Yogyakarta, 10 July 2025 – Internship students from National Chengchi University (NCCU), Taiwan, participated in the Kamis Pon Berbudaya (Cultural Thursday) event, a regular celebration held by the Faculty of Cultural Sciences (FIB) at Universitas Gadjah Mada (UGM). This activity is part of FIB UGM’s initiative to introduce international students to the values of Javanese culture particularly those rooted in the Special Region of Yogyakarta through participatory and educational approaches.

The NCCU students wore traditional batik attire and were accompanied by part-time staff members from FIB UGM’s Public Relations team, Alma and Candra. Through this event, they gained a deeper understanding of the meaning and philosophy of Kamis Pon in Javanese tradition, especially in the Yogyakarta context.

Alma and Candra explained that Kamis Pon refers to the convergence of Thursday (Kamis) and Pon, one of the five-day Javanese market cycles (pasaran). They also shared that previously, traditional dress days were observed on Kamis Pahing, commemorating the relocation of the Yogyakarta Palace from Ambarketawang to its current site. In 2024, however, the Yogyakarta Regional Government designated Kamis Pon as the official commemoration day of Yogyakarta’s founding, following Governor’s Circular No. 400.5.9.1/40 dated January 8, 2024.

This day carries strong symbolic meaning within Javanese society, particularly in the Kraton (palace) of Yogyakarta, where Kamis Pon is considered sacred. It is often used for spiritual activities, reflection, and cultural preservation as a form of respect for ancestors.

“This is something completely new for us—wearing batik on a specific day,” shared one of the NCCU students.

The active involvement of international students in this cultural activity aligns with FIB UGM’s commitment to supporting the Sustainable Development Goals (SDGs), especially SDG 4 (Quality Education) and SDG 11 (Sustainable Cities and Communities), by promoting cross-cultural education and the safeguarding of intangible heritage.

By consistently organizing Kamis Pon Berbudaya, FIB UGM continues to foster an inclusive space for intercultural dialogue, allowing students from diverse backgrounds to learn from one another and build a broader understanding of cultural diversity.

[Public Relations FIB UGM, Alma Syahwalani]

Yogyakarta, July 14, 2025 – Eka Nur Cahyani, a 2023 student of the Javanese Language, Literature, and Culture Study Program at the Faculty of Cultural Sciences, Universitas Gadjah Mada, has embarked on a long journey in the world of dance. Since the age of 7, Eka has been acquainted with and has loved classical dance, particularly the Yogyakarta style, thanks to the support of her late father, who was a court servant (abdi dalem) at the Ngayogyakarta Hadiningrat Palace.

“I started dancing since I was little, often brought to the palace by my father. Since then, I fell in love with classical dance and have continued learning until now,” she recalled.

Although she never studied at a formal dance studio, Eka gained knowledge from art teachers since elementary school and is now active as a member of UGM’s Swagayugama Student Activity Unit. There, she learns directly from the palace’s dance instructor, Dra. Veronica Ratnaningsih (Nyi Mas Riya Murtiharini).

Eka’s dedication to dance extends beyond performing. She has served as an instructor in the “Kampung Menari” program by the Yogyakarta City Cultural Office and has taught children in Pakembinangun. Since 2024, she has joined the Pamulangan Hamong Beksa at the palace, where she delves deeply into techniques, movement variations, philosophy, and ethics of Yogyakarta-style classical dance.

In addition to mastering Yogyakarta-style classical dance, Eka has broadened her horizons by studying Surakarta-style classical dances, such as Gambyong and Srimpi. Currently, she actively participates in the Pamulangan Hamong Beksa at the Ngayogyakarta Hadiningrat Palace. Every Sunday at 12:00 PM, Eka attends the palace wearing full traditional attire (jangkep), consisting of a kebaya tangkeban, jarik seredan, sanggul tekuk and subal, subang, and carrying a Sampur Gendala Giri.

“I am motivated to keep learning because I come from an artistic family—my grandfather was a puppeteer (dhalang), my paternal grandfather was a court servant, and my mother is a sindhen (traditional singer),” she said.

For Eka, dancing is not merely about aesthetic movements but also a spiritual and personal expression. She believes that each dance movement embodies the philosophy of patience, sincerity, and harmony between the body, feelings, and rhythm.

“Dancing is a form of prayer. The movements teach us to be sincere and patient in facing life,” Eka expressed.

Since beginning her journey in dance, Eka has performed on numerous stages, from campus events like the Kraton Performance Tourism Package featuring the Senggana Duta play by Swagayugama at Bangsal Srimanganti, Ngayogyakarta Hadiningrat Palace, and the Grand Swagayugama Performance at Taman Budaya Yogyakarta, to national and international forums such as the 4th International Seminar on Malay-Javanese Studies (SEMEJA IV) and ASEAN in Today’s World.

Despite frequent performances, Eka maintains her enthusiasm for learning. She emphasizes the importance of understanding the concepts of wiraga (physical movement), wirama (rhythm), and wirasa (feeling), as well as knowing the names and meanings of various dance movements. According to her, consistency stems from love and the desire for continuous growth.

Eka Nur Cahyani’s journey in dance since the age of seven not only reflects her love for the art but also her tangible contribution to sustainable development. Through her activities in learning and teaching dance, especially to children, Eka supports SDG 4: Quality Education. Her role as an active woman in preserving culture aligns with SDG 5: Gender Equality. Moreover, her involvement in maintaining and revitalizing classical dance art strengthens SDG 11: Sustainable Cities and Communities by preserving intangible cultural heritage as the identity of Yogyakarta’s society.

Eka proves that cultural preservation is not solely the responsibility of previous generations but also a duty for the current generation to ensure a more cultured future.

“If we feel we have talent, it needs to be developed through continuous practice and not being afraid to try, because I believe learning will never lead to regret, and every process in learning will shape us into individuals with true identity.” – Eka Nur Cahyani

[Public Relations FIB UGM, Alma Syahwalani]

At the recent K-Speech Eloquence Competition held on Saturday, June 28, 2025, Alfiana Amrin Rosyadi, S.S., M.A., a lecturer in the Korean Language and Culture Study Program at Universitas Gadjah Mada (UGM), received a Dedication Award from Mr. Woo Young Taek, President of the K-Speech Eloquence Association Indonesia.

This award was presented in recognition of her consistent dedication over the past three years in mentoring UGM students for the competition in Jakarta, and even accompanying last year’s winner to the international contest in Vientiane, Laos.

The plaque also acknowledged Ms. Alfi’s initiative in transforming the final speaking exam into a K-Speech-style oratory performance, aimed at enhancing the efficiency of Korean language education. Additionally, she has facilitated opportunities for Mr. Woo Young Taek to visit UGM and deliver a special lecture on effective speech techniques.

Surprised and honored to receive the award, Ms. Alfi expressed her gratitude. She mentioned that the recognition serves as new motivation to further integrate Korean oratory training into practical speaking classes. Currently, beyond converting the final exam into oratory-style presentations, the Korean Language and Culture Study Program at UGM has also established a speaking club to prepare future competition participants. Over the past year, the club has been mentored by students, but moving forward, it will be supervised by faculty members to ensure UGM’s representatives are well-prepared both technically and mentally for the K-Speech stage.

Written by: Alfiana Amrin
Edited by: Sherina Azmi

Yogyakarta, July 7, 2025 — Ajengkanthi Prabaningjati, a 2022 student of the Japanese Language, Literature, and Culture Program at the Faculty of Cultural Sciences (FIB), Universitas Gadjah Mada (UGM), is currently participating in the Community Service-Learning and Empowerment Program (KKN-PPM) Period II of 2025 in Wardo Village, West Biak, Biak Numfor Regency, Papua Province.

Ajeng is part of a KKN team called Biak Elok, whose main program theme is “Optimizing Sustainable Marine Resources to Realize a Blue Economy.” The program focuses on empowering local communities through the sustainable utilization of marine wealth. “Most people in Wardo Village work as fishermen, with fish as the main commodity,” explained Ajeng.

Within the team, Ajeng serves as the Coordinator of the Education Division. Together with her team, she focuses on teaching activities, especially for elementary school children, with an emphasis on character education. “The education division and I focus on teaching the elementary school children in Wardo, but we also open community classes for anyone who wants to learn in the Church environment, and we also assist as mentors for Sunday school. I hope we can make a lasting impact on the children here,” she expressed.

During the KKN program, Ajeng and her fellow team members stayed at the GKI Betel Wardo Church. They were warmly welcomed and cared for by a couple they affectionately call Mama Regina and Papa Ben. “Mama and Papa have been a great help to us, especially in terms of food. Not only that, but the Church community has also been very friendly and welcoming. The children often play with us too. Honestly, I feel very grateful to be accepted here,” added Ajeng.

Despite the remote location, the Biak Elok team managed to gain attention on social media. Thanks to their media team’s creativity, various moments from their community service from the natural beauty of Wardo Village to heartwarming interactions with the children—were captured in videos uploaded to Instagram and TikTok. Some of the posts even went viral and received positive responses from netizens.

One of the most touching experiences for Ajeng during the KKN program was witnessing the enthusiasm for learning among the children in Wardo Village. “Their eagerness to learn and their deep curiosity I think that’s already a strong foundation for them to achieve their dreams,” she said.

At the end of the interview, Ajeng shared a message for fellow students, especially those from FIB who will undertake KKN. “In my opinion, KKN is a once-in-a-lifetime experience that not everyone gets to have. So when your time comes, try to enjoy every part of it. From the small things that may seem trivial to the big moments that will teach you a lot. I hope FIB friends can discover new, meaningful, and memorable stories through their journey.”

[Public Relation, FIB UGM, Alma Syahwalani]

Yogyakarta, 2/7/2025 – The 4th International Seminar on Malay-Javanese Studies (SEMEJA) was held at the University Club of Universitas Gadjah Mada, presenting an inspiring discourse on the power of women’s narratives in Javanese literature. Dra. Wiwien Widyawati Rahayu, M.A., together with two of her students, Yudha Adistira and Saktia Hidayah, presented a study entitled “Leadership of Female Characters in the Novel Kidung Trěsna Sang Pikatan: Rancière’s Democratic Perspective.”

In her presentation, the researcher highlighted how female characters in the novel by Alexandra Indriyanti Dewi serve as agents of social change. Utilizing the radical democracy theory of Jacques Rancière, they interpreted that leadership in the story does not stem from structural power but from political actions that challenge the established patriarchal symbolic order.

Wulan, Pramodawardhani, and Sri Kahulunan emerged as representations of female figures manifesting Rancière’s three main concepts: dissensus, egalitarianism, and the reversal of hierarchy. Wulan, depicted as tělik sandhi, experiences inner conflict and subtly challenges the system through apparent compliance, a form of dissensus that quietly disrupts the power structure. Meanwhile, Pramodawardhani reflects the spirit of egalitarianism through her sharp political strategies and involvement in the development of Borobudur Temple. On the other hand, Sri Kahulunan firmly opposes the claim that leadership must be male-dominated, showcasing women’s courage in repositioning power.

Interestingly, all three characters were also analyzed through the lens of Donna Haraway’s cyborg feminism, positioning them as hybrid subjects that reject old dichotomies such as male-female or public-private. With this approach, female figures emerge not merely as complements to historical narratives but as leaders who reshape the power map.

This presentation contributes significantly to the discourse on gender and politics within the realm of literature, affirming that Javanese literature can also serve as a democratic space that validates women’s voices as active subjects of social change. More than just a historical romance, Kidung Trěsna Sang Pikatan stands as a text of resistance against patriarchy and a symbol of Javanese women’s bravery in carving their nation’s history.

The seminar also emphasized the importance of cultural diversity in literature, showcasing how different narratives can coexist and enrich the understanding of gender roles. By empowering girls through education for sustainability, the event highlighted the need for equal opportunities in literary representation, ensuring that women’s stories are told and celebrated.

In conclusion, through the presentation session by Dra. Wiwien Widyawati Rahayu, M.A., SEMEJA IV not only celebrated the contributions of experts and academics in Malay-Javanese studies, but also reinforced the importance of education and cultural diversity in building a more inclusive and sustainable future. The narrative presented is a call to action for everyone to recognize and support the vital role of women in literature and society.

[Public Relations of FIB UGM, Candra Solihin]