Gadjah Mada University Language Center, through its Foreign Languages Learning Services (FELLAS), in collaboration with the British Council Indonesia, held an IELTS Writing Workshop on Thursday, June 18, 2026. The event took place at the Soegondo Building, FIB UGM, and was attended by students and members of the general public who wished to improve their writing skills for the IELTS exam.

The workshop aimed to provide an in-depth understanding of writing strategies for the IELTS Writing section, including techniques for structuring arguments, developing ideas, and managing time during the exam. Through this collaboration with the British Council Indonesia, participants received materials and insights directly from experts with extensive experience in IELTS instruction and preparation.

During the workshop, participants not only received theoretical instruction but also took part in practice sessions and discussions of sample IELTS Writing answers. This event is expected to help participants improve their academic skills and English communication abilities, as well as increase their chances of achieving an optimal IELTS score for international study or career purposes.

The IELTS Writing Workshop is one example of the UGM Language Center’s commitment to supporting the development of foreign language proficiency among the academic community and the general public. Through various training programs and language services, FELLAS continues to strive to offer activities that are relevant to the needs of education and human resource development in the global era.

This event also supports the achievement of the Sustainable Development Goals (SDGs), particularly SDG 4: Quality Education, by providing access to language skills training and enhancing participants’ academic capacity. Furthermore, the collaboration between the UGM Language Center and the British Council Indonesia reflects the implementation of SDG 17: Partnerships for the Goals, which emphasizes the importance of inter-institutional cooperation in expanding learning opportunities and improving the quality of education.

[Humas FIB, Maylafaizza Nafisha Zifa]

An awareness of the inequalities in the production and dissemination of knowledge between the Global North and the Global South forms the basis for the development of the discourse on decoloniality within both academic and artistic spheres. This new awareness that reality is not universal but rather pluriverse has prompted academics and art practitioners to re-examine everyday life to develop a sensitivity to the roots of power imbalances that may otherwise go unnoticed. The latest issue of Lembaran Antropologi vol. 4 no. 2 explores the theme “Anthropology and Decolonialisation in Performance Studies and Art Criticism” and features Rachmi Diyah Larasati from the Interdisciplinary Centre for the Study of Global Change, University of Minnesota, as editor, inviting readers to engage and gain a deeper understanding of how art and performance now reflect anthropological critique in artistic practice.

This edition discusses artistic practice not merely from an artistic perspective, but also in terms of efforts to convey concerns and social critique regarding everyday social phenomena. Issues concerning narratives of governance, expression, and living spaces form the core of the contributions in this edition. Moving beyond artistic practice based on established standards or conventions, attention is also drawn to the figures who determine these standards. Articles by Chaterji & Loravianti and Pangastuti re-examine the conventions or standards of artistic practice in the MTQ competition and the trans-cultural experiment of ‘Swan Lake’ using gamelan instruments. The presence of standards or conventions as criteria for artistic evaluation must be re-examined: which narratives or values predominantly influence artistic judgement?

Turning to the aspect of dance as a symbolic embodiment that takes root in the human body, rich in meaning and social messages. The article by Sekar Sari and Listyorini demonstrates that dance or choreography conveys messages and expressions to highlight issues regarding care work and forms of resistance against the narrative of global capitalism embedded in daily life. The final topic in this edition discusses the living spaces of folk arts such as Reog Ponorogo (Nurdiyanto, Amrullah, Mahadewa) and Horeg (Nursilah, Gietty, Setyani, Yoesoef). Both forms of folk art, which were originally performed in daily life through communal spaces, are now increasingly being featured in festivals, indicating the commodification of folk art as part of the tourism industry. Does this shift from communal activity to institutionalised practice create a space for negotiation between artists and audiences? To explore this discourse further, please access this edition via the following link: https://journal.ugm.ac.id/v3/LA/issue/view/916

[Okky Chandra Baskoro]

Students of the Undergraduate Archaeology Program, Faculty of Cultural Sciences, Universitas Gadjah Mada, participated in a field visit on iconography at Plaosan Temple, Klaten, on Sunday (June 7, 2026). Led by Sir Aditya Revianur, M.Hum., the activity introduced students to Buddhist iconography through direct observation of statues and reliefs found within the temple complex. During the visit, students learned to identify various visual attributes, postures, and symbolic elements that play an important role in recognizing Buddhist figures in archaeological remains.

In addition to learning the fundamentals of Buddhist iconography, students were assigned to describe selected statues and reliefs observed during the visit. This exercise provided an opportunity to develop observation and documentation skills while engaging directly with archaeological remains. By studying the monuments firsthand, students were able to connect classroom knowledge with practical field experience and gain a deeper understanding of iconographic studies in archaeology.

Nama Penulis: Muhammad Irsyad

Pemilik Foto: Aditya Revianur, M.Hum.

Two students from the Japanese Language and Culture Study Program of Universitas Gadjah Mada (UGM), Michelle Anastasia Budiman (Class of 2022) and Listu Prajna Anggana (Class of 2023), have been selected to participate in the Ferris University Exchange Program in Japan. The one-year exchange program commenced in March 2026 and is scheduled to continue until February 2027, providing students with the opportunity to attend classes and deepen their understanding of Japanese language and culture through direct experience.

Through the program, Michelle and Listu will receive various forms of support, including a tuition waiver and scholarship assistance from Ferris University throughout their period of study in Japan. The program is designed to support students’ academic development while encouraging cultural exchange and international engagement.

Ferris University also offers a range of support services for international students, including a mentorship program with Japanese students, academic tutors, and dormitory facilities. Through these opportunities, students are expected to broaden their academic perspectives, strengthen their Japanese language proficiency, and gain valuable intercultural experiences.

The participation of Michelle and Listu in this program reflects the commitment of the Japanese Language and Culture Study Program UGM to encouraging students to take advantage of international opportunities and develop their academic competencies in a global environment.

[Barra Taura Nursaid]

Betari Ardya Febbyaliza, a 2023 student of the Japanese Language and Culture Study Program at Universitas Gadjah Mada (UGM), won Second Place in the Shodou Taikai Isshoni Tanomimashou competition organized online by the Japanese Literature Student Association of the Faculty of Cultural Studies, Universitas Brawijaya. The competition was attended by 29 participants from various universities across Indonesia. The winners were announced through Zoom and the official Isshoni Tanomimashou social media account on Saturday, 23 May 2026. For this achievement, Betari received an e-certificate and a cash award.

In preparation for the competition, Betari received guidance from Akbar Rizqi Dhea Habibi, S.S., M.A., a lecturer of the Japanese Language and Culture Study Program at UGM who also teaches the Shuuji (Japanese Calligraphy) course during the Even Semester of the 2025/2026 Academic Year. The judging criteria included stroke order, the proper use of tomaru, haneru, and harau techniques, the aesthetic quality of the characters, and character proportion.

This achievement reflects the continuous development of BKJ UGM students’ competencies in Japanese language and culture. Through the Shuuji (Japanese Calligraphy) course, students not only learn the techniques of Japanese character writing but also develop an appreciation for the aesthetics, precision, and discipline that form an integral part of Japanese cultural traditions.

[Barra Taura Nursaid]