Yogyakarta, July 14, 2025 – Eka Nur Cahyani, a 2023 student of the Javanese Language, Literature, and Culture Study Program at the Faculty of Cultural Sciences, Universitas Gadjah Mada, has embarked on a long journey in the world of dance. Since the age of 7, Eka has been acquainted with and has loved classical dance, particularly the Yogyakarta style, thanks to the support of her late father, who was a court servant (abdi dalem) at the Ngayogyakarta Hadiningrat Palace.

“I started dancing since I was little, often brought to the palace by my father. Since then, I fell in love with classical dance and have continued learning until now,” she recalled.

Although she never studied at a formal dance studio, Eka gained knowledge from art teachers since elementary school and is now active as a member of UGM’s Swagayugama Student Activity Unit. There, she learns directly from the palace’s dance instructor, Dra. Veronica Ratnaningsih (Nyi Mas Riya Murtiharini).

Eka’s dedication to dance extends beyond performing. She has served as an instructor in the “Kampung Menari” program by the Yogyakarta City Cultural Office and has taught children in Pakembinangun. Since 2024, she has joined the Pamulangan Hamong Beksa at the palace, where she delves deeply into techniques, movement variations, philosophy, and ethics of Yogyakarta-style classical dance.

In addition to mastering Yogyakarta-style classical dance, Eka has broadened her horizons by studying Surakarta-style classical dances, such as Gambyong and Srimpi. Currently, she actively participates in the Pamulangan Hamong Beksa at the Ngayogyakarta Hadiningrat Palace. Every Sunday at 12:00 PM, Eka attends the palace wearing full traditional attire (jangkep), consisting of a kebaya tangkeban, jarik seredan, sanggul tekuk and subal, subang, and carrying a Sampur Gendala Giri.

“I am motivated to keep learning because I come from an artistic family—my grandfather was a puppeteer (dhalang), my paternal grandfather was a court servant, and my mother is a sindhen (traditional singer),” she said.

For Eka, dancing is not merely about aesthetic movements but also a spiritual and personal expression. She believes that each dance movement embodies the philosophy of patience, sincerity, and harmony between the body, feelings, and rhythm.

“Dancing is a form of prayer. The movements teach us to be sincere and patient in facing life,” Eka expressed.

Since beginning her journey in dance, Eka has performed on numerous stages, from campus events like the Kraton Performance Tourism Package featuring the Senggana Duta play by Swagayugama at Bangsal Srimanganti, Ngayogyakarta Hadiningrat Palace, and the Grand Swagayugama Performance at Taman Budaya Yogyakarta, to national and international forums such as the 4th International Seminar on Malay-Javanese Studies (SEMEJA IV) and ASEAN in Today’s World.

Despite frequent performances, Eka maintains her enthusiasm for learning. She emphasizes the importance of understanding the concepts of wiraga (physical movement), wirama (rhythm), and wirasa (feeling), as well as knowing the names and meanings of various dance movements. According to her, consistency stems from love and the desire for continuous growth.

Eka Nur Cahyani’s journey in dance since the age of seven not only reflects her love for the art but also her tangible contribution to sustainable development. Through her activities in learning and teaching dance, especially to children, Eka supports SDG 4: Quality Education. Her role as an active woman in preserving culture aligns with SDG 5: Gender Equality. Moreover, her involvement in maintaining and revitalizing classical dance art strengthens SDG 11: Sustainable Cities and Communities by preserving intangible cultural heritage as the identity of Yogyakarta’s society.

Eka proves that cultural preservation is not solely the responsibility of previous generations but also a duty for the current generation to ensure a more cultured future.

“If we feel we have talent, it needs to be developed through continuous practice and not being afraid to try, because I believe learning will never lead to regret, and every process in learning will shape us into individuals with true identity.” – Eka Nur Cahyani

[Public Relations FIB UGM, Alma Syahwalani]

Yogyakarta, 30 June 2025 – A total of 13 students from three higher education institutions are participating in an international collaborative program in the field of archaeology, organized by the Australian National University (ANU) and Universitas Gadjah Mada (UGM), in cooperation with the National Research and Innovation Agency (BRIN). This program is part of efforts to strengthen cross-national academic collaboration while providing a platform for knowledge exchange and research experience in the fields of culture and archaeology.

The program involves 4 students from ANU, 5 students from Universitas Gadjah Mada, and 4 students from Udayana University. The activities are held in two main locations: the Department of Archaeology, Faculty of Cultural Sciences, Universitas Gadjah Mada, and Lombok Island, West Nusa Tenggara.

This program is funded by the Australian National University and results from a collaboration between the School of Culture, History and Language, College of Asia & the Pacific at ANU and the Department of Archaeology, Faculty of Cultural Sciences at Universitas Gadjah Mada. The activities are coordinated by two archaeology experts: Dr. Shimona Kealy from ANU and Dr. Mahirta, M.A. from UGM, both of whom have extensive experience in archaeological research in Southeast Asia.

Throughout the program, students will engage in a variety of activities, including academic discussions, fieldwork, and cross-cultural studies. In Yogyakarta, participants will attend workshops and introductory sessions on archaeological methods and theories. Meanwhile, in Lombok, they will conduct direct field exploration and research at designated archaeological sites, honing their skills in observation, data recording, and artifact analysis.

The program is not only aimed at deepening participants’ understanding of Indonesia’s cultural heritage but also at strengthening academic networks between higher education institutions in Indonesia and Australia. With participants coming from diverse cultural and academic backgrounds, this program serves as an ideal space for cross-cultural understanding, constructive academic dialogue, and collaborative learning experiences.

Furthermore, this program aligns with several goals in the Sustainable Development Goals (SDGs), particularly SDG 4 (Quality Education), SDG 11 (Sustainable Cities and Communities, through cultural heritage preservation), and SDG 17 (Partnerships for the Goals). Through this program, the preservation and understanding of cultural heritage are pursued collectively across nations for a sustainable future.

With the enthusiasm of the participants and the support from the involved institutions, this program is expected to be a concrete step toward building sustainable international cooperation in the fields of archaeology and cultural studies.

[Public Relations, FIB UGM, Alma Syahwalani]

Yogyakarta, July 1, 2025 — The 4th International Seminar on Malay-Javanese Studies (SEMEJA) was officially held at UC Hotel, Universitas Gadjah Mada (UGM), bringing together scholars from various institutions both domestically and internationally. One of the panel speakers contributing to the academic discussions was Dr. Fahmi Prihantoro, S.S., M.A., a lecturer from the Department of Archaeology, Faculty of Cultural Sciences, UGM.

In a session titled “How Did Islamic Religious Organizations Empower Society Through Cultural Heritage,” Dr. Fahmi presented a case study on Pasar Pasan in Kotagede, Yogyakarta. He elaborated on how cultural heritage preservation can become a dynamic tool for community empowerment, particularly through the involvement of Islamic organizations such as Muhammadiyah.

According to Dr. Fahmi, Kotagede is a living heritage site—a cultural heritage area that continues to be actively used in the daily lives of its community. Beyond preserving historical traces, this area serves as a space where cultural, religious, and economic values develop harmoniously.

A key point in his presentation highlighted a paradigm shift in heritage preservation—from being government-led to being increasingly driven by civil society and non-governmental organizations. Muhammadiyah, as one of Indonesia’s largest Islamic organizations, was cited as having taken an active role in community development rooted in cultural heritage in Kotagede.

Through the Pasar Pasan case study, Dr. Fahmi emphasized how this traditional market activity functions as a platform for residents to reinforce cultural identity while simultaneously enhancing the local economy. Pasar Pasan is seen as a community-led initiative that integrates cultural values with inclusive economic practices.

The discussion also addressed the importance of community engagement and collective memory in sustaining cultural heritage. The people of Kotagede are considered to possess a strong historical awareness, which supports the continued existence of heritage spaces—especially those located between the symbolic twin gates of Kotagede.

The session concluded with an interactive Q&A segment. Seminar participants raised insightful questions, which Dr. Fahmi responded to enthusiastically, underlining the significance of collaboration among communities, academics, and religious organizations in preserving cultural heritage.

This event plays a crucial role in supporting the achievement of several Sustainable Development Goals (SDGs). Through community-based cultural heritage preservation, it contributes to the creation of inclusive, safe, resilient, and sustainable cities and human settlements, in line with SDG 11. Furthermore, educational values are promoted through the cross-cultural dissemination of knowledge and the strengthening of cultural identity awareness, reflecting the aims of SDG 4 on quality education. Equally important, the seminar embodies the spirit of SDG 17 by fostering strategic partnerships between academia, civil society, and local communities in social development based on local wisdom.

Through this discussion, participants gained new insights into community-based cultural preservation and the vital role of religious organizations in fostering inclusive and sustainable social development.

[Public Relations FIB UGM, Alma Syahwalani]

Yogyakarta, 31/05/2025 – Another proud achievement came from mahadaya (students of Cultural Sciences). Nurcholish Ramadhan, a 2024 student from the Department of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences UGM, successfully directed the production of a theater performance entitled Sat-Set. The show was performed by Teater Berdaya in Prabusena (Cultural, Art, and Islamic Appreciation Stage of PD IPM Bantul) 2025 on Saturday night, May 31, 2025 at 20.00 WIB, at the 1st Floor Hall of the Da’wah Building of PDM Bantul.

Sat-Set Theater tells the story of the love journey of Fikar, a 28-year-old man, the son of a panewu (sub-district head), who falls in love with Alya – the daughter of his late father’s best friend. An accidental meeting in the square is the beginning of Fikar’s love story. After some research, Fikar learns that Alya is the daughter of Paklik Pram, his father’s old friend. They stay close for a month, but Fikar never proposes. To provoke Fikar’s sincerity, Paklik Pram created the rumor that Alya would be married off. The plan worked. Although Fikar initially only expressed his feelings in front of Paklik and Bulik Pram, he finally received their blessing. Later, Fikar went to the park where he often visited with Alya. There they meet again after not seeing each other for several days. Finally, Fikar expresses his love and immediately asks Alya to marry him.

The uniqueness of Sat-Set theater lies in its source of inspiration. Nurcholish Ramadhan said that Sat-Set was inspired by Serat Riyanta, a Javanese literary work written by R. B. Soelardi in 1918. In an online interview conducted on June 12, 2025, Nurcholish explained that his interest in the fiber began with a course assignment. “After I read Serat Riyanta from beginning to end, I was interested and liked the story, so I had an idea to translate it into a performance,” he explained.

The production process of the performance was not free from challenges. Nurcholish mentioned that the limited duration required him to summarize the narrative of Serat Riyanta effectively, without losing the essence of the story. In addition, funding constraints were also an obstacle. Nevertheless, he was grateful that the performance could run optimally.

“Through this performance, I learned to go deeper into the work that was referred to when it was adapted into a theater script. Then, I feel happy to be able to accommodate the potential and talents of my fellow Muhammadiyah students in the arts,” he said.

Sat-Set Theater is a tangible form of nguri-uri ‘preserving’ and ngurip-urip ‘enlivening’ regional arts, literature, and culture. Past literary works hold a wealth of historical values, knowledge, moral and didactic teachings, and interesting stories to be revived. Through the excavation, preservation and utilization of these cultural treasures, the community not only benefits sustainably, but also builds a sense of pride in the nation’s noble identity. As Nurcholish said at the end of the interview. “A history and culture will always be preserved when there are people who want to nyinau (learn) and adum ilmu (share knowledge),” he concluded.

[Haryo Untoro]

Yogyakarta, 30/5/2025 — A night full of meaning and memory unfolded at the event Tujuh Puluh Dua Tahun Cak Nun dan Bicara Bicara, held on Friday Pahing, May 30, 2025, at Kawasan Cagar Kreatif Tanah Air, Ngaglik, Sleman. The event was attended by artists, close friends of Cak Nun, and invited guests.

This celebration marked a tribute to the long intellectual and spiritual journey of Cak Nun as a cultural figure and scholar who has shaped the landscape of Indonesian thought since the 1970s. Hosted by MC Seno Classical, the evening featured various performances and speeches from close companions who shared their personal testimonies about Cak Nun.

In his address, Prof. Dr. Aprinus Salam shared personal stories with the maestro. “I met Cak Nun for the first time when I was still in junior high school, around 1979. Since then, I have followed his works, especially his poetry. In fact, both my undergraduate thesis and master’s thesis were about his poetry,” he began. One of the most memorable aspects for Prof. Aprinus was Cak Nun’s autodidactic way of learning. “I was always curious about how he learned. I once observed that he would disassemble a computer, study all the components one by one, and then reassemble it. He could even fix broken cars. That was remarkable,” he explained.

As a closing note, he shared a lasting memory. “One story I always tell that shows how extraordinary he is, is that he eats and sleeps the least among us. His level of asceticism was profound. During Ramadan, at 3 AM, he would routinely send out his writings, showing how deeply he valued time,” he said.

The second testimony came from Budi Sarjono, a long-time friend of Cak Nun since 1974. “I met him in 1974 when I was working at Basis Magazine. He would often ask, ‘Bud, do you have paper? Envelopes? Stamps?’ Then he would sit down and rapidly type two to three articles to be sent to various newspapers. I was deeply impressed,” he recalled.

Budi also shared a poignant experience. “One of the most meaningful memories was when I invited him to deliver a sermon and read poetry at a Catholic Mass in 1975. Although there was some tension with church officials at the time, what I emphasize is how Cak Nun expressed his heart to God with sincerity. That moment shook me.” He also described Cak Nun as a humble friend. “With his already well-known name back then, he still enjoyed gathering with us, talking until late at night. Sometimes, he would call me just to ask to be scolded,” he added with a smile.

That night was more than a birthday celebration, it was a tribute to a thinker who never tires of seeking meaning, nurturing culture, and voicing the conscience of the people. Tujuh Puluh Dua Tahun Cak Nun dan Bicara Bicara stands as a testament to how his intellectual and spiritual journey continues to inspire many to this day.

[Master’s Program Literature, Marsya Kamila]