Two students from the Japanese Language and Culture Study Program of Universitas Gadjah Mada (UGM), Michelle Anastasia Budiman (Class of 2022) and Listu Prajna Anggana (Class of 2023), have been selected to participate in the Ferris University Exchange Program in Japan. The one-year exchange program commenced in March 2026 and is scheduled to continue until February 2027, providing students with the opportunity to attend classes and deepen their understanding of Japanese language and culture through direct experience.

Through the program, Michelle and Listu will receive various forms of support, including a tuition waiver and scholarship assistance from Ferris University throughout their period of study in Japan. The program is designed to support students’ academic development while encouraging cultural exchange and international engagement.

Ferris University also offers a range of support services for international students, including a mentorship program with Japanese students, academic tutors, and dormitory facilities. Through these opportunities, students are expected to broaden their academic perspectives, strengthen their Japanese language proficiency, and gain valuable intercultural experiences.

The participation of Michelle and Listu in this program reflects the commitment of the Japanese Language and Culture Study Program UGM to encouraging students to take advantage of international opportunities and develop their academic competencies in a global environment.

[Barra Taura Nursaid]

Betari Ardya Febbyaliza, a 2023 student of the Japanese Language and Culture Study Program at Universitas Gadjah Mada (UGM), won Second Place in the Shodou Taikai Isshoni Tanomimashou competition organized online by the Japanese Literature Student Association of the Faculty of Cultural Studies, Universitas Brawijaya. The competition was attended by 29 participants from various universities across Indonesia. The winners were announced through Zoom and the official Isshoni Tanomimashou social media account on Saturday, 23 May 2026. For this achievement, Betari received an e-certificate and a cash award.

In preparation for the competition, Betari received guidance from Akbar Rizqi Dhea Habibi, S.S., M.A., a lecturer of the Japanese Language and Culture Study Program at UGM who also teaches the Shuuji (Japanese Calligraphy) course during the Even Semester of the 2025/2026 Academic Year. The judging criteria included stroke order, the proper use of tomaru, haneru, and harau techniques, the aesthetic quality of the characters, and character proportion.

This achievement reflects the continuous development of BKJ UGM students’ competencies in Japanese language and culture. Through the Shuuji (Japanese Calligraphy) course, students not only learn the techniques of Japanese character writing but also develop an appreciation for the aesthetics, precision, and discipline that form an integral part of Japanese cultural traditions.

[Barra Taura Nursaid]

Typing Javanese script on digital devices is often not as easy as imagined. Instead of displaying the expected letters, the screen often displays a row of blank squares or tofu, a sign that the font is not legible. This problem is not isolated. In addition to font limitations, the differences in typing systems between the Latin alphabet and Javanese script also make it difficult for users to adapt. Furthermore, keyboard layouts vary across operating systems, from Windows to Macintosh to Android. This directly complicates the use and preservation of Javanese script, especially in the digital realm.

A number of Javanese script fonts are already available and can be used freely, such as NyK Ngayogyan and NyK Ngayogyan Jejeg, developed by the Yogyakarta Special Region Cultural Office. However, the problems don’t stop at visual appearance. Without a uniform keyboard system, users continue to face obstacles in their daily typing practices.

This situation prompted the development of a Javanese script keyboard system based on the Indonesian script keyboard (SNI 9048). This system was designed with reference to the Serat Wulangreh manuscript as a cultural basis, while also being adapted to the needs of use on various digital devices. Through this standardization, it is hoped that uniformity in typing Javanese script will be achieved, eliminating the need for users to adapt to different systems.

This keyboard system is now available for various devices and is freely accessible to the public. Users can download and install it according to their operating system, whether Windows, Macintosh, or Android. The Javanese script keyboard system can be downloaded from https://wongsayuk.webnode.page/my-work/ or https://wongsaayuk.webnode.page by selecting the download menu. On the page, there is a “Javanese Aksara Keyboard” section, then select the SNI Nataksara system in various formats depending on the device: .exe file for Windows, .dmg file for Macintosh, and .apk file for Android.

After downloading and installing, users are advised to restart their device if the system is not immediately usable. An installation guide (pitoedoeh) is also provided to facilitate the installation process and ensure optimal system use.

Once the system is installed, understanding the keyboard layout is the next important step. Users need to understand the differences between the SNI 9048-based system and the device’s native system, particularly on Windows devices. These differences can be seen in the image below.

The implementation of this standardized keyboard system is a crucial step in addressing the various technical challenges users have faced. Furthermore, the presence of Javanese script in the digital space serves not only as a visual element but also as part of efforts to maintain cultural continuity amidst technological advancements.

Ultimately, preserving Javanese script is not simply a matter of maintaining it; it also requires the courage to develop and adapt it to the times. Continuous support from various parties is key to ensuring that Javanese script not only remains alive but also remains present and empowered within the ever-changing digital ecosystem.

Author : Haryo Untoro

Editor : Haryo Untoro

Bibliography

Prasaja, S.A. (t.t.) Papan Tombol Aksara Djawa Versi SNI 9048. Wongsayuk. https://wongsayuk.webnode.page/my-work/

Prasaja, S.A. (t.t.) Papan Tombol Aksara Djawa Versi Windows. Wongsayuk. https://wongsayuk.webnode.page/my-work/

The American Studies Program of the Faculty of Cultural Sciences, Universitas Gadjah Mada, is currently preparing for the 2nd American Studies International Conference (ASIC), which will be held on September 10-11, 2026, at the Faculty of Cultural Sciences UGM.

This international conference marks the second implementation of ASIC after the first conference was successfully conducted in 2018. After several years of hiatus, ASIC returns as an academic forum that brings together researchers, lecturers, students, and practitioners from various fields of study.

ASIC 2026 carries the theme “Global America: Flows, Borders, and Transnational Exchanges.” The theme highlights the dynamics of America in a global context, particularly related to cultural exchange, migration, territorial borders, digital media, and various other transnational issues.

The organizing committee stated that the conference is expected to become a platform for academic discussion that encourages interdisciplinary and international collaboration. In addition, ASIC 2026 is also part of the effort to strengthen the position of American Studies in Indonesia in responding to contemporary global issues.

Various subthemes will be discussed during the conference, including:

• American Literature
• American Transnational Culture
• Politics in the US
• Film and Media Studies
• Religion in the US
• Environmental and Ecological Issues in the US
• Diaspora in the US
• American Border
• Digital Lives and Virtual Realities
• Migration to and from the US

Currently, the committee continues to finalize various preparations, ranging from academic coordination and conference publication to the opening of the call for papers for both national and international participants. ASIC 2026 is also supported by several institutions and communities, including American Studies Students and Alumni Association (ASSAA), American Studies Society of Indonesia (ASSINDO), Jogja Film Academy, PTA Sinematik Indonesia, and CARITRA Indonesia.

Previously, the first ASIC conference in 2018 brought together academics and researchers to discuss globalization and cultural identity issues within the perspective of American Studies. Through its second implementation, ASIC 2026 is expected to once again become a space for academic exchange that remains relevant to current global developments. 

Further information regarding ASIC 2026 can be accessed through the official ASIC website at asic.fib.ugm.ac.id

[American Studies]

Yogyakarta, May 22, 2026 – The Gadjah Mada Wayang Festival (GWF) 2026 once again presented a series of cultural events as part of the 80th Anniversary celebration of the Faculty of Cultural Sciences, Universitas Gadjah Mada. On the second day, an “Expert Lecture” themed “Wayang as Tangible and Intangible Cultural Heritage” was held at the Pusaka Jawa Courtyard of UGM on May 22, 2026.

This activity was part of a community engagement program under the theme of Equity, supported by LPDP. In his opening remarks, the Chairperson of the Gadjah Mada Wayang Festival Committee, Rudy Wiratama, expressed his gratitude to all invited guests and participants who had supported the event.

Rudy Wiratama also expressed his hope that the Gadjah Mada Wayang Festival would continue to be held annually as a cultural program. According to him, the Faculty of Cultural Sciences UGM aims to continuously introduce wayang and selected dalang (puppeteers) to the public as part of preserving Javanese culture.

The expert lecture featured various discussions related to the world of wayang. Ir. Wono Sri Suwito, M.M. discussed cultural heritage within the wayang tradition. Meanwhile, Mas Tyo Cahya Sadewa presented the art of tatah sungging (traditional carving and coloring techniques) of wayang kulit within the treasury of Javanese puppetry. Zakariya Pamuji also provided perspectives from philology and epigraphy to examine wayang as a cultural heritage rich in historical values and knowledge.

The event was moderated by Dr. R. Bima Slamet Raharja, S.S., M.A. During the discussion session, he stated that wayang essentially belongs to everyone.

“When we talk about wayang, wayang belongs to all of us,” he remarked.

Through this activity, the Gadjah Mada Wayang Festival 2026 served not only as a space for appreciating performing arts but also as a medium for cultural learning for younger generations and the wider community, encouraging them to appreciate and preserve the cultural heritage of the Indonesian archipelago.

This activity was also aligned with the Sustainable Development Goals (SDGs), particularly SDG 4 on Quality Education through the dissemination of cultural knowledge, SDG 11 on Sustainable Cities and Communities through the preservation of tangible and intangible cultural heritage, and SDG 17 on Partnerships for the Goals, as the event involved collaboration among academics, artists, LPDP, and the community in maintaining the sustainability of Indonesian culture.

[Public Relations of FIB UGM, Alma Syahwalani]