Yogyakarta, Monday night 19th of August 2024, the Faculty of Philosophy, Universitas Gadjah Mada (UGM), organized a shadow puppet show in the framework of the anniversary of the Faculty of Philosophy. The performance featured a special play, Gajah Mada Suci, which was performed collaboratively by UGM students who are members of the UGM Surakarta Style Javanese Arts Unit (UKJGS). One of the important roles in this performance was carried out by M. Rafi Nur Fauzy, a student of the Javanese Language, Literature, and Culture Study Program class of 2023, chosen to perform a play that was collaboratively worked on by the academics community of Universitas Gadjah Mada.
The script for the performance of Gajah Mada Suci was written by Dr. Rudy Wiratama S.I.P., M.A., lecturer of Javanese Language, Literature and Culture Study Program. Gajah Mada Suci tells the story of the scapegoating of Gajah Mada under the pretext of the failure of the Majapahit Kingdom expansion. The expansion also coincided with the kingdom’s internal political turmoil. To make matters worse, Gajah Mada was accused by the elites of trying to remove him from the kingdom. As a result, Gajah Mada felt desperate and afterward he visited the residence of his friend, Mpu Tantular. After a long dialog, Gajah Mada was finally enlightened, that the efforts he had made so far were not in vain. The spirit of Amukti Palapa to unite the archipelago will continue in the next era.
“The performance of the Gajah Mada Suci is a form of depiction of the Indonesian nation that has experienced an identity crisis by winning over an interest and power through any means. Gajah Mada, who was a knight, finally moksa due to the deviant behavior of the Majapahit elite. After that, the Majapahit Kingdom lost its authority and then receded until it reached its collapse,” explained Rafi in an interview (05/09/2024).
As a special play, Rafi and his fellow UKJGS students practiced hard for a maximum performance. “The performance of Gajah Mada Suci has its own challenges for us. We practiced preparing for the performance in only half a month. Plus, this is my first time to play the Gajah Mada puppet, so it must be carefully prepared.”
“With these challenges, Alhamdulillah, the show can run smoothly. It was a great experience for me,” he continued. Rafi hopes that the Gajah Mada puppet show will be held continuously because it is the work and identity of UGM as well as containing values that need to be socialized.
The existence of the Gajah Mada puppet is a real effort to promote the history and culture of the archipelago while still applying its relevance to the times. Through culture, we are not only ‘displaying’ aesthetics, but also reaffirming the nation’s identity through noble values for a better Indonesia.
