Yogyakarta, 15/9/2025 – The Master’s Program in Literature, Faculty of Cultural Sciences, Universitas Gadjah Mada, held a public lecture titled “Make the Invisible Visible Again: Race, Gender, and Language in Popular Literature.” The event took place on Monday (15/9) at the Soegondo Auditorium, FIB UGM, featuring Dr. Ashika Prajnya Paramita, S.S., M.A. as the keynote speaker.

The lecture was attended by students and literature enthusiasts eager to explore how ideology operates within popular texts. With an engaging and communicative style, Dr. Ashika emphasized that literature is never a neutral narrative but always carries underlying ideologies, often hidden in plain sight.

Opening her talk with the questions “What’s visible?” and “What’s invisible?”, Dr. Ashika illustrated how everyday objects and cultural products that appear neutral are in fact loaded with ideological meaning. Examples ranged from the skin-tone bias in band-aids, beauty discourses in advertisements, to the privileging of certain languages over others. Quoting Antonio Gramsci, she reminded the audience that ideology operates through common sense—perceptions that society accepts as natural. “Everyday ideology is always around us. If we are not aware, we need to check,” she explained.

Dr. Ashika further examined how race and gender are represented in popular works, particularly in superhero films. She discussed debates surrounding Sam Wilson as Captain America and the assumption that Barack Obama’s presidency signaled the end of racism in the United States, while in reality, racial tensions persisted.

On gender, she highlighted how physical strength in superhero films is typically coded as masculine, while female characters are often given invisible or passive powers. Citing Judith Butler (1993), she reminded participants that “Gender is a kind of imitation for which there is no original,” stressing that masculinity and femininity are constructed and constantly shifting.

Bringing the discussion closer to home, Dr. Ashika invited the audience to critically read representations in the Indonesian film Satria Dewa: Gatotkaca (2022). She pointed out how white-skinned characters were often depicted as bosses, while darker-skinned characters appeared as security guards or lower-class workers. Language use also reinforced hierarchies, with Javanese accents assigned to “village folk,” while the protagonist spoke Jakarta urban slang.

“Literature is never just stories. Ideologies hide in plain sight. Reading critically is seeing power,” she concluded, marking the end of her main lecture.

The Q&A session was lively, with questions ranging from the representation of women in comics, ideological bias in reading literature, to the masculine standards in modern superheroes. Dr. Ashika underscored that ideological progress is never linear but rather messy and full of resistance. She also reminded the audience of the importance of readers’ critical awareness in examining their own biases.

This public lecture demonstrated that the study of popular literature goes beyond entertainment, offering critical reflections on power, representation, and ideology in everyday life. Through this event, the Master’s Program in Literature at UGM reaffirmed its commitment to providing an academic space that engages with contemporary issues while equipping students with critical perspectives in reading texts and culture.

Author: Marsya Kamila / Public Relations, Master’s Program in Literature

Yogyakarta, 11/9/2025 – The Master’s Program in Literature, Faculty of Cultural Sciences, Universitas Gadjah Mada, hosted a two-day creative writing workshop on flash fiction, held on Tuesday (9/9) and Thursday (11/9) at Soegondo Building, Room 125, FIB UGM.

The event featured international creative writer Alexandra Masri Do, widely known as Maz Do, who holds a Master of Fine Arts (MFA) degree in fiction from Cornell University, USA. Currently in Yogyakarta on a Fulbright scholarship for creative writing and research, Maz Do has published short stories in renowned literary journals such as Guernica, The Baffler, and McSweeney’s Quarterly Concern. The workshop was attended by around 20 participants, not only from the Master’s Program in Literature at UGM but also from various backgrounds outside the program who shared an interest in creative writing.

The first session, titled “Flash Fiction: Discover the Art of Short-Form Storytelling”, introduced the fundamentals of flash fiction as a compact narrative form capable of delivering depth within brevity. Alexandra opened the workshop with a provocative exercise called the Lying Exercise by Steven Doung.

She emphasized that this practice is essential because writing fiction, in a positive sense, involves “lying” by creating new realities through imagination. “Fiction is a lie, but it is a lie that reveals truth. As writers, we invent, we fabricate—but through this act of lying, we reach something deeply human and meaningful,” Maz Do explained.

Through this exercise, participants were encouraged to realize that the “lies” crafted in fiction can, in fact, serve as gateways to broader truths. Following this, Maz Do elaborated on key elements such as shape, perspective, and how a story can be viewed as a series of questions that challenge readers’ expectations.

The second session, titled “Generative Creative Workshop: Write Your Own Flash Fiction”, focused more on practice and story development. Participants engaged in simple yet imaginative exercises such as the Chair Exercise, which connected words to visuals and personal memories. Starting with the word “chair”, participants explored synonyms, compared the visual images that arose, and linked them to personal memories. From these associations, they were asked to compose short sentences and share them in group discussions.

Enthusiasm was evident throughout both days of the workshop. The atmosphere was dynamic, filled with discussions, partner activities, and reflective sharing. The presence of participants from diverse backgrounds—academics, students, and literary enthusiasts alike—brought unique perspectives into the creative process.

The workshop provided valuable insights into how a short narrative can powerfully evoke readers’ imagination. More than just theory, Maz Do equipped participants with practical skills in writing, revising, and sharpening literary sensitivity.

Through this program, the Master’s Program in Literature, FIB UGM reaffirms its commitment to creating open, innovative, and internationally engaged learning spaces. With guidance from Maz Do, flash fiction has proven to be a refreshing medium for exploring imagination and enriching today’s literary practice.

Author: Marsya Kamila / Public Relations, Master’s Program in Literature

Yogyakarta, September 6, 2025 — The Korean Language and Culture Study Program, Faculty of Cultural Sciences, Universitas Gadjah Mada, through the K-Lit UGM community, held a Talk Show on the novel Cursed Bunny and an Author Meet with renowned writer Chung Bora. This event was made possible through the collaboration and sponsorship of the Literature Translation Institute of Korea (LTI Korea), King Sejong Institute Yogyakarta, and the Korean Language and Culture Study Program, creating a space for dialogue between writers and readers across nations.

In the main session, Chung Bora shared her creative insights and responded to participants’ questions. Many were intrigued by the sources of inspiration behind her horror-themed stories. The author explained that her ideas often stem from everyday experiences, which she then intertwines with horror elements to spark readers’ imagination. Her works also highlight various social issues faced by women, showing how literature can serve as a medium for reflection and empowerment.

The discussion was lively and engaging, with many participants actively joining the Q&A session. This event not only provided an opportunity to learn more about Chung Bora’s works but also expanded literary horizons and fostered international academic networking.

The program concluded with a group photo and a book-signing session, leaving a lasting impression on all attendees. Through activities like this, K-Lit UGM and LTI Korea continue to promote cultural exchange, enrich students’ perspectives, and strengthen global literary connections through literature.

(Nisa Khairuna Sabilla/ Sherina Azmi A.)

Yogyakarta, 15 September 2025 – The Study Program of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM), presented artist Paksi Raras Alit in an Expert Lecture themed “Adapting Ancient Manuscripts into Performing Arts.” On this occasion, Paksi delivered a presentation entitled “From Page to the Stage: Manuscript to Stage Performance” which highlighted the creative process as well as the challenges of transforming ancient texts into stage performances.

Paksi explained that adapting ancient manuscripts into the performing arts is not merely transferring written texts into forms of drama, theater, wayang, or music. Rather, it involves a long process of rewriting, editing, adapting, and developing imagination to bring the text to life on stage. This creative process covers several crucial stages, including imaginative exploration, content adaptation, co-modification with the creative team, and technical production. Ultimately, all these steps are directed toward creating a performance that can be understood and appreciated by the audience.

However, significant challenges inevitably arise throughout the process. Paksi emphasized the fundamental questions that every artist or creator must answer: Where should one begin? What needs to be included or omitted? How can long descriptive passages about characters, places, and events be translated into a stage performance? Should all dialogues be presented in full? Often, manuscripts feature characters who speak in lengthy, elaborate texts that must be condensed to remain effective on stage.

This discussion demonstrated that performing arts are not merely a form of entertainment but also a meeting space between text, creativity, and audience. Furthermore, the creative endeavor of reviving ancient manuscripts on stage is also part of safeguarding intangible cultural heritage, in line with the Sustainable Development Goals (SDGs)—specifically Goal 4 on Quality Education, which encourages knowledge development based on tradition, and Goal 11 on Sustainable Cities and Communities, through the preservation and actualization of cultural heritage in a modern context.

Through this event, FIB UGM reaffirmed its commitment as an academic space not only to study ancient manuscripts but also to connect them with performing arts, ensuring that tradition remains relevant and can be passed down across generations.

[Public Relations of FIB UGM, Alma Syahwalani]

Yogyakarta, September 15, 2025 – The Department of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM), invited performing arts practitioner Anon Suneko, S.Sn., M.Sn. to deliver a guest lecture themed “Transforming Ancient Manuscripts into Performing Arts.” In his presentation, Anon provided an in-depth discussion on the creative process and challenges in composing musical accompaniment for dance drama.

According to him, composing musical accompaniment involves a structured sequence of stages, beginning with the formulation of concepts and themes, followed by research and musical exploration, intensive discussions with the director, and the drafting of initial sketches. The process then develops into a complete composition through the selection of appropriate instrumentation, the arrangement of transitions between sections, and the creation of variations to maintain dynamics and avoid monotony.

However, the process is not without challenges. Among them are balancing the dominance between music and performance, translating abstract concepts into concrete sounds, coping with time and resource limitations, bridging differences in vision among creators, and adapting to changes in choreography.

The lecture highlighted that performing arts are not merely a medium of expression but also a space for dialogue between tradition and innovation. Such creative efforts form part of safeguarding intangible cultural heritage, aligning with the Sustainable Development Goals (SDGs), particularly Goal 4: Quality Education, which emphasizes culture-based knowledge development, and Goal 11: Sustainable Cities and Communities, which underscores the preservation of cultural heritage within modern society.

Through this program, FIB UGM reaffirms its role as an academic hub that not only studies ancient texts but also revitalizes them through performing arts, ensuring that traditions remain alive and can be passed on across generations.

[Public Relation of FIB UGM, Alma Syahwalani]