The Student Association of the Department (HMJ) of the Study Program of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM), held Abhiseka Kramasisya 2026 on Saturday, 12 September 2026. This activity was a welcoming event and inauguration ceremony for new students of the Study Program of Javanese Language, Literature, and Culture. As part of the initial series of university life, the 2026 cohort of new students participated in the activity to become acquainted with the academic environment while building a sense of togetherness with the academic community of the study program.

The series of Abhiseka Kramasisya 2026 featured various activities that introduced new students to university life. The activity began with an opening dance performance, followed by remarks from the hosts and the organizing committee. New students also had the opportunity to learn about campus life experiences through a talk show with alumni and a question-and-answer session with lecturers. Interactive games also helped create a more relaxed atmosphere before the series of activities continued with the siraman ceremony as one of the parts of welcoming the new students.

Following the welcoming activities, the event continued with an arts performance that provided a space for new students to express themselves through various forms of performance. The stage provided an opportunity for them to showcase their interests and talents while interacting with other students, the organizing committee, lecturers, and alumni in a more relaxed atmosphere. The creativity of the new students was evident in the various performances presented, one of which was a short theater performance that combined moral messages, humor about campus life, and social criticism. The students not only performed as actors but were also involved in bringing the story to life through character development and the presentation of the performance. The performance received a positive response from the audience through laughter and appreciation expressed throughout the show. More than merely entertainment, the arts performance also provided an opportunity for new students to gain the confidence to perform, create together, and get to know one another through the creative process. The interactions that developed during the performance also strengthened the sense of togetherness among the new students.

Through this series of activities, Abhiseka Kramasisya 2026 was not only a welcoming and inauguration event for new students but also part of an initial introduction to student life within the Study Program of Javanese Language, Literature, and Culture. This introduction did not stop at academic life but also demonstrated that being a student of Javanese Language, Literature, and Culture means having space to develop creativity and various potentials. The arts performance became one of the spaces for introducing this to new students, showing that Javanese language, literature, and culture are not only studied through academic activities but can also be brought to life through creativity and works. Thus, student creativity can become part of efforts to maintain, preserve, and develop Javanese culture so that it remains alive and can provide benefits to society.

Author : Nurul Fajri Rahmani
Editor : Haryo Untoro

On Thursday, 3 September 2026, the Department of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM), conducted a visit and held the first meeting of its community engagement program at SMA Negeri 1 Depok, Sleman. The activity marked the beginning of a collaboration between the Department of Javanese Language, Literature, and Culture at FIB UGM and SMA Negeri 1 Depok, Sleman, through the Pendidikan Khas Kejogjaan (PKJ) program.

The PKJ program is designed to introduce students to various aspects of Javanese language and culture, particularly the Javanese script, unggah-ungguh (Javanese etiquette and social conduct), Javanese character values, and cultural knowledge that can be applied in everyday life. The program provides a learning space that brings together academic knowledge and direct cultural experiences.

The first meeting began with opening remarks by the Head of the Department of Javanese Language, Literature, and Culture, Dr. Sulistyowati, S.S., M.Hum. The session was followed by an introduction to the team that will serve as facilitators throughout the program. The facilitator team consists of alumni and students of the Department of Javanese Language, Literature, and Culture:

1. Faradilla Putri Margaretha
2. Endar Sasmito Aji
3. Fauzan Adi Fadlurahman
4. Anggit Galuh Ajar Amanah
5. Wening Hidayati
6. Pesdhi Sekar Hayumay
7. Maysa Putri Fatihah
8. Muhamad Rafi Nur Fauzy
9. Pingky Putri Khairani
10. Meifira Arini Pitaloka
11. Lakshita Pradnya Dayinta
12. Dian Patmisari

In addition to introducing the facilitator team, the first meeting featured sessions delivered by two lecturers from the Department of Javanese Language, Literature, and Culture. Dr. Yosephin Apriastuti Rahayu, S.S., M.Hum., presented an introduction to Nusantara scripts, including the Javanese script. Meanwhile, Dr. Bima Slamet Raharja, S.S., M.A., discussed the use of Javanese language and culture in everyday life. The sessions were delivered interactively, allowing students to explore aspects of Javanese culture through learning activities closely connected to their everyday experiences.

The first meeting marked the beginning of a series of seven scheduled sessions. Following the introductory meeting, the second through seventh sessions will be facilitated by the team through learning activities and practical sessions with Grade 10 students of SMA Negeri 1 Depok.

The program also contributes to the Sustainable Development Goals (SDGs), particularly SDG 4 (Quality Education) through Javanese language and cultural learning in a school setting; SDG 10 (Reduced Inequalities) through expanding access to cultural knowledge and learning opportunities; and SDG 11 (Sustainable Cities and Communities) through efforts to preserve and pass on Javanese culture to younger generations. In addition, the collaboration between the Department of Javanese Language, Literature, and Culture at FIB UGM and SMA Negeri 1 Depok supports SDG 17 (Partnerships for the Goals) by strengthening collaboration between higher education institutions and schools.

Through this series of activities, the community engagement program serves not only as an application of academic knowledge but also as a collaborative space for introducing and strengthening young people’s understanding of Javanese language and culture.

Author: Haryo Untoro

The Student Association of the Javanese Language, Literature, and Culture Study Program (HMJ Kamastawa), through its Academic Affairs Division, held an orientation session on the Study Plan Card (Kartu Rencana Studi/KRS) and course registration for new students, or Mahadaya, of the 2026 cohort on Monday, 11 August 2026. The activity was organized to prepare new students for the KRS registration period, which took place from 11 to 14 August 2026.

During the session, the Academic Affairs Division of HMJ Kamastawa provided an overview of several matters related to students’ preparation for their university studies. The materials included an introduction to and guidance on using Simaster, an introduction to courses, and an explanation of the 2026 curriculum. In addition to academic matters, participants also received information about Abhiseka Kramasisya 2026 and a brief introduction to Temu Budaya Nusantara (TBN) XXXII, an annual event organized by the Association of Indonesian Regional Language and Literature Students (Ikatan Mahasiswa Bahasa dan Sastra Daerah Se-Indonesia/Imbasadi).

The presentation on the 2026 curriculum also featured the Head of the Javanese Language, Literature, and Culture Study Program, Dr. Sulistyowati, S.S., M.Hum. Her participation gave new students an opportunity to receive a more detailed explanation of the structure and provisions of the curriculum they will follow. This explanation was particularly relevant as there are several differences between the 2026 curriculum and the curriculum applicable to students from previous cohorts.

The orientation was conducted in a serious yet interactive atmosphere. The new students not only listened to the materials presented but also actively raised questions about KRS registration, courses, the curriculum, and academic life throughout their studies in the Javanese Language, Literature, and Culture Study Program. The interaction reflected the new students’ enthusiasm for understanding various aspects of their upcoming academic journey.

Through this activity, the 2026 cohort of Mahadaya gained a clearer understanding of the KRS registration process, course structure, and curriculum they will undertake. In addition to providing academic preparation, the activity served as one of HMJ Kamastawa’s efforts to assist new students in adapting to the university environment and the dynamics of student life.

Through its Academic Affairs Division, HMJ Kamastawa remains committed to supporting students throughout their academic and student life. This support is intended to help new students build their readiness, both academically and through their involvement in the Javanese Language, Literature, and Culture Study Program community.

Author: Haryo Untoro

The Department of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences, Universitas Gadjah Mada, has produced many alumni who have contributed to the preservation and development of the Javanese language, literature, and culture. One of them is Aji Setyowijaya, a member of the 2008 cohort who is now dedicated to the world of batik as a craftsman of traditional Yogyakarta batik.

The Department of Javanese Language, Literature, and Culture had the opportunity to visit and interview Aji Setyowijaya, hereafter referred to as Mas Aji, in person on Tuesday, 21 July 2026. The 2008 alumnus, who was also a recipient of a scholarship from Yayasan Arsari Djojohadikusumo (YAD), also known as Yayasan Keluarga Hasyim Djojohadikusumo (YKHD), explained that his interest in batik began with his admiration for inherited batik cloths. He often came across old batik fabrics of exceptional quality and beauty, but they had become so fragile that they were no longer suitable for use. “I used to enjoy looking at inherited batik cloths. The fabrics were beautiful and I wanted to wear them, but they had become too fragile. Eventually, I was motivated to try reproducing old batik cloths. At the same time, during my university years, I also enjoyed wearing rasukan, or traditional Javanese attire,” he said.

This interest encouraged him to begin learning batik-making in 2009. He studied various batik techniques by observing and learning directly at several batik centers in Yogyakarta. During this early period, Mas Aji focused on understanding the principles and techniques of traditional Yogyakarta batik as the primary foundation before developing his own works.

Building on this understanding, between approximately 2013 and 2015, Mas Aji began producing antique batik, also known as batik kama or batik lawasan. According to him, during that period both the public and collectors highly appreciated batik lawasan because it was assumed to have originated several decades earlier. “At that time, in the batik trade, people appreciated antique batik, or kama, or lawasan, with the assumption that the batik was 50–70 years old,” he explained.

However, this experience also gave rise to a sense of concern. According to Mas Aji, batik should not merely be regarded as a classical work that ends with reproducing the past. Batik should continue to develop without abandoning its traditional roots. Based on this perspective, he began incorporating his personal identity into every work he created while also expanding his exploration beyond the characteristic style of Yogyakarta batik.

In line with this spirit, since 2018 Mas Aji has devoted himself to studying natural dye techniques for traditional Yogyakarta batik. For him, learning about natural dyes is not merely about producing a wider range of colors, but also about rediscovering the technical knowledge inherited from earlier generations of batik artisans.

In his creative process, Mas Aji does not work alone. He collaborates with his colleague, Yahya Adi Sutikno, who focuses on the design process, while Mas Aji is primarily responsible for production. This collaboration enables them to produce a wide range of batik works through complementary approaches.

Their works include sample pieces featuring various batik motifs on a single piece of cloth consisting of 27, 260, and even 480 motif samples, as well as replicated batik, batik lawasan, and batik resulting from transformation, media transfer, and various forms of creative batik. Their exploration extends beyond batik cloth itself to other textile media, such as sarung and other types of fabric.

In addition to producing batik cloth, Mas Aji is also active in Perkumpulan Wastra Indonesia, a community that brings together enthusiasts and advocates of Indonesian traditional textiles. His dedication to batik is also reflected in his contribution to the book Pesona Padu Padan Wastra Indonesia as a fashion contributor featuring the use of traditional Yogyakarta batik.

Behind all of these creative processes, Mas Aji believes that one aspect that must continue to be preserved in the world of batik is technical knowledge. According to him, discussions of batik have largely focused on philosophical meanings, symbolism, and cultural values, while knowledge of batik-making techniques is at risk of disappearing if it is not documented and passed on. “In my opinion, that domain (philosophy) is not easily lost because there is already abundant literature about it. But technical knowledge can disappear. For example, where should a parang motif begin, and in which direction should it be made? There are specific ways and methods.” For Mas Aji, preserving technical knowledge is just as important as preserving the philosophical values of batik because both are integral parts of the batik-making tradition.

Toward the end of the interview, Mas Aji also shared a message for students of the Department of Javanese Language, Literature, and Culture, encouraging them not to be afraid of exploring opportunities beyond the classroom. “Make big problems smaller, and ignore the small ones. Do not hesitate or be afraid to try and explore. Also, do not limit your horizons to classroom learning alone.”

Mas Aji Setyowijaya’s journey demonstrates that the study of the Javanese language, literature, and culture does not end within the academic sphere, but can also be realized through cultural preservation practices that benefit society. Through his dedication to studying batik-making techniques, reproducing traditional batik, developing innovations grounded in established principles, and continuously exploring new possibilities in the world of wastra, Mas Aji has shown that cultural heritage can continue to live and develop with the times without losing its identity.

For mahadaya who would like to learn more about Mas Aji’s works and activities, they may visit his Instagram account, @setyowijaya, and his Facebook page, Batik Setyowijaya. Through these social media platforms, Mas Aji shares his creative processes, his works, and his activities in preserving and developing the art of batik. 

Author : Haryo Untoro

Tuesday (7/7/2026) was a joyful day for the Javanese Language, Literature, and Culture Study Program, Faculty of Cultural Sciences (FIB), Universitas Gadjah Mada (UGM). Yosephin Apriastuti Rahayu, S.S., M.Hum., a lecturer in the field of Old Javanese and Middle Javanese philology, successfully earned a doctoral degree after undergoing a public doctoral defense at Universiteit Leiden.

In her dissertation entitled Learning from the Scribes: A Study of the Old Javanese Uttarakāṇḍa from the Merapi-Merbabu Tradition, Yosephin examines Uttarakāṇḍa, an Old Javanese prose literary work that constitutes the seventh book of the Rāmāyaṇa. The research focuses on four Uttarakāṇḍa manuscripts from the Merapi-Merbabu and Balinese tradition collections to understand how scribes copied, preserved, and transmitted these manuscripts.

Through this research, Mrs. Apriastuti found that the process of manuscript copying is not merely copying the text, but involves a series of activities, such as reading, remembering, reflecting, dictating, and rewriting the contents of the manuscript. The research also shows differences in orthographic systems as well as writing variations influenced by their respective traditions and cultures. These findings help identify copying errors while supporting efforts to reconstruct a textual form that is closer to the original manuscript. In addition, this research demonstrates differences in characteristics between the Merapi-Merbabu writing tradition and the Balinese tradition.

After presenting the results of her research, Mrs. Apriastuti answered various questions from the examiners. The discussion covered several topics, including the role of the Merapi-Merbabu manuscript tradition as a link between Classical Javanese culture and the Javanese and Balinese traditions, the development of writing systems from the Old Javanese period to the modern Javanese script, as well as the cultural and literary relationships among the Sanskrit, Old Javanese, and Balinese traditions.

Yosephin’s success in earning a doctoral degree also constitutes an important contribution to the development of Old Javanese philological studies. The research not only enriches the understanding of the manuscript tradition in the Indonesian archipelago, but also supports efforts to preserve written cultural heritage, particularly Old Javanese manuscripts, which serve as important sources for understanding the history, literature, and culture of Indonesia.

Author: Bahasa dan Sastra Kebudayaan Jawa