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HEADLINES

Rampoe UGM Wins First Place in the Ratoh Jaroe Competition at the Pre-Event of Diponegoro Art Competition 2025

HEADLINESNews ReleaseSDGs 11: Sustainable cities and communitiesSDGs 17: Partnerships for the GoalsSDGs 4: Quality Education Thursday, 22 May 2025

Semarang, 18 Mei 2025 —

The Rampoe Student Activity Unit from Universitas Gadjah Mada (UGM) has successfully secured First Place in the Ratoh Jaroe Competition, part of the Pre-Event series of the Diponegoro Art Competition (DAC) 2025. The event was held on Sunday, May 18, 2025, at the Prof. Soedarto, S.H. Hall, Diponegoro University, Semarang. The competition featured 12 teams from high schools and universities across Central Java and the Special Region of Yogyakarta.

In this event, Rampoe UGM presented a 12-minute Ratoh Jaroe dance performance, involving 17 dancers. The performance captivated the judges with its synchronized movements, strong energy, and vibrant expression of Acehnese cultural heritage, leading Rampoe UGM to achieve first place.

Preparations began on Saturday, May 17, 2025, at 5:00 PM WIB at the Faculty of Cultural Sciences, UGM. The team gathered for a briefing and collective prayer before departing for Semarang by ELF transportation. The group arrived at the homestay at 9:30 PM WIB to rest.

The next morning, Sunday, May 18, the team began preparations at 4:00 AM and departed for the venue at 7:10 AM WIB, arriving at the Prof. Soedarto Hall at 7:30 AM WIB. Upon arrival, the team was directed backstage for preparation and stage blocking sessions.

Rampoe UGM was scheduled to perform fourth, with a performance slot at 9:50 AM WIB. After performing, all participants engaged in icebreaking activities and informal gatherings organized by the committee.

The announcement of winners took place at 1:00 PM WIB, where Rampoe UGM was officially declared the First Place winner of the Ratoh Jaroe competition. This proud achievement is a testament to the team’s dedication and rigorous preparation process.

This victory underscores Rampoe UGM’s continued commitment to preserving and promoting Acehnese cultural arts, particularly the Ratoh Jaroe dance, on a broader stage.

Editor : Public Relation of Faculty of Cultural Sciences, Muhammad Ebid El Hakim

Contemporary American Issue: American Studies Conference and Freedom of Speech in the Contemporary American Era

HEADLINESNews ReleaseSDGs 10: Reduced InequalitiesSDGs 16: Peace justice and strong institutionsSDGs 4: Quality Education Thursday, 22 May 2025

Yogyakarta, May 22, 2025 — On May 9, 2025, the American Studies Program successfully held a seminar titled Contemporary American Issues at the Soegondo Building 70X.

In addition to providing the audience with an opportunity to hear insights from Prof. Gade, the seminar also featured Achmad Munjid, Ph.D. as the second speaker, who delivered a talk on “Contestation on Freedom of Speech in the US Today.”

In the second session of the seminar, the discussion focused on how the concept of freedom of speech in the United States has significantly shifted—so much so that it appears citizens are only free to express their opinions as long as those opinions align with the voice of the government. This trend can be observed in various aspects of American society today.

The presentation also explored how the decline of democracy amidst the rise of globalization is driven by the emergence of anti-globalization sentiments in different parts of the world, resulting in fragmentation among individuals, including within the United States.

Beyond addressing current issues, the discussion also delved into broader events unfolding in the U.S. today and the underlying causes behind them. Examining this issue more deeply reveals that many of the changes occurring in America today are closely tied to the historical foundations of the nation.

Despite the many contradictions present in contemporary America, this discussion encouraged participants to think more critically about social equality, freedom of speech, and government transparency—both nationally and globally—as Indonesian citizens engaging with global discourse.

[Master of American Studies, Reni Renatawati]

SMP Montessori Visits FIB UGM to Explore Japanese Language and Culture

HEADLINESNews ReleaseSDGs 17: Partnerships for the GoalsSDGs 4: Quality EducationStudy Visit Thursday, 22 May 2025

Yogyakarta, May 22, 2025 — The Japanese Language and Culture Study Program (BKJ) of the Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM) welcomed a visit from SMP Montessori on Thursday (22/5), held in Meeting Room 1 of the Poerbatjaraka Building, FIB UGM.

This visit was part of an early introduction to higher education for junior high school students, particularly focusing on Japanese language and culture. The delegation was warmly welcomed by the Head of the BKJ Study Program, Mr. Tatang Sumarsono, M.Hum., who expressed appreciation for the students’ interest in exploring cultural studies more deeply.

In her remarks, Ms. Rengganis Istikasari, representing SMP Montessori, explained that the visit marked the school’s initial effort to introduce students to the humanities faculty, after previously focusing more on visits to faculties in the exact sciences. “We want our students to understand what university life is like, both in terms of environment and academic substance,” she stated.

The event continued with a presentation on the vision and mission of the BKJ Study Program by Mr. Roby Winarso, M.Hum., followed by thematic lectures delivered by BKJ lecturers:

  • Ms. Tuti Widiastuti, M.Hum. presented a session on Moral Education (Doutoku) in Japan, which is part of the compulsory curriculum at the elementary and junior high school levels. The session emphasized the development of students’ character through values such as sincerity, responsibility, simplicity, and self-control.

  • Mr. Najih Fawaid, M.Hum. discussed the importance of aisatsu (greeting expressions) in Japanese society, which reflect politeness and social order. Expressions such as ohayou gozaimasu, konnichiwa, and yoroshiku onegaishimasu were highlighted as vital components of Japanese communication etiquette.

  • Mr. Moeljadi, M.Hum. introduced the concept of omotenashi, a Japanese philosophy of service that emphasizes sincerity, attention to detail, and creating the best possible experience for others without expecting anything in return.

The session concluded with a lively Q&A segment. Aya, one of the students, asked an interesting question about ramen dining etiquette, which was enthusiastically addressed by the lecturers. The activity provided students with a direct experience of Japanese culture, not only in theory but also through interactive discussion with academic professionals.

[Public Relation of Faculty of Cultural Sciences, Muhammad Ebid El Hakim]

Weaving Harmony in the Romance of Svara: The Story of Oh Yeonju and Cultural Exchange on the Stage of Gadjah Mada Chamber Orchestra

HEADLINESINCULSNews ReleaseSDGs 10: Reduced InequalitiesSDGs 16: Peace justice and strong institutionsSDGs 17: Partnerships for the GoalsSDGs 4: Quality Education Thursday, 22 May 2025

Yogyakarta, 08/05/2025 – Amidst the vibrant melodies of bowed strings and profound harmonies, a deeply meaningful cultural event unfolded in “Mini Concert #18: Romansa Svara (Romance of Sound)”. This classical music performance by the Gadjah Mada Chamber Orchestra (GMCO) was held on Thursday, 8 May 2025 at Taman Budaya Yogyakarta. In the elegant atmosphere that enveloped the stage that evening, one figure stood out: Oh Yeonju, a student from South Korea currently studying Indonesian at INCULS, the Faculty of Cultural Sciences at Universitas Gadjah Mada.  

More than just a guest or spectator, Oh Yeonju took part as a member of the orchestra, playing the violin with passion and dedication. Alongside young musicians from across Universitas Gadjah Mada and Indonesia, she performed expressive compositions in a concert that showcased not only musical beauty but also reflected a profound cultural encounter.  

Oh Yeonju’s participation in this concert embodied the spirit of inclusivity and cross-border learning. In this collaborative artistic space, differences in background were not barriers but bridges connecting hearts and minds. Music, as a universal language, brought together individual uniqueness in a harmonious unity, creating a learning ecosystem that touched both intellect and emotion.  

“Romansa Svara” was not merely an aesthetic experience but also carried important values of cooperation, mutual respect, and growth in diversity. This was a stage where international friendships were woven naturally, not through diplomatic discussions but through notes flowing in perfect rhythm.  

Oh Yeonju’s story on the GMCO stage served as a reminder that true education extends beyond the classroom. It thrives in interaction, in the courage to try new things, and in openness to embracing differences. UGM, through platforms like GMCO and INCULS, continues to foster inspiring spaces for both local and international students to collectively shape a more harmonious, empathetic, and meaningful world.  

Amidst the thunderous applause that night which resonated as more than just musical appreciation there was a clear message: art can transcend geographical and cultural boundaries, offering hope for a more harmonious world. And among the performers, a South Korean student became part of this beautiful story, a vital note in the symphony of togetherness known as “Romansa Svara”.  

[Public Relation of INCULS, Thareeq Arkan Falakh]

HISKI Organizes Academic Writing Workshop to Commemorate the Centenary of Pramoedya Ananta Toer

HEADLINESNews ReleaseSDGs 16: Peace justice and strong institutionsSDGs 4: Quality Education Thursday, 22 May 2025

Yogyakarta, 9 May 2025 — To commemorate the 100th anniversary of Pramoedya Ananta Toer, Himpunan Sarjana-Kesusastraan Indonesia (HISKI) held an Academic Writing Workshop titled “100 Years of Pramoedya Ananta Toer.” The event was conducted in a hybrid format—offline at the Faculty of Cultural Sciences, Universitas Gadjah Mada, and online via Zoom Meeting—bringing together literary scholars from various higher education institutions across Indonesia.

This initiative served not only as a tribute to Pramoedya’s intellectual legacy but also as an academic platform for scholars and writers to engage with his literary works through a wide range of theoretical approaches. As part of this framework, HISKI facilitated the workshop as a forum for academic writing, enabling participants to develop and present scholarly articles that critically examine Pramoedya’s oeuvre from multiple perspectives.

The event was officially opened by Prof. Dr. Novi Anoegrajekti, M.Hum., Chairperson of HISKI, who underscored the strategic role of academic publishing in both scholarly and cultural domains. She noted that HISKI has consistently contributed to collaborative publications such as Sastra Pariwisata, Antologi 222, 100 Years of A.A. Navis, and Antologi 122, reflecting the collective academic engagement of the association.

“We are delighted by the enthusiastic response to this initiative. To date, we have received a total of 136 abstracts from prospective contributors,” stated Prof. Novi. She further emphasized that Pramoedya’s commitment to writing remained unwavering, even during his periods of imprisonment. “Physical confinement never silenced Pram’s voice. His work exemplifies the enduring power of ideas and writing beyond physical limitations.”

Following the opening remarks, Prof. I Nyoman Darma Putra, M.Litt., Ph.D. from Universitas Udayana, representing the editorial team, highlighted the importance of the workshop as a space for critical dialogue and inspiration. He encouraged participants to engage in intellectual exchange and to strengthen the intertextual foundations of their academic manuscripts. According to him, the constructive and reflective discussions cultivated during the sessions are essential to enhancing the academic quality of the written works.

Several notable scholars also attended to support the event, including Prof. Dr. Djoko Saryono, M.Pd. (Universitas Negeri Malang), Dr. Sastri Sunarti, M.Hum. (Vice Chairperson III of HISKI Central Board), Sudartomo Macaryus, M.Hum. (HISKI UST-UTY), and Dr. Shoim Anwar, M.Pd. (Universitas PGRI Adi Buana Surabaya).

The main sessions of the workshop consisted of presentations by selected contributors, each outlining the framework of their academic papers. These works were critically reviewed by two distinguished reviewers Prof. Dr. Aprinus Salam, M.Hum. (HISKI UGM) and Dr. Y. Yapi Taum, M.Hum. (Universitas Sanata Dharma). Their insightful feedback stimulated dynamic discussions and encouraged deeper analytical engagement with Pramoedya’s literary contributions.

The diversity of theoretical frameworks presented—ranging from postcolonial theory to identity and historical narratives—reflected the extensive influence of Pramoedya’s thought in the field of literary studies. Participants offered interpretations that were not only critical and analytical but also contextually reflective of the socio-political dimensions embedded in his works.

Beyond commemorating a literary icon, the workshop represented a concrete effort by the academic community to foster a vibrant, critical, and relevant literary discourse. With a collaborative and intellectually stimulating atmosphere, the Academic Writing Workshop on 100 Years of Pramoedya Ananta Toer successfully provided a meaningful forum for intellectual exchange, interpretative exploration, and the spirit of transformative thought that Pramoedya championed throughout his life and writings.

[Public Relation Master of Literature, Marsya Kamila]

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