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HEADLINES

Students Watch Together: Opening of King Sejong Institute Korean Language Course Yogyakarta

News ReleaseSDGs 16: Peace justice and strong institutionsSDGs 17: Partnerships for the GoalsSDGs 4: Quality EducationSTICKY NEWSStudent's ActivitySustainable Development Goals Thursday, 5 September 2024

Saturday, August 31, 2024 Faculty of Cultural Sciences together with Hankuk University of Foreign Studies Seoul organized the opening of King Sejong Institute (KSI) Korean language course. The opening of the KSI class this period was held at CGV Pakuwon Yogyakarta. Attended by course participants and KSI managers, this opening went very well and was greeted with enthusiasm. The event began with opening remarks by Suray Agung Nugroho, S.S., M.A., Ph.D., as the chief manager of KSI Indonesia. The next agenda was the most awaited by every participant of this period’s KSI class opening, which was watching a movie.

In collaboration with CGV Pakuwon Yogyakarta, a Korean movie titled “Revolver” was shown. This action movie with a criminal theme tells about the journey of a woman who is trapped in a prison scheme to get some money in return. Directed by Oh Seung-uk, the movie managed to impress the participants of the King Sejong Institute (KSI) Korean language course opening. Hopefully, this event will motivate the participants of the KSI course to achieve brilliant achievements in the field of Korean language and literature.

Suaraya – Suakarsa Mahadaya: FIB UGM Student Activity Unit Expo

HEADLINESNews ReleaseSDGs 11: Sustainable cities and communitiesSDGs 16: Peace justice and strong institutionsSDGs 17: Partnerships for the GoalsSDGs 3: Good health and well-beingSDGs 4: Quality EducationSDGs 8: Decent work and economic growthSTICKY NEWSStudent's ActivitySustainable Development Goals Wednesday, 4 September 2024

Suaraya – Suakarsa Mahadaya, the Expo activity of the UGM Faculty of Arts Student Activity Unit was successfully held with great fanfare on Friday, August 30, 2024 in the Greendland area and the Margono building of the Faculty of Arts UGM. Organized by the ministry of interest and talent LEM FIB Abra Nirmala cabinet. The event involved 20 Semi-Autonomous Bodies, Communities, and SMEs at the faculty level with the aim of orientation and introduction to new FIB students about the dynamics, achievement opportunities, soft skills sharpening, and non-academic activities that students can undergo during college. The 20 units are:

  1. Sanggar Lincak
  2. Kapalasastra
  3. UPI-Humanika
  4. Paramadya
  5. Rampoe
  6. KMIB
  7. Teater Terjal
  8. Saskine
  9. Bejomulyo
  10. KMK
  11. PKM Corner
  12. Sastra Kanuragan
  13. Dian Budaya
  14. PMK
  15. Sastra Budaya
  16. Sastra Oebah
  17. Suar Asa
  18. Senat Mahasiswa FIB
  19. LEM FIB
  20. DKIB

Held overnight, Suaraya gave a pleasant impression to FIB students by packaging the BSO Performance and Introduction in a lively Collaborative Drama. The distribution of door prizes and prizes for the “Gemilang Tujuh Belasan FIB” competition was also a series that was awaited by the students who attended and the winners of the competition held a few weeks ago. The participating food tenants became friends of the students in fulfilling their hunger and thirst throughout the event.

The success of Suaraya cannot be separated from the support of the Dean, Lecturers and Staff of FIB, LEM FIB Management, General Committee, and BSO FIB UGM Community, as well as 8 Sponsors, namely;

1. Awor Coffe
2. Morse Board Game and Cafe
3. Sari Wangi Parfum
4. Imperial Digital Printing
5. Sari Roti
6. Yamie Panda
7. Sidodadi Soundsystem
8. Aka4 Lighting

Dealing with Emotions in the Moment: Stories from the Caring for the Victim, Caring for the Self Seminar

HEADLINESNews ReleaseSDGs 10: Reduced InequalitiesSDGs 4: Quality EducationSDGs 5: Gender equalitySTICKY NEWSSustainable Development Goals Monday, 2 September 2024

The Women’s Crisis Center is a place for complaints of various cases of violence experienced by women. So far, public attention has centered on the development of legal cases, and places the victim as the sole subject who experiences the effects of trauma. In fact, the traumatic effect spreads to other actors who listen and fight for the case. On the occasion of the Caring for the Victim, Caring for the Self seminar (27/08/2024), the Anthropology Department of the Faculty of Arts UGM invited Mona Elisa Behnke to share the results of her months of research with the assistants at one of the Women’s Crisis Centers in Java, especially Yogyakarta.

Mona Behnke is a doctoral candidate in Social and Cultural Anthropology at Free University Berlin, Germany. Her Master’s thesis was on hyperreality, state rhetoric and collective memory in contemporary Indonesia, and combined her interest in psychological and visual anthropology with a philosophical approach. After graduation, Mona worked for some time as a business anthropologist in the field of user experience and the organization of work structures. In her PhD project, she focused on the emotional labor of social assistance workers in a women’s crisis center in Java, Indonesia, touching on issues of emotion, gender, and conflict management.

Working in the humanitarian field has the consequence of great challenges, not only in terms of legal assistance skills, but also the skills that must be possessed to work in the field. Basically, gender itself is labor, where the articulation of actions, behaviors and performance are socially constructed in harmony. Women are considered more flexible in absorbing emotions and navigating concerns. Being an advocate for cases of violence against children and women makes them have to be able to navigate themselves technically and emotionally. Caring is the main asset that must be possessed by the assistants. Mona’s research tries to answer how care is practiced in a neutral environment through emotional labor from psychological and legal assistants.

Plunging as a companion shows that they consciously decide to enter a non-profit institution ready to experience institutionalization in three fundamental aspects, namely emotional labor, order of feelings, and emotion repertoires. ‘Emotional Labor’ refers to the management of emotions carried out to fulfill work performance when faced with clients. Facilitators are required to be able to harmonize their emotions with a socially constructed hierarchy or order. They must understand what emotions are allowed to be shown and not when listening to client stories. Repeated mentoring experiences shape their knowledge and memory of the repertoire of emotions when assisting clients. Furthermore, the process of assisting cases of violence against women and children has a dynamic approach both feminist and gender.

Listening to the emotions released by the client makes the companion experience second traumatization. This opens up further discussion that the experience of trauma is not only experienced by subjects who are directly treated with violence, but those who absorb the emotions of victims will also experience ‘second traumatization’, such as assistants and sign language interpreters. Emotional and mental exhaustion becomes the point where the assistants have an experience with the victim, beyond their technical skills. Mona describes the emotional flow of the helper and the victim in an interesting diagram, how the helper has to empty their emotional glass between before and after entering the hot table (where the client tells about their case). They professionally process their emotions in order to maintain themselves mentally so that they can continue to assist victims. This discussion brings us to the fact that the advocates actually have the potential to experience unequal care, where they give their full care to others, but they do not get the same care because they are considered not victims even though they absorb trauma from clients every day and fight for them. Sometimes, both survivors and caregivers feel very grateful when they can forget a very painful traumatic experience. From this we can conclude that forgetting is not a passive thing, but an active process that is also selective in building individual and collective memory. The ability to forget is also a valuable skill in emotional labor, in addition to the ability to remember which has been widely applied.

This discussion ended with several stories of assistants who were carrying out their temporal agencies by caring for each other and strengthening the emotional conditions of fellow assistants. Activities such as watching movies, joking, walking, telling stories and laughing out loud are a form of temporal agencies for the assistants so that their mental state is maintained and they can return to caring for other victims.

Author: Nuzul Solekhah
Photo: Puspita Nindya Sari

HARMONY MALARINGGI: UGM CULTURAL SCIENCE FACULTY STUDENTS TEACH PIANIKA MUSICAL INSTRUMENTS IN MALARINGGI VILLAGE

HEADLINESNews ReleaseSDGs 10: Reduced InequalitiesSDGs 11: Sustainable cities and communitiesSDGs 16: Peace justice and strong institutionsSDGs 4: Quality EducationSTICKY NEWSStudent's ActivitySustainable Development Goals Thursday, 29 August 2024

Community service or KKN (Kuliah Kerya Nyata) is an important part of higher education in Indonesia, especially at Universitas Gadjah Mada. The KKN-PPM UGM SG 007 with the theme “Optimizing Local Potential to Realize Community-Based Sustainable Tourism in Namu, Batujaya, and Malaringgi Villages” was carried out by 28 UGM students from July 1, 2024 to August 19, 2024. The team received appreciation from H. Surunuddin Dangga, S.T., M.M. as the Regent of South Konawe when participating in the Stunting Eradication Program in Namu Village.

Rafi Ramdani, a student of Cultural Anthropology, Faculty of Cultural Sciences UGM, in early July to mid-August, carried out KKN-PPM in Malaringgi Village, Laonti District, South Konawe Regency which witnessed his enthusiasm to serve the community through the Pinaika Musical Instrument Teaching program with the theme “Educating Malaringgi.” The program was held in the village of Malaringgi: Comprehensive and innovative learning activities for children”. This program has been designed by the UGM KKN-PPM team under the guidance of Dra. Eko Sulistyani, M.Sc, from the Department of Physics, FMIPA UGM with the main objective of providing comprehensive education to students in Malaringgi Village.

Rafi’s program focuses on teaching and training children to play the pianika as one of the modern musical instruments developing in Indonesia. He realizes that music is not just entertainment, but also a means to develop children’s cognitive, social, and emotional skills as well as a medium to preserve local culture by adapting local songs using modern musical instruments. By introducing the pianika, which is a modern musical instrument but easy to learn, children can improve hand-eye coordination, fine motor skills, and the ability to read musical notation. In addition, through playing music together, children also learn to work together and communicate better.

Photo of Rafi teaching children to play the pianika

The community welcomed this program enthusiastically. Children who previously had limitations in playing musical instruments are now starting to show significant improvement. Rafi not only acts as a teacher, but also as a mentor who helps build confidence in the children to explore and learn music. With the skill of playing the pianika, the children are expected to have wider opportunities to participate in various art activities at school and outside of school. This can pave the way for them to explore their interests and talents in music, which can be a provision for the future.

The community service carried out by Rafi is a reflection of the role of students in bringing positive changes to various layers of society. With his enthusiasm and dedication, he proves that Anthropology students of FIB UGM are not only committed to improving academic quality, but also have an active role in creating positive impacts in society. This program not only provides training in music playing skills, but also brings a glimmer of hope and a place of creativity for the children of Malaringgi Village to face a brighter future as the next generation of the nation.

Faculty of Cultural Sciences UGM Shares Experiences in Linguistics Master Program Development with Nusa Cendana University

HEADLINESNews ReleaseSDGs 10: Reduced InequalitiesSDGs 11: Sustainable cities and communitiesSDGs 12: Responsible consumption and productionSDGs 16: Peace justice and strong institutionsSDGs 17: Partnerships for the GoalsSDGs 4: Quality EducationSDGs 8: Decent work and economic growthSDGs 9: Industry innovation and infrastructure Thursday, 29 August 2024

Yogyakarta, August 26, 2024 – Faculty of Cultural Sciences Universitas Gadjah Mada (FIB UGM) held a meeting with the Linguistics Master Program of Nusa Cendana University (Undana) on Monday, August 26, 2024. The meeting took place from 10:00 a.m. to 12:00 p.m. in Conference Room 1, Poerbatjarakan Building 1st Floor, Faculty of Cultural Sciences UGM.

This event aims to provide input to the Undana Linguistics Master Program regarding strategies and best practices in building and managing a quality Linguistics Master Program. Present at this meeting were representatives from FIB UGM consisting of: Dr. Nur Saktingrum, M.Hum., Dr. Suhandano, M.A., Dr. Sailal Arimi, M.Hum., Dr. Sajarwa, M.Hum., and Dr. Ramayda Akmal, M.A. Meanwhile, from Undana, there were also representatives who came all the way from Kupang, NTT: Dr. Sebastianus Fernandez, M.Pd., Dr. Jermy Balukh.

In this meeting, the representatives of FIB UGM shared their experiences and insights on how to develop an excellent Master of Linguistics program, including tips and tricks to attract more enthusiasts. The discussion covered various aspects such as curriculum development, innovative teaching methods, and effective promotion strategies.

The meeting is expected to provide valuable guidance and strengthen cooperation between the two institutions for the development of linguistics education in Indonesia. Thank you to all participants for attending and contributing to this constructive discussion.

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Universitas Gadjah Mada

Faculty of Cultural Sciences
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