The Department of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences, Universitas Gadjah Mada, has produced many alumni who have contributed to the preservation and development of the Javanese language, literature, and culture. One of them is Aji Setyowijaya, a member of the 2008 cohort who is now dedicated to the world of batik as a craftsman of traditional Yogyakarta batik.

The Department of Javanese Language, Literature, and Culture had the opportunity to visit and interview Aji Setyowijaya, hereafter referred to as Mas Aji, in person on Tuesday, 21 July 2026. The 2008 alumnus, who was also a recipient of a scholarship from Yayasan Arsari Djojohadikusumo (YAD), also known as Yayasan Keluarga Hasyim Djojohadikusumo (YKHD), explained that his interest in batik began with his admiration for inherited batik cloths. He often came across old batik fabrics of exceptional quality and beauty, but they had become so fragile that they were no longer suitable for use. “I used to enjoy looking at inherited batik cloths. The fabrics were beautiful and I wanted to wear them, but they had become too fragile. Eventually, I was motivated to try reproducing old batik cloths. At the same time, during my university years, I also enjoyed wearing rasukan, or traditional Javanese attire,” he said.

This interest encouraged him to begin learning batik-making in 2009. He studied various batik techniques by observing and learning directly at several batik centers in Yogyakarta. During this early period, Mas Aji focused on understanding the principles and techniques of traditional Yogyakarta batik as the primary foundation before developing his own works.

Building on this understanding, between approximately 2013 and 2015, Mas Aji began producing antique batik, also known as batik kama or batik lawasan. According to him, during that period both the public and collectors highly appreciated batik lawasan because it was assumed to have originated several decades earlier. “At that time, in the batik trade, people appreciated antique batik, or kama, or lawasan, with the assumption that the batik was 50–70 years old,” he explained.

However, this experience also gave rise to a sense of concern. According to Mas Aji, batik should not merely be regarded as a classical work that ends with reproducing the past. Batik should continue to develop without abandoning its traditional roots. Based on this perspective, he began incorporating his personal identity into every work he created while also expanding his exploration beyond the characteristic style of Yogyakarta batik.

In line with this spirit, since 2018 Mas Aji has devoted himself to studying natural dye techniques for traditional Yogyakarta batik. For him, learning about natural dyes is not merely about producing a wider range of colors, but also about rediscovering the technical knowledge inherited from earlier generations of batik artisans.

In his creative process, Mas Aji does not work alone. He collaborates with his colleague, Yahya Adi Sutikno, who focuses on the design process, while Mas Aji is primarily responsible for production. This collaboration enables them to produce a wide range of batik works through complementary approaches.

Their works include sample pieces featuring various batik motifs on a single piece of cloth consisting of 27, 260, and even 480 motif samples, as well as replicated batik, batik lawasan, and batik resulting from transformation, media transfer, and various forms of creative batik. Their exploration extends beyond batik cloth itself to other textile media, such as sarung and other types of fabric.

In addition to producing batik cloth, Mas Aji is also active in Perkumpulan Wastra Indonesia, a community that brings together enthusiasts and advocates of Indonesian traditional textiles. His dedication to batik is also reflected in his contribution to the book Pesona Padu Padan Wastra Indonesia as a fashion contributor featuring the use of traditional Yogyakarta batik.

Behind all of these creative processes, Mas Aji believes that one aspect that must continue to be preserved in the world of batik is technical knowledge. According to him, discussions of batik have largely focused on philosophical meanings, symbolism, and cultural values, while knowledge of batik-making techniques is at risk of disappearing if it is not documented and passed on. “In my opinion, that domain (philosophy) is not easily lost because there is already abundant literature about it. But technical knowledge can disappear. For example, where should a parang motif begin, and in which direction should it be made? There are specific ways and methods.” For Mas Aji, preserving technical knowledge is just as important as preserving the philosophical values of batik because both are integral parts of the batik-making tradition.

Toward the end of the interview, Mas Aji also shared a message for students of the Department of Javanese Language, Literature, and Culture, encouraging them not to be afraid of exploring opportunities beyond the classroom. “Make big problems smaller, and ignore the small ones. Do not hesitate or be afraid to try and explore. Also, do not limit your horizons to classroom learning alone.”

Mas Aji Setyowijaya’s journey demonstrates that the study of the Javanese language, literature, and culture does not end within the academic sphere, but can also be realized through cultural preservation practices that benefit society. Through his dedication to studying batik-making techniques, reproducing traditional batik, developing innovations grounded in established principles, and continuously exploring new possibilities in the world of wastra, Mas Aji has shown that cultural heritage can continue to live and develop with the times without losing its identity.

For mahadaya who would like to learn more about Mas Aji’s works and activities, they may visit his Instagram account, @setyowijaya, and his Facebook page, Batik Setyowijaya. Through these social media platforms, Mas Aji shares his creative processes, his works, and his activities in preserving and developing the art of batik. 

Author : Haryo Untoro

BANGI, SELANGOR — Three Master’s students in Literary Studies from the Department of Language and Literature, Faculty of Cultural Sciences, Universitas Gadjah Mada (UGM)—Priyo Joko Purnomo, M. Aufal Ghufron, and Maulana Nurul Izza—participated as paper presenters at the 4th International Seminar on Malay Manuscripts (Seminar Antarabangsa Manuskrip Melayu/SEMALU IV) 2026.

At the international seminar, organized by the Malay World Manuscript Research Centre (Pusat Penyelidikan Manuskrip Alam Melayu/PPMAM), Institute of the Malay World and Civilization (Institut Alam dan Tamadun Melayu/ATMA), Universiti Kebangsaan Malaysia (UKM), the three researchers presented a study entitled “Fortune-Telling: The Dynamics of the Abajadun Numerical System in Malay and Javanese Manuscript Traditions.”

SEMALU IV 2026 was held at Universiti Kebangsaan Malaysia, Bangi, Selangor, Malaysia, on July 21, 2026. The seminar carried the theme “Preserving the Heritage of Malay World Manuscripts through Research and Innovation” and brought together scholars, researchers, academics, and the general public to discuss the richness of Malay manuscripts and the intellectual heritage of the Malay world.

Through their research, the three UGM students examined the dynamics of the adaptation of the Abajadun numerical system within Malay and Javanese manuscript traditions, particularly in the manuscripts Syair Raksi Macam Baru (SRMB) and Kitab Mujarrabat Pegon (KMP). The study highlights how a numerical system that assigns numerical values to Arabic letters underwent processes of adaptation, negotiation, and localization as it interacted with Malay and Javanese cultures.

The study demonstrates that Abajadun is not merely a system of calculation or fortune-telling. Within the manuscript traditions of the Nusantara, the system developed into a cosmological technology that connects human beings, time, nature, and God within a network of meaning. Through calculations involving letters, names, days, and various other elements, communities sought to understand future possibilities and determine appropriate courses of action.

In the Malay tradition, the study of Syair Raksi Macam Baru reveals the use of the Abajadun system to determine compatibility between couples through the calculation of names. Meanwhile, Kitab Mujarrabat Pegon demonstrates the intersection between the Abajadun numerical system and the Javanese tradition of petungan, including the use of the concept of neptu—the numerical values associated with days and market days—for various purposes, such as determining auspicious times for trading, medical treatment, and marriage.

The study also emphasizes that Malay and Javanese manuscripts serve as spaces for the production and negotiation of knowledge. Numbers, letters, names, days, and fate are woven together into a cultural mechanism that helps communities understand uncertainty and organize various decisions in social life.

Drawing on Stuart Hall’s perspective on cultural representation and E.J. Aarseth’s concept of ergodic literature, the study views Abajadun as a sign system whose meanings are not always directly available in the text. Readers must perform a series of operations, beginning with converting letters into numbers, calculating particular values, and interpreting the results. In this process, readers play an active role in discovering the meanings contained within the manuscripts.

“Abajadun serves as a navigator that guides readers from letters to numbers, from numbers to interpretation, and from interpretation to social decisions,” reflects the central idea proposed in the study.

The participation of UGM Master’s students in SEMALU IV 2026 forms part of broader efforts to expand research on Nusantara manuscripts while demonstrating the relevance of traditional knowledge heritage within contemporary academic discourse. The study of Abajadun also shows that Malay and Javanese manuscripts reflect a creative encounter between Islamic traditions and local cosmologies, giving rise to distinctive knowledge systems in the Nusantara.

Through the SEMALU IV forum, the study further strengthens efforts to preserve the manuscript heritage of the Malay world through research and innovation. Manuscripts are not merely viewed as historical relics, but also as sources of knowledge that can continue to be studied, interpreted, and introduced to new generations.

Author: Khotibul Umam

Yogyakarta – The Faculty of Cultural Sciences (FIB), Universitas Gadjah Mada (UGM), held the Mangayubagya Ceremony for Postgraduate Graduates, Period IV of the 2025/2026 Academic Year on Wednesday (July 22) at the Auditorium of the Poerbatjaraka Building, FIB UGM. The event served as an occasion to honor graduates for completing their studies while highlighting inspiring stories from among the graduating class. Among them were Nabillah Faisal Azzahra, the first graduate of the Master of Arts Program to complete her studies through the Fast Track scheme, and Wanda Andres Saputra, one of the program’s fastest graduates.

For Nabillah, pursuing a master’s degree through the Fast Track Program stemmed from her passion for Japanese literature. A 2021 graduate of the Japanese Language and Culture undergraduate program at FIB UGM, she continued her studies in the Master of Arts Program in 2024 after learning about the Fast Track scheme from her academic advisor.

“I enjoy reading and analyzing Japanese literary works, especially to understand the social and cultural phenomena and issues they present through various theoretical approaches. When my academic advisor introduced the Fast Track Program, I felt it was the perfect opportunity to deepen my interest while continuing my studies more efficiently,” she said.

Entering graduate school, Nabillah experienced a significant shift in the pace of learning, requiring greater independence. She had to engage more extensively with academic literature, think more critically, and develop stronger scholarly arguments. Rather than seeing these demands as obstacles, she viewed them as exciting opportunities to broaden her perspective on literary studies.

“At first, I was surprised by how much more in-depth the theories and research methodologies were. But that was also what made the experience so fascinating. Every course introduced a new way of thinking and made me enjoy the learning process even more,” she explained.

As part of the first cohort of the Fast Track Master’s Program in Literature, Nabillah also had to develop her own academic strategy without the guidance of senior students who had previously gone through the same program. Nevertheless, she believes the Fast Track Program offers numerous advantages, from saving time and costs to allowing students to maintain the academic momentum they built during their undergraduate studies.

“The Fast Track Program certainly has its challenges because the pace is fast and intensive. However, it also offers many benefits for students who already know they want to pursue graduate studies. It has also strengthened my aspiration to become an academic, given the opportunity,” she added.

Another inspiring story came from Wanda Andres Saputra, a graduate of the Master of Arts Program with a concentration in English Literature, who completed his studies as one of the program’s fastest graduates. Wanda began his master’s studies in February 2025 with the goal of deepening his expertise in English literary studies while preparing for a career in academia.

Despite earning recognition as one of the fastest graduates, Wanda admitted that completing his studies quickly had never been his primary goal.

“At the beginning of my studies, I never aimed to become the fastest graduate or even the best student. My focus was simply on conducting research that was relevant and needed to be completed. That’s why I was both happy and surprised to be recognized as one of the fastest graduates,” he said.

During his studies, Wanda completed all of his coursework within his first two semesters. By the third semester, he devoted his full attention to writing his thesis. While balancing his responsibilities as an English academic staff member and a TOEFL ITP tutor, he consistently set aside time each day to work on his thesis.

According to Wanda, graduating on time is not the result of extraordinary strategies but of consistency and a clear commitment to one’s academic interests.

“There was no special strategy. I simply stayed focused on the field of knowledge I wanted to master. I worked on my thesis every day before work, during lunch breaks, and again at night. The most important thing is to maintain your momentum and stay consistent,” he explained.

His academic journey was not without challenges. Wanda revealed that he revised his research title several times and refined his theoretical framework before ultimately producing a thesis that met rigorous academic standards.

He also encouraged current master’s students not to focus solely on graduating quickly but to develop a clear academic direction.

“Focus on the field you truly want to explore. Once you know what kind of expert you want to become, your learning process becomes much more focused, and you can complete your studies effectively without compromising academic quality,” he advised.

Both Nabillah and Wanda agreed that their academic achievements would not have been possible without the unwavering support of their supervisors and families. They expressed their gratitude to the lecturers and the entire academic community of FIB UGM for guiding them throughout their studies, as well as to their families for their constant encouragement and prayers.

Through the stories of these two graduates, FIB UGM reaffirms its commitment to fostering an academic environment that enables students to reach their full potential. The Fast Track Program provides students with the opportunity to accelerate their academic journey without compromising educational quality, while the achievement of graduating on time demonstrates that focus, consistency, and a passion for learning are essential to success in higher education. The experiences of Nabillah Faisal Azzahra and Wanda Andres Saputra are expected to inspire other students to pursue academic excellence, produce meaningful research, and contribute to both academia and society.

Author: Khotibul Umam

On June 14, 2026, Professor of Anthropology at Universitas Gadjah Mada, Prof. Pujo Semedi, had the opportunity to serve as a speaker in the public lecture series titled “Wissen über den Wald im Wandel” (Knowledge About the Forest in Transition). This academic event, which runs throughout the 2026 summer semester, is part of the prestigious Studium Generale program at the University of Freiburg, Germany.

This international-scale event is collaboratively organized by the WWW 4.0 research project and the Cluster of Excellence “Future Forests — Adapting Complex Social-ecological Forest Systems to Global Change.” The forum specifically brings together leading scientists and practitioners from various disciplines to present their research perspectives on forest landscapes. Its primary focus is examining the diversity of approaches to knowledge in addressing the profound changes and challenges that the global climate crisis brings to forest ecosystems and their ecological services, as well as exploring viable adaptation strategies.

During the forum, Prof. Pujo Semedi presented alongside Prof. Michaela Haug from the University of Freiburg. Together, they delivered a presentation adopting a socio-ecological anthropological perspective, titled “Meanings of Forests: A Collaborative Comparative Ethnography Between Indonesia and Germany.”

This study highlights a comparison of how forests are culturally, socially, and economically conceptualized by communities in two distinct national contexts. Through collaborative comparative ethnography, they invited the audience to explore the dynamic relationship between humans and nature, as well as how communities practically respond to ecological transformations on the ground.

Author: Daiva Keefe Kalimasadha

Yogyakarta – An online academic discussion jointly organized by Universitas Gadjah Mada (UGM) and Universiti Teknologi MARA (UiTM) Malaysia once again provided a platform for students to deepen their understanding of Arabic language and literary studies. Led by Dr. Nur Kholid, M.P., a lecturer in the Arabic Literature Program at Universitas Gadjah Mada, the session offered an interactive discussion on metaphor and linguistic analysis. During the online meeting, participants explored the concepts of musyabbah and musyabbah bih, focusing on how meaning is constructed through comparisons expressed either explicitly or implicitly. Dr. Kholid presented the material in a systematic manner by analyzing a variety of examples, enabling students not only to understand linguistic structures but also to appreciate the deeper meanings and interpretations embedded in Arabic texts.

Throughout the discussion, students examined several examples of metaphor, including the comparison of soldiers to lions in battle, tears to pearls, and spring as a symbol of human happiness. These illustrations helped participants understand how Arabic employs figurative language to convey meaning in a more vivid, meaningful, and contextual way.In addition to metaphor, the discussion expanded to the interpretation of word meanings in Arabic. The diverse perspectives shared during the session demonstrated that linguistic analysis is not limited to a single interpretation but is open to various analytical approaches and viewpoints. This approach encouraged students to broaden their perspectives while strengthening their understanding of Arabic linguistics and literary studies.

Overall, the discussion was conducted smoothly in an engaging and interactive atmosphere. Students actively participated throughout the discussion and question-and-answer session, reflecting their enthusiasm for the topic. Through this academic activity, participants are expected to enhance their understanding of Arabic studies while further developing their linguistic and analytical skills.

Author: Indana Zulfa