Yogyakarta, July 1, 2025 — The 4th International Seminar on Malay-Javanese Studies (SEMEJA) was officially held at UC Hotel, Universitas Gadjah Mada (UGM), bringing together scholars from various institutions both domestically and internationally. One of the panel speakers contributing to the academic discussions was Dr. Fahmi Prihantoro, S.S., M.A., a lecturer from the Department of Archaeology, Faculty of Cultural Sciences, UGM.

In a session titled “How Did Islamic Religious Organizations Empower Society Through Cultural Heritage,” Dr. Fahmi presented a case study on Pasar Pasan in Kotagede, Yogyakarta. He elaborated on how cultural heritage preservation can become a dynamic tool for community empowerment, particularly through the involvement of Islamic organizations such as Muhammadiyah.

According to Dr. Fahmi, Kotagede is a living heritage site—a cultural heritage area that continues to be actively used in the daily lives of its community. Beyond preserving historical traces, this area serves as a space where cultural, religious, and economic values develop harmoniously.

A key point in his presentation highlighted a paradigm shift in heritage preservation—from being government-led to being increasingly driven by civil society and non-governmental organizations. Muhammadiyah, as one of Indonesia’s largest Islamic organizations, was cited as having taken an active role in community development rooted in cultural heritage in Kotagede.

Through the Pasar Pasan case study, Dr. Fahmi emphasized how this traditional market activity functions as a platform for residents to reinforce cultural identity while simultaneously enhancing the local economy. Pasar Pasan is seen as a community-led initiative that integrates cultural values with inclusive economic practices.

The discussion also addressed the importance of community engagement and collective memory in sustaining cultural heritage. The people of Kotagede are considered to possess a strong historical awareness, which supports the continued existence of heritage spaces—especially those located between the symbolic twin gates of Kotagede.

The session concluded with an interactive Q&A segment. Seminar participants raised insightful questions, which Dr. Fahmi responded to enthusiastically, underlining the significance of collaboration among communities, academics, and religious organizations in preserving cultural heritage.

This event plays a crucial role in supporting the achievement of several Sustainable Development Goals (SDGs). Through community-based cultural heritage preservation, it contributes to the creation of inclusive, safe, resilient, and sustainable cities and human settlements, in line with SDG 11. Furthermore, educational values are promoted through the cross-cultural dissemination of knowledge and the strengthening of cultural identity awareness, reflecting the aims of SDG 4 on quality education. Equally important, the seminar embodies the spirit of SDG 17 by fostering strategic partnerships between academia, civil society, and local communities in social development based on local wisdom.

Through this discussion, participants gained new insights into community-based cultural preservation and the vital role of religious organizations in fostering inclusive and sustainable social development.

[Public Relations FIB UGM, Alma Syahwalani]

Yogyakarta, 31/05/2025 – Another proud achievement came from mahadaya (students of Cultural Sciences). Nurcholish Ramadhan, a 2024 student from the Department of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences UGM, successfully directed the production of a theater performance entitled Sat-Set. The show was performed by Teater Berdaya in Prabusena (Cultural, Art, and Islamic Appreciation Stage of PD IPM Bantul) 2025 on Saturday night, May 31, 2025 at 20.00 WIB, at the 1st Floor Hall of the Da’wah Building of PDM Bantul.

Sat-Set Theater tells the story of the love journey of Fikar, a 28-year-old man, the son of a panewu (sub-district head), who falls in love with Alya – the daughter of his late father’s best friend. An accidental meeting in the square is the beginning of Fikar’s love story. After some research, Fikar learns that Alya is the daughter of Paklik Pram, his father’s old friend. They stay close for a month, but Fikar never proposes. To provoke Fikar’s sincerity, Paklik Pram created the rumor that Alya would be married off. The plan worked. Although Fikar initially only expressed his feelings in front of Paklik and Bulik Pram, he finally received their blessing. Later, Fikar went to the park where he often visited with Alya. There they meet again after not seeing each other for several days. Finally, Fikar expresses his love and immediately asks Alya to marry him.

The uniqueness of Sat-Set theater lies in its source of inspiration. Nurcholish Ramadhan said that Sat-Set was inspired by Serat Riyanta, a Javanese literary work written by R. B. Soelardi in 1918. In an online interview conducted on June 12, 2025, Nurcholish explained that his interest in the fiber began with a course assignment. “After I read Serat Riyanta from beginning to end, I was interested and liked the story, so I had an idea to translate it into a performance,” he explained.

The production process of the performance was not free from challenges. Nurcholish mentioned that the limited duration required him to summarize the narrative of Serat Riyanta effectively, without losing the essence of the story. In addition, funding constraints were also an obstacle. Nevertheless, he was grateful that the performance could run optimally.

“Through this performance, I learned to go deeper into the work that was referred to when it was adapted into a theater script. Then, I feel happy to be able to accommodate the potential and talents of my fellow Muhammadiyah students in the arts,” he said.

Sat-Set Theater is a tangible form of nguri-uri ‘preserving’ and ngurip-urip ‘enlivening’ regional arts, literature, and culture. Past literary works hold a wealth of historical values, knowledge, moral and didactic teachings, and interesting stories to be revived. Through the excavation, preservation and utilization of these cultural treasures, the community not only benefits sustainably, but also builds a sense of pride in the nation’s noble identity. As Nurcholish said at the end of the interview. “A history and culture will always be preserved when there are people who want to nyinau (learn) and adum ilmu (share knowledge),” he concluded.

[Haryo Untoro]

Yogyakarta, 30/5/2025 — A night full of meaning and memory unfolded at the event Tujuh Puluh Dua Tahun Cak Nun dan Bicara Bicara, held on Friday Pahing, May 30, 2025, at Kawasan Cagar Kreatif Tanah Air, Ngaglik, Sleman. The event was attended by artists, close friends of Cak Nun, and invited guests.

This celebration marked a tribute to the long intellectual and spiritual journey of Cak Nun as a cultural figure and scholar who has shaped the landscape of Indonesian thought since the 1970s. Hosted by MC Seno Classical, the evening featured various performances and speeches from close companions who shared their personal testimonies about Cak Nun.

In his address, Prof. Dr. Aprinus Salam shared personal stories with the maestro. “I met Cak Nun for the first time when I was still in junior high school, around 1979. Since then, I have followed his works, especially his poetry. In fact, both my undergraduate thesis and master’s thesis were about his poetry,” he began. One of the most memorable aspects for Prof. Aprinus was Cak Nun’s autodidactic way of learning. “I was always curious about how he learned. I once observed that he would disassemble a computer, study all the components one by one, and then reassemble it. He could even fix broken cars. That was remarkable,” he explained.

As a closing note, he shared a lasting memory. “One story I always tell that shows how extraordinary he is, is that he eats and sleeps the least among us. His level of asceticism was profound. During Ramadan, at 3 AM, he would routinely send out his writings, showing how deeply he valued time,” he said.

The second testimony came from Budi Sarjono, a long-time friend of Cak Nun since 1974. “I met him in 1974 when I was working at Basis Magazine. He would often ask, ‘Bud, do you have paper? Envelopes? Stamps?’ Then he would sit down and rapidly type two to three articles to be sent to various newspapers. I was deeply impressed,” he recalled.

Budi also shared a poignant experience. “One of the most meaningful memories was when I invited him to deliver a sermon and read poetry at a Catholic Mass in 1975. Although there was some tension with church officials at the time, what I emphasize is how Cak Nun expressed his heart to God with sincerity. That moment shook me.” He also described Cak Nun as a humble friend. “With his already well-known name back then, he still enjoyed gathering with us, talking until late at night. Sometimes, he would call me just to ask to be scolded,” he added with a smile.

That night was more than a birthday celebration, it was a tribute to a thinker who never tires of seeking meaning, nurturing culture, and voicing the conscience of the people. Tujuh Puluh Dua Tahun Cak Nun dan Bicara Bicara stands as a testament to how his intellectual and spiritual journey continues to inspire many to this day.

[Master’s Program Literature, Marsya Kamila]

Yogyakarta, 19-21 Mei 2025 —Indonesia is widely recognized as an archipelagic country. According to the Geospatial Information Agency, by 2024, the number of islands in Indonesia had reached 17,360, varying in size, location, socio-cultural systems, and natural as well as human resource potential. As territorial units, these islands are both separated and united by the sea—whose area is even larger than the landmass itself. This fact illustrates that the tendency toward fragmentation may be stronger than that of unity. As a unitary state, Indonesia exists within a constant tension between sameness and diversity, unity and potential disintegration. Therefore, the state must pay serious attention to its islands. It is for this reason that the national motto, Bhinneka Tunggal Ika (Unity in Diversity), continues to be emphasized by the government through various educational institutions and civic doctrinal efforts.

In response to the urgent need to address Indonesia’s existence as an archipelagic state with complex island-related issues, the Doctoral Program in Humanities at the Faculty of Cultural Sciences, Universitas Gadjah Mada, opened the year 2025 with an international lecture series. The program invited three internationally recognized scholars in island studies to teach and deliver lectures as part of a comprehensive event entitled Critical Island Studies Summer School, themed “The Land, The Sea, and The State.” The invited scholars included Maria Luisa Torres Reyes, a full professor and Scholar-in-Residence at the University of Santo Tomas, Manila; Alex Taek-Gwang Lee, professor of philosophy and cultural studies and founding director of the Centre for Technology in Humanities at Kyung Hee University, South Korea; and Faruk, professor at the Faculty of Cultural Sciences, UGM, specializing in literary sociology with a focus on cultural and island studies. The event took place from May 19 to 21, 2025, in Room 709, Soegondo Building, Faculty of Cultural Sciences, UGM.

On the first day, the program commenced with an introductory presentation on Critical Island Studies (CIS) by Prof. Maria Luisa Torres Reyes and Prof. Alex Taek-Gwang Lee. Prof. Reyes—affectionately called “Bu Lulu” during her stay in Indonesia—explained that Critical Island Studies was established in 2019 at the University of Santo Tomas, Philippines. Its core focus is to observe and critique island-related studies, particularly in the Asian region.

On the second and third days, the program continued with lecture sessions from four keynote speakers. On Day 2, Prof. Reyes presented a lecture titled “The Sama Bajau: The Nomadic Space/Place Between ‘Laut’ and ‘Pulo’,” followed by Prof. Faruk’s presentation entitled “The Sea, Nomad, and Capitalist.” On the final day, Prof. Toshiya presented an abstract titled “What is the Speculative and Archipelagic Turn in the Recent Tonality of Human Sciences?” which was then followed by the final lecture delivered by Prof. Alex titled “Artificial Intelligence and the Ecological Catastrophe.”

Guided by a moderator, the event did not merely consist of lectures but also featured engaging discussions with the participants. The entire Critical Island Studies (CIS) Summer School concluded with closing remarks by Prof. Dr. Wening Udasmoro, S.S., M.Hum., DEA, Vice Rector for Education and Teaching at Universitas Gadjah Mada.

[Doctoral Program in Humanities]

Yogyakarta, 16/4/25 — The Doctoral Promotion Open Examination of Dr. Ronidin was held on Tuesday, April 15, 2025, at the Faculty of Cultural Sciences, Universitas Gadjah Mada. The session took place in the Multimedia Room, 2nd Floor of the Margono Building, at 10.00 AM (WIB). This academic agenda marked the culmination of his doctoral journey in the Humanities Study Program at the Faculty of Cultural Sciences, UGM.

In this open examination, Dr. Ronidin defended his dissertation entitled “The Expression of Minangkabau Tabedo in Novels by Minangkabau Authors Post-PRRI to the First Half of the New Order: A Genetic Structuralism Study.” The examination was supervised by Dr. Sudibyo, M.Hum. as Promoter, and Dr. Novi Siti Kussuji Indrastuti, M.Hum. as Co-Promoter, and chaired by the Dean of the Faculty of Cultural Sciences UGM, Prof. Dr. Setiadi, M.Si.

This dissertation delves deeply into how the historical events of the PRRI (Revolutionary Government of the Republic of Indonesia) and the political transition during the early New Order period shaped cultural expressions and worldviews of Minangkabau authors through the medium of novels. Utilizing Lucien Goldmann’s genetic structuralism approach, reinforced by Lotman’s narrative theory, this research demonstrates how the Minangkabau tabedo worldview—characterized by difficult and dilemmatic social conditions—is reflected in literary texts.

The study examines five novels by Minangkabau authors: Dari Puncak Bukit Talang by Soewardi Idris, Panggilan Tanah Kelahiran by Dt. B. Nurdin Jacub, Saraswati Si Gadis dalam Sunyi by A.A. Navis, Warisan by Chairul Harun, and Bako by Darman Moenir. These novels depict the realities of Minangkabau society post-PRRI, amidst state hegemony and the shifting of traditional values, such as the role of the maternal uncle in the matrilineal system, the role of religion, and the relationship between the village and the diaspora.

Dr. Ronidin emphasizes that the Minangkabau tabedo phenomenon emerges as a representation of the tension between traditional values eroded by political realities and modernity introduced from external influences. In these novels, complex social realities are metaphorically portrayed through characters and narrative relationships, structurally reflecting the sociological conditions of Minangkabau society during that era.

This open examination not only affirms Dr. Ronidin’s intellectual capacity as an academic but also contributes significantly to Indonesian literary studies, particularly in understanding literature as a mirror of a society’s socio-political dynamics.

[Public Relation of Faculty of Cultural Sciences, Muhammad Ebid El Hakim]