Sunday, 10th March 2024 – Students of the Faculty of Cultural Science, currently in an internship program at Buku Mojok publishing company, became the moderator for Festival Penulis Perempuan to celebrate International Women’s day. The event, initiated by Buku Mojok, was held in three days on the 8th, 9th, and 10th of March at Akademi Bahagia. On the lasy day of the event, Buku Mojok invited Ranting Mangga to lead the journaling workshop and Isnaniar to lead the meditation workshop. This event is in line with the 5th SDGs, gender equality.

The event started at 1PM with the journaling workshop by Ranting Mangga. The participants was encouraged to write and paste scraps paper pieces in their journal as they like. After that, the event was followed with the meditation workshop. Isnaniar invited the participants to meditate by walking on the grass around their meeting area. On this event, student interns also participated in the workshop and helped the staff from Buku Mojok to prepare the event.

[Humas FIB UGM, Author: Catharina Maida Muhamartha, Editor: Rifal Fadlurrahman]

Yogyakarta, Tuesday, November 26, 2024. The Faculty of Cultural Sciences of Universitas Gadjah Mada is organizing an introductory gender class exhibition that presents Prof. Dr. Wening Udasmoro, SS, M.Hum., DEA and Dr. Wulan Tri Astuti, SS, MA, as resource persons for this activity. The event will take place on November 26 and 28, 2024, from 09.00 to 16.00 at Selasar Soegondo. The exhibition aims to empower individuals by providing equal access to artistic expression that raises important issues such as gender equality, justice, and stereotypes.

The exhibition features interactive installations and artworks created by various voices that have finally found the courage to speak up. It becomes a platform for empowerment, with a special focus on empowering women and marginalized communities. By showcasing these powerful narratives, the exhibition seeks to promote equal opportunities for everyone, regardless of gender or background.

“Hacking Silence” is not just an exhibition; it is a call to action. The show invites visitors to engage in discussions about the importance of equality and the need for equal access to resources and opportunities. The artworks displayed will challenge social norms and encourage viewers to reflect on their own perceptions of justice and equality.

The event is designed to inspire and educate. Visitors will have the opportunity to participate in workshops and discussions led by artists and activists concerned with these issues. This interactive approach aims to empower individuals to become advocates for change in their respective communities.

In addition to visual art, the exhibition will also feature performances and poetry sessions that amplify the voices of those who have been historically marginalized. These performances will highlight the importance of storytelling in the struggle for justice and equality, emphasizing that every voice matters.

The Faculty of Cultural Sciences believes that art has the power to transform society. By providing a space for these important conversations, the exhibition aims to build a sense of community and solidarity among visitors. It is an opportunity for individuals to come together, share experiences, and support each other in the pursuit of justice.

Yogyakarta, Saturday, 2nd of November 2024. The Korean Language Student Association organised an event entitled, ‘Women’s Film Festival: The Voices from South Korea and Indonesia’ as one of the 19th Korean Day series on 2 November and 3 November. This activity aims to explore the issue of women’s careers through films directed by women from both countries. Both Indonesia and South Korea share many similarities on this issue, including women’s opportunities to access education, employment, and politics. Typical cultural challenges still pose barriers, such as the normalisation of double burden, discrimination, and the threat of violence. The event was held at Soegondo Auditorium, Faculty of Cultural Sciences UGM, and was divided into two sessions on the first day, starting in the morning and afternoon.

In the morning, the event started with the screening of Kim Ji-Yong’s film: Born 1982, which is an adaptation of the novel by Cho Nam-joo, following the life of Kim Ji-young, an ordinary South Korean woman who faces the pressures and gender biases that permeate a patriarchal society. The story delves into the sensitive issue of Ji-young’s gradual struggle with societal expectations placed on women, especially in terms of career, family, and identity. Participants watched Cho Nam-joo’s adaptation of the novel, at the two-hour film screening. After the film screening session, participants were given the opportunity to ask questions guided by a moderator and presented by film director Kim Ji-Yong: Born 1982, Kim Do Young, via Zoom.

In the Q&A session, various participants asked director Kim Do Young a number of questions, such as the challenges and difficulties in making the film, the film’s contribution to feminism, criticism that arose, and others. The participants then ended the Q&A session with a group photo with Kim Do Young.

Thursday, August 29, 2024 became a very happy day for the Faculty of Cultural Sciences, Universitas Gadjah Mada. A total of 244 students of the Faculty of Cultural Sciences UGM undergraduate program have successfully completed their education in higher education. A total of 244 graduates of the Faculty of Cultural Sciences UGM hold a new title as a Bachelor.

This graduation period is a very special period in its history, which is the graduation period with the largest number of graduates. Because of this, this graduation was held in parallel, centered in the Soegondo Auditorium Room and connected to several other rooms on the same floor, namely the 7th floor of the R. Soegondo Building, Faculty of Cultural Sciences, Universitas Gadjah Mada.

Photo 1: Parallel Room of Undergraduate Graduation of Faculty of Humanities Period IV Academic Year 2023/2024

Photo 2: Dean of Faculty of Humanities UGM gives a welcoming speech

The graduation ceremony was attended by the Dean of the Faculty of Cultural Sciences UGM, Prof. Dr. Setiadi, S.Sos., M.Si., Vice Dean for Academic and Student Affairs, Dr. Nur Saktiningrum, S.S., M.Hum. Vice Dean for Finance, Assets, and Human Resources, Suray Agung Nugroho, S.S., M.A., Ph.D and representatives from each department and study program at the Faculty of Humanities.

In this graduation period, Valentino Yovenky Ardi Bentarangga, a student of the Cultural Anthropology Study Program achieved the highest GPA of 3.95 with a length of study of 3 years, 10 months; followed by Emily Trisnandi with a GPA of 3.94 from the English Literature Study Program with a length of study of 3 years 10 months.

The event was opened by singing Indonesia Raya, Gadjah Mada Mars, and Mars Sastra by Paramadaya. Then the dean of the Faculty of Cultural Sciences UGM, Prof. Dr. Setiadi, S.Sos, M.Si., delivered a welcome speech. In his speech, Setiadi congratulated the graduates and graduates, besides that he also conveyed several messages for graduates and graduates to continue their journey even though they had completed their studies and won a bachelor’s degree. The event was also enlivened by the entertainment performance of Geol Denok Dance by Ratnaraya Jawa, Javanese Literature Students. The next event was the handover of graduation documents in the form of diplomas and academic transcripts to graduates. In closing, a prayer was read by Mr. Hamdan, S.S., M.A.

Congratulations to all graduates! A bright future awaits you!

The Women’s Crisis Center is a place for complaints of various cases of violence experienced by women. So far, public attention has centered on the development of legal cases, and places the victim as the sole subject who experiences the effects of trauma. In fact, the traumatic effect spreads to other actors who listen and fight for the case. On the occasion of the Caring for the Victim, Caring for the Self seminar (27/08/2024), the Anthropology Department of the Faculty of Arts UGM invited Mona Elisa Behnke to share the results of her months of research with the assistants at one of the Women’s Crisis Centers in Java, especially Yogyakarta.

Mona Behnke is a doctoral candidate in Social and Cultural Anthropology at Free University Berlin, Germany. Her Master’s thesis was on hyperreality, state rhetoric and collective memory in contemporary Indonesia, and combined her interest in psychological and visual anthropology with a philosophical approach. After graduation, Mona worked for some time as a business anthropologist in the field of user experience and the organization of work structures. In her PhD project, she focused on the emotional labor of social assistance workers in a women’s crisis center in Java, Indonesia, touching on issues of emotion, gender, and conflict management.

Working in the humanitarian field has the consequence of great challenges, not only in terms of legal assistance skills, but also the skills that must be possessed to work in the field. Basically, gender itself is labor, where the articulation of actions, behaviors and performance are socially constructed in harmony. Women are considered more flexible in absorbing emotions and navigating concerns. Being an advocate for cases of violence against children and women makes them have to be able to navigate themselves technically and emotionally. Caring is the main asset that must be possessed by the assistants. Mona’s research tries to answer how care is practiced in a neutral environment through emotional labor from psychological and legal assistants.

Plunging as a companion shows that they consciously decide to enter a non-profit institution ready to experience institutionalization in three fundamental aspects, namely emotional labor, order of feelings, and emotion repertoires. ‘Emotional Labor’ refers to the management of emotions carried out to fulfill work performance when faced with clients. Facilitators are required to be able to harmonize their emotions with a socially constructed hierarchy or order. They must understand what emotions are allowed to be shown and not when listening to client stories. Repeated mentoring experiences shape their knowledge and memory of the repertoire of emotions when assisting clients. Furthermore, the process of assisting cases of violence against women and children has a dynamic approach both feminist and gender.

Listening to the emotions released by the client makes the companion experience second traumatization. This opens up further discussion that the experience of trauma is not only experienced by subjects who are directly treated with violence, but those who absorb the emotions of victims will also experience ‘second traumatization’, such as assistants and sign language interpreters. Emotional and mental exhaustion becomes the point where the assistants have an experience with the victim, beyond their technical skills. Mona describes the emotional flow of the helper and the victim in an interesting diagram, how the helper has to empty their emotional glass between before and after entering the hot table (where the client tells about their case). They professionally process their emotions in order to maintain themselves mentally so that they can continue to assist victims. This discussion brings us to the fact that the advocates actually have the potential to experience unequal care, where they give their full care to others, but they do not get the same care because they are considered not victims even though they absorb trauma from clients every day and fight for them. Sometimes, both survivors and caregivers feel very grateful when they can forget a very painful traumatic experience. From this we can conclude that forgetting is not a passive thing, but an active process that is also selective in building individual and collective memory. The ability to forget is also a valuable skill in emotional labor, in addition to the ability to remember which has been widely applied.

This discussion ended with several stories of assistants who were carrying out their temporal agencies by caring for each other and strengthening the emotional conditions of fellow assistants. Activities such as watching movies, joking, walking, telling stories and laughing out loud are a form of temporal agencies for the assistants so that their mental state is maintained and they can return to caring for other victims.

Author: Nuzul Solekhah
Photo: Puspita Nindya Sari