JAKARTA – Academics from Gadjah Mada University (UGM) have once again achieved a prestigious milestone on the national stage. Fitrilya Anjarsari, a doctoral student in the Humanities at UGM, was officially named First Prize Winner of the Jakarta Arts Council (DKJ) 2026 Literary Criticism Competition. The announcement was made during the “2026 DKJ Literary Criticism Contest Awards Night,” which took place in a solemn ceremony at the Small Theater Building, Taman Ismail Marzuki, on July 23, 2026.
Fitrilya succeeded in outshining 141 other entries that had passed the administrative screening with her essay titled “The Collapse of Humanity as the Center: Post-Human Tendencies in Contemporary Indonesian Literary Aesthetics.” This victory is not only a source of personal pride but also reflects the depth of intellectual tradition and the sharpness of critical analysis fostered within UGM’s doctoral program.
This year’s contest is held under the overarching theme “The Long Journey of Indonesian Literature.” Fadjriah Nurdiarsih, Chair of the DKJ Literature Committee, explained that this event represents a consistent effort to foster a healthy ecosystem of thought and scholarly tradition. Since its inception in 2007, this competition has served as a vital platform for the emergence of new literary critics capable of offering fresh perspectives on the development of literature.
In his remarks, DKJ Executive Chair Bambang Prihadi emphasized that literary criticism acts as a bridge, enabling works of art to be discussed and appreciated more deeply by the general public. In line with this, Harry Sanjaya, Head of the Management Unit of the Jakarta Arts Center Taman Ismail Marzuki (UPPKJ TIM), stated that a vibrant tradition of criticism is the foundation for the nation’s cultural progress.
The manuscript written by Fitrilya Anjarsari caught the jury’s attention for its bold exploration of post-humanism in Indonesian literature after the year 2000. In the jury’s statement, read by Areispine Dymussaga Miraviori and Asep Subhan, Fitrilya’s work was deemed capable of transcending conventional readings that typically focus on the human subject.
Fitrilya employs cutting-edge references to analyze four literary works as her subject matter, namely:
1. O (2016) by Eka Kurniawan;
2. Semua Ikan di Langit (2017) by Ziggy Zezsyazeoviennazabrizkie;
3. Aroma Karsa (2018) by Dee Lestari;
4. Gentayangan: Pilih Sendiri Petualangan Sepatu Merahmu (2017) by Intan Paramaditha.
In her analysis, Fitrilya demonstrates how non-human elements in these novels are no longer merely background or supplementary elements, but have transformed into story drivers with agency (both material and non-material). The author skillfully weaves together theoretical foundations and formal analysis using simple language that maintains a rigorous scientific structure through the division of subsections, which enhances overall readability.
The judging process was conducted via “blind reading,” in which the judges evaluated the manuscript without knowing the author’s identity or regional origin. This ensures objectivity in determining the winner based on craftsmanship, readability, and the novelty of the arguments.
Although named the winner, the judging panel still provided critical feedback as part of a healthy academic tradition. The judges highlighted the opening section of Fitrilya’s manuscript, where she presented various humanistic trends in the interpretation of contemporary literary works as the basis for her argument. According to the judges, this section lacked concrete examples, leaving room for doubt as to whether these trends actually exist within the current critical landscape or are merely the author’s imagination.
However, these shortcomings were offset by Fitrilya’s keen ability to weave narrative elements into a highly compelling contextual interpretation. The judges concluded that Fitrilya’s manuscript is a highly versatile work that demonstrates the skill of a master reader in charting a new direction for Indonesian literary aesthetics.
Fitrilya Anjarsari’s first-place victory, followed by Cindy Wijaya (2nd place) and Ridwanul Hakim Authonul Muther (3rd place), demonstrates the dominance of the younger generation on the national literary criticism scene. Bambang Prihadi noted that the majority of this year’s contest participants were from the millennial and Gen Z generations, proving that the critical thinking skills of Indonesia’s youth remain strong.
As a doctoral student in the Humanities at UGM, Fitrilya’s achievement serves as tangible proof of the university’s academic community’s contribution to charting a new course for literary studies beyond the ivory tower of academia. This essay will be published on tengara.id, a literary criticism website operated by the DKJ Literature Committee, so that it can be widely accessed by the public and other researchers.
The awards ceremony concluded with the hope that the winners would continue to inspire critical thinking. With this victory, Fitrilya Anjarsari not only took home a tangible award but also solidified her position as one of the future critics poised to guide “The Long Road of Indonesian Literature” with a sharp and relevant academic perspective.
Penulis: Islahuddin Ibrahim
Sumber dokumentasi:
https://www.youtube.com/live/sJnTES3fXr8?si=ySQ6Kf1tXQDfXq-W
