Temu Budaya Nusantara is an annual event of IMBASADI (Association of Regional Language and Literature Students throughout Indonesia), whose venue is rotated according to the plenary meeting. As a result of the XXIX Nusantara Culture Gathering National Conference at I Gusti Bagus Sugriwa State Hindu University, Bangli, on November 8, 2023, Gadjah Mada University (UGM) was chosen as the host of the Temu Budaya Nusantara XXX in 2024 under the Javanese Language, Literature and Culture Study Program, Faculty of Cultural Sciences, Gadjah Mada University.

The Temu Budaya Nusantara XXX in 2024 be held on November 11-15, 2024. Proudly, the Javanese Language, Literature and Culture Study Program welcomed the delegation guests. The participants enthusiastically followed the series of Temu Budaya Nusantara XXX 2024 events from the first day to the end of the event.

This year’s Temu Budaya Nusantara carries the theme “Manggala Gadjah Mada: Ancala Raksi Budaya”. With deep meaning to the majesty of Maha Patih Gajah Mada, and the fragrance of culture. As such, many activities were carried out that were closely related to the cultures of each delegation present. The delegations present included Bugis Makassar Regional Literature (Hassanudin University), Javanese Language Education (Sebelas Maret University), Javanese Language Education (PGRI Semarang University), Batak Literature (University of North Sumatra), Religious Literature and Balinese Language Education (I Gusti Bagus Sugriwa State Hindu University), Regional Literature (Sebelas Maret University), Balinese Language Education (Ganesha Education University), Javanese Language and Literature Education (Semarang State University), and finally, Javanese Language, Literature, and Culture (Gadjah Mada University).

Temu Budaya Nusantara XXX began with the opening of the event which was held directly at Soegondo Auditorium, 7th floor, Faculty of Cultural Sciences, Gadjah Mada University. Beginning with the Golek Ayun-Ayun Jugag dance, followed by showing the teaser of Temu Budaya Nusantara XXX and several remarks starting from the representative of the Head of the Javanese Language, Literature and Culture Study Program, Dr. Sri Ratna Saktimulya, M.Hum., remarks from the chief executive of Temu Budaya Nusantara XXX, Bima Muslih, and others.

Performance of Golek Ayun-Ayun Jugag Dance by students of Javanese Language, Literature, and Culture Study Program.

Temu Budaya Nusantara XXX was opened with the symbolic opening of Gajah Mada’s wayang by the representative of the Head of the Javanese Language, Literature and Culture Study Program, Dr. Sri Ratna Saktimulya, M.Hum. The opening was also enlivened by an exhibition of regional musical instruments and a traditional culinary festival from each delegation’s home region. Then the event continued with delegation orientation to get to know each other and perform their best yells. In the evening, the delegates participated in a series of Cultural Performances which contained performances of script readings in the regional language of each delegate.

Dr. Sri Ratna Saktimulya, M.Hum. symbolically opened the Temu Budaya Nusantara XXX.

There are a lot of competitions held in this Temu Budaya Nusantara XXX. The competitions that have been held include the Batik Design Competition which is carried out online with an assessment system through the calculation of the most likes on the Instagram account @manggala.gadjahmada. In addition to the batik design competition, Temu Budaya Nusantara XXX also held other competitions, including the National Scientific Writing competition, Fairy Tale Competition, TikTok Nusantara Competition, Documentary Competition, and Essay Competition. Another activity that is no less interesting is Tilik UGM, where delegation participants take a series of UGM campus tours and learn the history of Gadjah Mada University.

Awarding of competition winners was held on the fourth day of Temu Budaya Nusantara XXX. The awarding night also featured a puppet show called Gajahmada Kridha (Ra Kuti Balela) masterminded by a student of the Javanese Language, Literature and Culture Study Program class of 2023, Ki Rafi Nur Fauzy. All delegates participated in the awarding night which was also the closing of the Temu Budaya Nusantara XXX. Many members of the public also watched the Gajadmada Kridha puppet show.

Trophies of the winners of the Temu Budaya Nusantara XXX series of competitions

On the last day, the delegates participated in a series of Cultural Tourism activities to Pakualaman Temple. The delegates and some of the organizers of Temu Budaya Nusantara toured Pura Pakualaman accompanied by several lecturers from the Javanese Language, Literature and Culture Study Program and ended with the return of the delegates to their hometowns.

Temu Budaya Nusantara XXX is a representation of the young generation who actively participate in preserving their respective cultures. Coming from different regional backgrounds, cultures, and customs, IMBASADI is able to unite this diversity. With the implementation of Temu Budaya Nusantara XXX, it shows that there are still many students who are concerned with regional culture and have the skills to develop it, it is fitting for the new generation to promote the diversity of regional cultures in Indonesia with their abilities.

[Public Relation Faculty of Cultural Science, Editor: Sandya Kirani]

Rafael Raga Budi Panuntun, a student of the Javanese Language, Literature and Culture Study Program class of 2021, successfully became the scriptwriter and director of a theater entitled “Ngathabagama” with the theme Panji which brought Sleman Regency to win the overall champion and best presenter in the 2024 DIY Provincial Theater Festival. Ngathabagama Theater was nominated as the best presenter, best director, best music director, best artistic director, best ensemble, and brought home the rotating trophy of the DIY Theater Festival.

Quoted from instagram account @rafaelragabp

Raga’s success should be an inspiration, in the midst of his academic busyness, Raga can still work and create a beautiful theater and become the best presenter. The process carried out by Raga is quite long, starting from initiating ideas, writing scripts, and so on. Ngathabagama Theater is a theater that was formed by accident, starting from a theater festival at the Sleman Regency level. Kapanewon Minggir has been the champion in Sleman Regency for 2 consecutive years. In 2023, Kapanewon Minggir presented a theater titled “Hagbala” with the theme of Yogyakarta, History and, Romanticism which was also written and directed by Rafael Raga Budi Panuntun, even 50% of this theater is self-made, starting from production, music, artistic, fashion, and others. Hagbala succeeded in winning the 1st place at the Sleman Regency level and the 3rd place at the DIY Province level.

After successfully becoming a champion with Hagbala in 2023. In 2024, Rafael Raga and Kapanewon Minggir advance to participate in the theater festival again in Sleman Regency. Raising Ngathabagama as the title of the presented theater, again succeeded in becoming the champion. Raga revealed that he wrote his script and ideas during KKN (Real Work Lecture) activities. This shows that with all his busyness, Raga was able to create an extraordinary work that was unexpectedly led him to become the best presenter in the 2024 DIY Theater Festival.

The theme of the 2024 DIY Theater Festival refers to the technical instructions from the DIY Cultural Service (Kundha Kabudayan) which is Panji. Panji’s romance and love with Sekartaji are brought into a theater. However, Raga revealed that he wanted Ngathabagama to be taken from another point of view, namely that the story of Panji and Sekartaji who always got a blessing from a nature or can be called the absolute destiny of God. Raga did research and found that Panji and Sekartaji always get a destiny that separates them, whether separated by time, someone, or circumstances.

The script that Raga wrote did not escape Raga’s consultation with the lecturer of the Javanese Language, Literature, and Culture Study Program, Dr. Rudy Wiratama, S.I.P., M.A., an academic and Wayang Gedhog practitioner who uses the theme of Panji and Sekartaji. With the conversation that Raga did with Dr. Rudy Wiratama, S.I.P., M.A., will strengthen the story and can be held accountable for its validation.

After doing a lot of research and discussion, Raga found that Panji and Sekartaji are always separated by fate, one of them is separated by the god Bathara Kala which is represented as Kala is time. Raga got an unusual idea, which is working on the Panji theater this time by showing Bathari Durga or the mother of Bathara Kala who gives wiradat to Panji and Sekartaji and separates the two of them to get a stronger essence.

Raga crossed between Wayang Gedhog and Wayang Purwa to find out the weakness of Bathari Durga. The weakness of Bathari Durga is Semar or Sang Hyang Ismaya, Semar can defeat Bathari Durha by reciting the way of the guardian, to prevent further evil. Caraka walik is a Javanese script (Hanacaraka) that is read backwards, believed to be able to ward off bad things, Raga took the title of the theater this time from the first line of caraka walik, Ngathabagama.

Many Javanese chronicles, both fiction and non-fiction, place the central story of Panji and Sekartaji. Raga’s knowledge of various kinds of Javanese literary works made him confident to write this script. The story of Panji and Sekartaji has not only become the wealth of the Nusantara but for the whole of Southeast Asia. There are also many essences of Wayang Purwa that are raised for Ngathabagama theater, such as Semar, Bathari Durga, the role of the gods, the urning of the nature of the wiradat, a romance story that has many relationships with literary works, and local wisdom such as the use of caraka walik which is widely known to expel or restore bad circumstances.

Not only the presentation of Ngathabagama theater, Raga also created an original soundtrack for Ngathabagama with the title “Kalasmara” which supports the dialogue between Panji and Sekartaji. This Kalasmara was created by Raga to archive theatrical presentations that have been carried out so that they still have a different essence. Raga added that he did not want a stage to only end in 30 minutes to 1 hour on stage, but to have another form of work that can forever be a memory and archive in the future.

The story of Raga in the creation of performing arts based on Javanese literary works is expected to be able to inspire students of the Javanese Language, Literature, and Culture Study Program to be able to create and utilize the knowledge that has been obtained. Many works of art can be created equipped with knowledge from the Javanese Language, Literature, and Culture Study Program.

Thursday night (14/12/2024), the Javanese Language, Literature and Culture Study Program held a puppet show with the play Gajahmada Kridha (Ra Kuti Balela). The night was also the night of the awarding to the winners of the Temu Budaya Nusantara XXX competition, this puppet show was also held in commemoration of World Shadow Puppet Day. The puppet performance was held in Greenland, Faculty of Cultural Sciences, Gadjah Mada University. Masterminded by M. Rafi Nur Fauzy, a 2023 student of the Javanese Language, Literature and Culture Study Program and in collaboration with the Surakarta Style Javanese Arts Unit (UKJGS) UGM, the Gajahmada Kridha puppet show went smoothly.

Based on an interview with Rafi, Gadjahmada Kridha (Ra Kuti Balela) tells the story of Gajah Mada’s role in suppressing the rebellion of Ra Kuti, a Dharmaputra or courtier at that time. Ra Kuti’s rebellion was based on dissatisfaction with King Jayanegara who was very weak and easily manipulated by his subordinates. This made some of his courtiers unhappy, including Ra Kuti. Ra Kuti wanted to restore the dignity of Majapahit at that time. However, it turned out that Ra Kuti’s idea was not approved by the community so that the community considered that Ra Kuti was committing a rebellion. When Ra Kuti successfully occupied the capital, Jayanegara was escaped by Bhayangkara’s troops. After strategizing, the Bhayangkara troops were able to turn the situation around and Ra Kuti died at the hands of Gajah Mada.

The rebellion carried out by Ra Kuti changed an Gajah Mada who was initially only a commander of soldiers then appointed as patih. The beginning of Ra Kuti’s rebellion as Dharmaputra was caused by a divide and conquer, by Mahapati, a cunning person. He made a strategy so that all Majapahit predecessors were finished and Mahapati could steer the country, even though he did not want the position of king. Gajahmada, who knew Mahapati’s guise, succeeded in making Mahapati die at the hands of Gajah Mada.

Puppet performance of Gajahmada Kridha (Ra Kuti Balela)

There were many processes involved in writing the script for this puppet show. With the help of R. Bima Slamet Raharja, S.S., M.A., and Dr. Rudy Wiratama, S.I.P., M.A., as academics and wayang practitioners, Rafi revealed “Initially I read Negara Kertagama but there was no explicit role of Gajah Mada in it. Then in consultation with Mr. Bima and Mr. Rudy, I was advised to read comics, tutur tinular, and Pararaton.” Being able to perform his own hand-drawn sanggit is a proud and enjoyable thing for Rafi. However, unfortunately there is a lack of appreciation from the Faculty of Cultural Sciences regarding this puppet performance. It is a good first step for the Javanese Language, Literature and Culture Study Program to organize a puppet show at the Faculty of Cultural Sciences, especially to introduce students and residents of Universitas Gadjah Mada to puppetry.

It is hoped that with this wayang performance, more and more students and the general public will be interested in puppetry, because basically puppets in this globalization era are more flexible, not fixated on puppetry conventions. It does not require classical wayang, but it can also be contemporary according to each taste. For the younger generation to be able to love wayang from what they find interesting, it can be from the music accompaniment, the story, and the characters. There are many life lessons that can be learned from puppetry, which can be used for later life.

[Public Relation Faculty of Cultural Science UGM, Editor: Sandya Kirani]

After successfully becoming the Princess Cultural Ambassador of Yogyakarta 2024, Kintan Dewinta Putri, a student of the Javanese Language, Literature and Culture Study Program class of 2022, continued her struggle by representing the Special Region of Yogyakarta in the Indonesian Cultural Ambassador 2024 event. The search for the 2024 Indonesian Cultural Ambassador was held on September 19-21, 2024 in the city of Surabaya, East Java. 

During the four-day event, Kintan received a lot of training and workshops such as how to build personal branding and material about skin health. Many activities were carried out by Kintan together with other Cultural Ambassadors from various regions, ranging from photoshoots to city tours. “I was feeling down and overthinking not being able to bring the title, but Alhamdulillah, I was still given the trust as the 1st Runner Up of the 2024 Indonesian Cultural Ambassador,” said Kintan regarding her impression.

Kintan Dewinta Putri wearing a typical Yogyakarta Besiyaran outfit

Kintan’s experiences and achievements are expected to be a motivation for students of the Javanese Language, Literature and Culture Study Program, and be able to benefit the people around both now and in the future. Kintan conveyed a message that all young people should not be ashamed to start something because success must also begin with effort. Kintan added hope that the big family of Indonesian Cultural Ambassadors will be closer, maintained solidarity and unity among the diversity of Indonesian culture. 

Kintan’s steps as Yogyakarta Cultural Ambassador 2024 and 1st Runner Up Indonesian Cultural Ambassador 2024 should be an example for students and the general public regarding the role of preserving local culture. Not only Cultural Ambassadors have a duty to preserve culture, but it is an obligation for all levels of society. Increasing tolerance and strengthening unity can start as a good first step.

[Public Relation Faculty of Cultural Science UGM, Sandya Kirani]

In the midst of a busy academic routine, a number of students of the Javanese Language, Literature and Culture Study Program have made extraordinary achievements in the non-academic field. They are members of a band called Band Wangoen which has recently stolen a lot of attention with its keroncong genre. The band, which consists of 7 students, has shown dedication, creativity, and a high spirit of teamwork. Band Wangoen means “to be appropriate (in terms of goodness)” it is hoped that with this name Band Wangoen can entertain with wangun in every performance.

At one of Gadjah Mada University’s events, Integrated Career Days held in November, Band Wangoen managed to present a beautiful performance. Performing pop songs with keroncong arrangements made them appear different from the others. This achievement not only shows their talent, but also their ability to manage time well between studies and non-academic activities.

“Actually, we all have busy schedules, but making music and being an artist is a fun thing to do. We learn to manage our time well, take advantage of every opportunity to practice, and stay focused on our academic assignments,” said Amtenaring Gulang, the cak’s player and student of the Javanese Language, Literature and Culture Study Program class of 2022 who initiated the formation of the band, adding that it was not easy to find group members who had an interest in keroncong music and were talented to play and sing Javanese songs.

The keroncong genre and Javanese songs performed also show the role of Javanese Language, Literature and Culture Study Program students in preserving Javanese culture. Keroncong music and Javanese songs are rare to be heard by the current generation, it is fitting to preserve and introduce them so that their existence does not decline. One of the Javanese dolanan songs was also performed on stage, entitled “Gethuk” the song was sung beautifully by the vocalist Dian Patmisari. Tembang dolanan has an important role in Javanese society, especially for children, indirectly the content of dolanan songs contains moral and life values that can be a teaching of character building.

Wangoen Band performance in Integrated Career Days event

Apart from performing at Integrated Career Days 2024, Band Wangoen also had the opportunity to perform 8 songs at the Malam Alumni event as a series of Nitilaku 2024, namely the 75th Anniversary of Universitas Gadjah Mada and the 15th lustrum. This time, Band Wangoen invited Lala Atila, a sinden, singer, and student of the Language, Literature and Culture Study Program class of 2021 as a vocalist. Lala Atila’s melodious voice managed to create an intimate atmosphere among the alumni of Universitas Gadjah Mada who were present. The event, which was also attended by Basuki Hadimuljono, Head of the 2nd Nusantara Capital Authority, went smoothly with the warm accompaniment of keroncong music by the Wangoen Band.

Wangoen Band’s performance at Alumni Night 2024

The success of Band Wangoen also shows the importance of balance between academic and non-academic activities. The band members proved that with good time management, they can excel not only in the classroom but also outside the classroom. It is hoped that their success will become an example for all students to be more active in exploring their potential in various fields. With increasingly steady steps, Band Wangoen shows that the world of lectures is not only a place to gain knowledge, but also a place to develop talents and achieve success in various aspects of life.

[Public Relation FIB UGM, Editor: Sandya Kirani]