University campuses serve as ideal spaces to explore knowledge beyond the classroom. Discussion forums can be created as a response to pressing issues, such as inequality in Indonesia. These discussions can be sparked through various media, including music and film, which is exactly what the Anthropology Students Association (KEMANT) has done through its event, Rembukant #2, a program initiated by KEMANT’s academic division. This second edition of Rembukant invited participants to watch a film and explore the creative process behind the music currently trending in Papua Highlands.

The event took place on Thursday, September 26, 2024, in Room 521+522 of Soegondo Hall, Faculty of Cultural Sciences, UGM. With the theme “Celebrating Identity Through Music: Technology, Tradition, and Globalization in Wisisi Nit Meke,” KEMANT encouraged participants not just to watch but also to engage in a discussion with the filmmaker. The event featured Wok The Rock as the film’s producer, Asep Nayak as the musician and main actor, and Cania, a 2020 UGM Cultural Anthropology alumna and current film researcher. The event was moderated by Puspita Nindya Sari, a 2023 Cultural Anthropology student.

The event began with a film screening, followed by a discussion with the speakers, and concluded with a Q&A session and a flashmob of the Aster dance, led by Asep Nayak. Aster dance is a popular dance in Papua today, performed to the beat of wisisi music created by Asep Nayak.

The second speaker, Asep Nayak, shared his journey as a wisisi musician and film actor. He explained how his passion for music led him to learn FL Studio software on his own via YouTube. Through his storytelling, Asep highlighted the significance of wisisi music and its collaboration with Aster dance in the context of Papuan society.

The final speaker, Cania, provided an anthropological analysis of the film. She shared her perspective on how the film reflects the intersection of technology, tradition, globalization, and identity.

The discussion was engaging and interactive, with the film Wisisi Nit Meke offering new insights into how wisisi music and Aster dance have become part of the identity of the indigenous Papuan community. The internet, as a result of technological progress, has made global information more accessible, including tutorials for using FL Studio, which has become a tool for creative expression. Rembukant #2 concluded with a flashmob of the Aster dance, accompanied by wisisi music led by its creator.

[FIB UGM Public Relation, Writer: Puspita Nindya Sari, Editor: Aldiza, Translator: Aldiza, Photos: Afkar Alhamid]

Yogyakarta, Wednesday, April 24, 2024 – Dr. Wildan Sena Utama, M.A., a lecturer in the Department of History, featured at the workshop titled Mapping the Internationalization of Art in the Global South Context – Collaboration Among Art Institutions. Organised by the Biennale Foundation Discussion, the event aimed to disseminate ideas on why the values of the Bandung Spirit remain relevant in international politics and Indonesia’s foreign policy. It also served as a reflection on the upcoming 70th anniversary of the Asia-Africa Conference next year, and how to revive the Bandung Spirit at the grassroots level.

Dr. Wildan delivered his presentation at the historic Savoy Homann Hotel, one of the accommodations used by Asian and African leaders attending the 1955 Bandung Conference. During the workshop, he analyzed key values from the Asia-Africa Conference that are still important to promote and spread at the grassroots level today. These values include decolonization, world peace, and international cooperation—three principles from the Bandung Spirit that remain highly relevant. The Asia-Africa Conference Museum, managed by the Ministry of Foreign Affairs, regularly organizes discussions to keep the spirit of the Bandung Conference alive, recognizing its continued significance in today’s global political context.

The presentation was followed by contributions from representatives of the National Archives of Indonesia, the Indonesian Ministry of Foreign Affairs, lecturers from UNPAD’s International Relations department, cultural figures from Bandung, and heritage activists.

Dr. Sita Hidayah, a lecturer from the Department of Anthropology, Faculty of Cultural Sciences at Gadjah Mada University (UGM), was invited by the Laboratory for Language and Cultural Studies (LKBB) of the Faculty of Humanities, UIN Maulana Malik Ibrahim, Malang, to speak at a Workshop on Ethnographic Research in Culture. The event took place on Wednesday, August 21, 2024, and was attended by university leaders, faculty members, and lecturers from across the campus. The workshop, divided into two sessions, was held at the 3rd-floor auditorium of the Faculty of Humanities.

In her presentation, Dr. Sita, affectionately known as “Mbak Sita,” emphasized the importance of understanding paradigms in research. She stressed that paradigms serve as guiding frameworks in both research and writing. Discussing paradigms, she explained, is crucial to understanding their strengths and weaknesses in the context of theory, as each discipline has paradigms that provide specific direction or ideology. These paradigms, often referred to as theoretical frameworks or conceptual frameworks, help distinguish social sciences from humanities. While the social sciences rely on empirical facts (external), the humanities are rooted in interpretation and understanding (internal). Different paradigms, such as phenomenology, structuralism, and ethnoscience, come with their own methods, analyses, and approaches.

Dr. Sita also referenced her mentor, Prof. Dr. Heddy Shri Ahimsa-Putra, M.A., M.Phil, who has written extensively on paradigms. His works delve into fundamental perspectives that influence key elements such as basic assumptions, values, research topics, models, concepts, research methods, analytical methods, and ethnographic representation. Besides paradigms, Dr. Sita highlighted the importance of addressing the concept of “truth,” especially in the context of UIN, where the majority of attendees are Muslim, to align on shared perceptions of truth in research. Truth, she explained, is empirical and can be explored through two approaches: quantitative (surveys, questionnaires, polling) and qualitative (ethnography). In anthropology, ethnography is often employed, where data comes from community actions and statements gathered in everyday contexts, rather than being directed by the researcher. The ethnographic method typically involves extended stays, mastery of the local language, and the researcher as the primary instrument through participant observation.

The workshop participants displayed great enthusiasm, evident from the numerous questions they posed. Beyond the Q&A session, participants and speakers also shared their experiences in conducting research. Those interested in following the discussions can view the event on the YouTube channel at https://www.youtube.com/watch?v=6ExX2BC413Q

[Public Relation of FIB UGM, Author: Dewi N, Editor: Aldiza, Translator: Aldiza]

On May 4, 2024, the Faculty of Social and Political Sciences at Universitas Padjadjaran (FISIP Unpad) hosted a public lecture featuring Prof. Dr. Pujo Semedi Hargo Yuwono, M.A., a professor from the Department of Anthropology at Universitas Gadjah Mada. In this lecture, Prof. Pujo addressed the topic “The Notion of Justice, Racism, and Coffee Cultivation in Colonial Java, 1870s-1930s,” combining anthropological insights with the colonial history of Java. Through this subject, Prof. Pujo—familiarly known as Mas Pujo—invited students to understand how the history of coffee cultivation in 19th-century Java reinforced racial and economic injustices, which continue to have lasting impacts today.

Mas Pujo emphasized the importance of understanding colonial history in the context of coffee cultivation to see its influence on current social and economic conditions, particularly within Indonesia’s coffee industry. The lecture, held at FISIP Unpad’s campus in Jatinangor, West Java, was attended by students from various departments. They were urged to recognize the exploitative nature of colonial coffee cultivation. Mas Pujo explained that this system was based on three principles: first, as a tool to enrich Dutch entrepreneurs; second, the myth of native laziness was used to justify forced labor; and third, all coffee production was directed to meet the demands of European industry, rather than benefiting the local population.

One of the key points of the lecture was the racial injustice surrounding the entire process of coffee cultivation, marketing, and consumption during the colonial era. Mas Pujo revealed that, at the time, Javanese people were prohibited from consuming coffee; they were only allowed to drink coffee leaves, while native laborers were forced to work on plantations. The right to market coffee was restricted to Dutch and Chinese trade guilds, and coffee could only be enjoyed by white individuals.

Through his analysis, Mas Pujo highlighted how colonial policies based on race created social injustices that continue to affect economic and social relations in modern Indonesia. This public lecture sparked active discussions among students, who were eager to connect the historical relevance of this topic to the current state of the coffee industry.

The full lecture can be viewed on YouTube: https://www.youtube.com/live/RcER1qufrMI.

[Public Relations, FIB UGM, Author: Bonifacius Edo, Editor: Aldiza]

Wednesday, May 8, 2024 – The Austrian Embassy in Indonesia and the Indonesian Ministry of Foreign Affairs collaborated with the Jakarta Concert Orchestra to celebrate the 70th anniversary of diplomatic relations between Indonesia and Austria. The “Symphony of Friendship” Orchestra Concert was held on Wednesday (8/5) at the Jakarta Concert Hall, iNews Tower Building. Several distinguished guests, such as the Austrian Ambassador to Indonesia, the Director General for American and European Affairs of the Indonesian Ministry of Foreign Affairs, as well as diplomats and senior officials from the Ministry of Foreign Affairs strategic partners, were invited to attend the concert.

The orchestra concert, conducted by Avip Priatna, was divided into two parts. In the first part, the Jakarta Concert Orchestra performed works by Anton Bruckner and Johann Strauss. Renowned Austrian violinist Julian Walder, the main guest star of the “Symphony of Friendship” Orchestra Concert, performed a solo of Korngold’s Violin Concerto in the second part.

[Public Relations of FIB UGM, Writer: Arviani Fayzaila Ramadhanti, Translator: Aldiza, Editor: Rifal Fadlurrahman]