.m. WIB. The event was attended by Cultural Anthropology students of the Faculty and presented a cinematic work that traces the journey of Rohingya refugees through the story of a small object washed ashore on the coast of Aceh.

Written and directed by Andrianus Oetjoe Merdhi, the film is based on the discovery of a small plastic animal figurine left behind on an abandoned boat once used by Rohingya refugees. The vessel was found stranded on a remote beach in Aceh, nearly two thousand kilometers from the figurine’s place of origin. The small object serves as a silent marker of human movement, loss, and resilience amid displacement.

According to its synopsis, the film follows the object’s journey across oceans and borders in search of its owner. This search unfolds the human story behind the experiences of refuge and forced displacement endured by the Rohingya community.

The project was co-produced by Gerhard Hoffstaedter of the University of Brisbane. The production received support from the University of Bielefeld and Volkswagen Stiftung. The screening, attended by Cultural Anthropology students of the Faculty of Cultural Sciences UGM, provided a space for discussion on migration, identity, and collective memory. Through a reflective visual approach, the film invites audiences to understand the human dimension of cross-border displacement.

By focusing on a simple object, the film underscores that every trace left behind holds a story. Revisiting such traces becomes an important step in fostering empathy, broadening perspectives, and sustaining humanitarian values amid ongoing global dynamics.

[Public Relations of FIB UGM, Candra Solihin]