For most humanities students, the question “What will you do after graduation?” often weighs heavily on their minds throughout their college years. The outdated assumption that Arabic literature graduates will end up only as translators or educators is still commonly heard. However, Desthy Umayah has clearly shattered that old paradigm. This 2011 graduate of the Arabic Literature program at the Faculty of Cultural Sciences (FIB) at UGM has successfully demonstrated that a career path for literature graduates can reach the highest echelons of international diplomacy by becoming a diplomat at the Indonesian Embassy in Kuwait City for the 2023–2026 assignment period.

Desthy’s interest in the Arabic language actually began back in school. However, she never imagined that her decision to pursue a degree in Arabic Literature at UGM would lead her to the global stage. UGM not only offers a high-quality curriculum but also provides an academic ecosystem that is attuned to the times.

As the Arab Spring (a wave of revolutions across the Arab world) was unfolding, the Arabic Literature program at UGM actively responded by organizing academic discussions featuring alumni who were working at the Ministry of Foreign Affairs. This moment marked a turning point for Desthy. It was in those small classrooms that she realized the knowledge she was acquiring was vital to analyzing global geopolitical issues.

For Desthy, university is a mental laboratory. While on campus, she actively developed herself through the Arabic Language Student Association (IMABA), the Marching Band, and the Rampoe UGM arts community. It was through these non-academic activities that the soft skills crucial to a diplomat—such as negotiation, public speaking, leadership, and teamwork—developed organically. Recognizing the importance of these non-academic skills, Desthy urged students not to become “butterfly students” (class-home-class-home). According to her, the professional world isn’t just looking for those who excel on paper, but for individuals who are ready to grow and are resilient in the field through organizational experience.

The combination of classroom theory and practical experience in campus organizations proved to be Desthy’s strongest asset when she entered the global arena. One of the academic skills she gained at UGM that became her main tool in the field was her proficiency in the official language required for bureaucratic matters.

“Although the Arabic used in everyday conversation is Ammiya (colloquial Arabic), which varies by country, the Fusha (standard Arabic) taught by our professors during our studies at UGM has actually become a crucial foundation that is extremely useful in a professional diplomatic career,” he explained.

Desthy’s journey conveys a valuable message that will always be relevant to generations of FIB UGM students year after year: success on the global stage does not come overnight, but is the result of making the most of the campus ecosystem. A degree in the field of culture has proven to provide a competitive edge that other academic disciplines lack.

“For me, studying Arabic Literature isn’t just about learning the language; it’s also a foundation that makes us more attuned to culture, helps us understand other people’s perspectives, and ultimately helps me grow as a diplomat,” said Desthy.

In closing, she offered words of encouragement worth pondering for every student currently in college who is uncertain about their future.

“If you love languages, are interested in international issues, and enjoy encountering new perspectives, don’t hesitate. The world of diplomacy can be a really exciting career path to pursue,” she concluded.

Photo: Dhesti Umayah
Author: Zaidan Abdurrahman
Editor: Candra Solihin

The Faculty of Cultural Sciences (FIB) at Gadjah Mada University (UGM), in collaboration with the Université de Montréal (Canada), is organizing the 2026 Off-Campus Summer School program. Under the theme “The New Orientalism: Understanding the Paradoxes of Mass Tourism in Southeast Asia,” this program invites students from various countries to critically examine the challenges and real-world impacts of the mass tourism industry. This event was the fourth installment of the “Political Issues in Southeast Asia” (POL6615) seminar series, attended by 32 selected students—16 from Canada and 16 from Southeast Asia.

Rooted in the framework of critical tourism studies, this Summer School invites students to understand the contradictory processes generated by the enthusiasm for mass tourism. The phenomenon of tourism in Southeast Asia is seen as presenting real ambiguities; on the one hand, it can foster cultural exchange and economic growth, but on the other hand, it contributes to the commodification of culture, the destruction of local ecosystems, and the construction of an imaginary “authenticity” for the sake of market interests. To explore these complexities, this program emphasizes a comprehensive pedagogical approach. Participants not only listen to theoretical presentations by experts at the R. Soegondo Building, Faculty of Humanities, UGM, but are also immersed in the field to conduct participant-observation research in small groups in Yogyakarta, a major destination rich in cultural and ecological heritage. As part of the academic requirements, every student is required to contribute to the course, prepare summaries of required readings, and produce research reports and reflective journals.

The theoretical complexity surrounding this tourism paradox was immediately brought to life on the first day through a keynote lecture delivered by Prof. Devi Roza K. Kausar, Professor and Dean of the Faculty of Tourism at Pancasila University. In her lecture titled “The Challenges and Paradoxes of Cultural Tourism in Yogyakarta,” Prof. Devi highlighted the ongoing tension between cultural preservation and the commercial expectations of tourism. He specifically analyzed the case study of the Borobudur Temple World Heritage Site to illustrate the real conflict of interest between the economic development of priority destinations and the conservation of cultural heritage.

The Borobudur case clearly demonstrates that tourism is not merely an ordinary economic activity, but rather a political decision shaped by power dynamics, institutional fragmentation, infrastructure priorities, and competing development visions. Through this analysis of a specific case, students are directly invited to critically reflect on how a cultural element is presented to the public, who actually benefits most from this industry, and how young researchers should position themselves ethically when conducting studies in socially and culturally complex environments.

Through this Off-Campus Summer School program, students are expected to move beyond a black-and-white view of tourism as something that is either “beneficial” or “harmful.” The goal is for them to graduate with a more nuanced understanding, while also developing research methodology, academic presentation, and cross-cultural collaboration skills that are crucial for future researchers.

[Author: Humas FIB, Zaidan Abdurrahman]

Yogyakarta, June 2026 —  The American Studies Program was honored to welcome Professor of English from Brigham Young University and also a Fulbright Senior Scholar, Brian Russel Roberts, for a guest lecture titled “Huck Finn’s Back Pages: or, Bob Dylan and Major Problems in American Literature”, on Friday, June 5th, 2026 at Ruang Sidang 1, Poerbatjaraka building.

Widely recognized as one of the most influential musicians of the twentieth century, Bob Dylan has left a mark not only on music but also on literature and American culture. In this lecture, Professor Brian invited participants to explore Dylan’s relationship with American literature and examined why his work continues to spark discussions about the boundaries of literature itself. 

The lecture focused on Dylan’s connection to Mark Twain’s classic novel Adventures of Huckleberry Finn. At first glance, a folk singer and a fictional boy traveling down the Mississippi River may seem unrelated. However, Professor Brian showed how both Dylan and Huck Finn not only share the same style of hat but also share themes of freedom, questioning authority, and challenging social norms. 

Participants also learned how Dylan’s songs often deal with issues such as justice, truth, and personal growth. These themes closely reflect the struggles faced by Huck and Jim in Twain’s novel. Professor Brian stated that Bob Dylan’s songs are most of them, if not, all of them are protest songs. Through his music, Dylan encourages listeners to think critically about society and the world around them. 

Another interesting discussion centered on Dylan’s place in American literary studies. Although he received the Nobel Prize in Literature in 2016, his work has not always been widely discussed in traditional literature classrooms and journals. This raises important questions about what we consider “literature” and whether songs can be studied alongside novels and poetry.

Overall, the session offered a fresh perspective on the relationship between music and literature. It encouraged us to see Bob Dylan not just as a musician, but as a storyteller whose work continues to shape conversations about American culture, identity, and history. It was an insightful discussion that reminded us that literature can be found in many forms, not only in books, but also in the songs that help define a generation. The session also served as a sneak peek into Professor Roberts’ upcoming book, a project that contributes new insights into the study of Dylan and American literature and is already highly anticipated by scholars and students. 

Author: American Studies Program

The Arabic Literature Study Program at Universitas Gadjah Mada (UGM) continues to enhance its curriculum by introducing a new course, Saudi Colloquial Arabic, in the second semester of the 2025/2026 academic year. The course is designed to broaden students’ linguistic competence, particularly in understanding and using Arabic as it is spoken in everyday communication within Saudi society. The course is taught by Dr. Raeef Al-Tamimi, M.Acc., a lecturer with extensive expertise and experience in Arabic language studies. His involvement provides students with a valuable opportunity to learn the Saudi dialect in an authentic manner, covering pronunciation, vocabulary, and its practical use in daily interactions.

Through this course, students not only learn common expressions and vocabulary used by native speakers  but also gain insight into the cultural aspects embedded in the language. The learning process is designed to be interactive, incorporating conversation practice, discussions, and various communication simulations that help students use Arabic more naturally and contextually. 

The introduction of the course has received positive responses from students. Adennia, the class coordinator of the Saudi Colloquial Arabic course, shared that the material is relatively easy to follow due to its similarities with Modern Standard Arabic (Fusha), which students have previously studied. “In my opinion, the course is not too difficult because it shares many similarities with Fusha. One challenge is that we sometimes still tend to use sentence-ending grammatical markers, as we do in formal Arabic. There are also certain vocabulary items that can be difficult for Indonesian speakers to pronounce. However, Dr. Raeef often provides alternative expressions that are easier for us to say, which makes the learning process more comfortable and accessible,” she explained.

The introduction of the Saudi Colloquial Arabic course marks an important step in helping students understand the diversity of Arabic as it is used in real-life contexts. Beyond its academic value, proficiency in Arabic dialects can serve as a valuable asset for students pursuing further studies, student exchange programs, or careers in international environments where Arabic is widely spoken. Through this curriculum innovation, the Arabic Literature Study Program at UGM hopes to equip students with a more comprehensive command of Arabic, enabling them to communicate effectively not only in formal settings through Fusha, but also in everyday interactions with native Arabic speakers.

Author: Indana Zulfa Maulida

Yogyakarta, June 9, 2026 – Students from the Master’s Program in Literature and the Undergraduate Program in Javanese Language, Literature, and Culture organized a manuscript exhibition titled Pusaka Kata (“Heritage of Words”) at the first-floor lobby of Soegondo Building, Faculty of Cultural Sciences, Universitas Gadjah Mada (UGM), on Tuesday (June 9). Held from 8:30 a.m. to 3:00 p.m., the exhibition served as a platform for academic collaboration, bringing together the fields of philology, Javanese manuscript studies, and codicology in an effort to preserve and revitalize the manuscript heritage of the Indonesian archipelago.

The exhibition involved graduate students from the Philology and Javanese Manuscript Studies classes, as well as undergraduate students from the Codicology class of the Javanese Language, Literature, and Culture Program. The event was supervised by Prof. Dr. Sangidu, M.Hum., Dr. Arsanti Wulandari, S.S., M.Hum., and Zakariya Pamuji Aminullah, S.S., M.A.

Under the theme Pusaka Kata, the exhibition was inspired by the awareness that Nusantara manuscripts constitute invaluable intellectual and cultural heritage. These manuscripts preserve ancestral knowledge systems covering various aspects of life, including education, medicine, religious practices, and literature. However, beyond the threat of physical deterioration due to age, these manuscripts also face a growing challenge: the widening gap between younger generations and the knowledge contained within them.

The name Pusaka Kata was chosen to emphasize the significance of manuscripts as an intergenerational legacy. In Javanese tradition, pusaka refers not merely to an inherited object but to a trust passed down through generations, carrying values, identity, and responsibility. Meanwhile, kata (“words”) represents the medium through which knowledge has been preserved and transmitted from ancestors to future generations.

Interpreting Knowledge Preserved in Manuscripts

One of the highlights from the Philology class was a Malay-Islamic manuscript titled Kitab Jimat, Tangkal, dan Obat-obatan (Book of Talismans, Protective Charms, and Medicines). Digitized by the British Library through the Endangered Archives Programme (EAP), the manuscript contains knowledge related to self-protection, healing practices, and environmental safeguarding through prayers, Qur’anic verses, magical diagrams (rajah), and herbal remedies.

Fajar Nur Zaima explained that one of the most prominent sections of the manuscript discusses the virtues of Qur’anic verses, particularly the recitation of the basmalah. According to him, the manuscript presents the basmalah not merely as an opening formula but also as a source of blessings, protection, and safety in various aspects of life.

Another featured object was the section on talismans contained in Serat Primbon, a manuscript from the collection of the National Library of Indonesia, catalog number NB 973. This section includes at least twenty-nine types of talismans serving different purposes, ranging from attracting affection and maintaining health to ensuring safety and warding off misfortune.

Giandra Febriyan Haidar explained that talismanic texts can be understood as representations of how Javanese society perceived the relationship between humans, nature, and forces beyond everyday rationality. He cited a love talisman described in the manuscript as a means of gaining affection and social acceptance. In this context, he argued, talismans should not be viewed merely as magical objects but as symbols of human aspirations for harmonious social relationships.

Reading Manuscript Histories Through Physical Form and Aesthetics

The Javanese Manuscript Studies class presented research on the physical and aesthetic aspects of Javanese manuscripts. One exhibition item focused on a manuscript written in Javanese script, currently preserved in the Department of Nusantara Literature Library under the code 899.047.

Through this study, visitors were invited to understand manuscripts not only as textual repositories but also as cultural artifacts that document copying practices, literary traditions, and histories of ownership and transmission. Elements such as paper type, binding structure, script, and physical damage provide valuable information about a manuscript’s journey through time.

The class also showcased a study of manuscript illumination titled Wêdana Gapura Rênggan. The manuscript contains several texts, including Aji Pamasa, Mihradipun Jêng Nabi, Rajah Kalacakra, Jumbuhing Panembah, and Lêlampahanipun Raden Sahid.

Affan Akbar explained that manuscript illuminations serve not only as decorative elements but also as important sources of information regarding manuscript production processes. Observations of unfinished sketches and coloring revealed that the text had been written before the ornamental designs were added. Such findings provide insights into the stages undertaken by manuscript scribes in producing complete handwritten works.

Codicology and Creative Approaches to Manuscript Preservation

Meanwhile, the Codicology class introduced visitors to the study of manuscripts from a material perspective. Codicology examines manuscripts as physical objects, including their writing materials, binding techniques, ornaments, layouts, and patterns of damage that record traces of their historical use.

In addition to presenting research findings, students displayed practical projects such as manuscript covers, storage boxes, and hand-bound books accompanied by interpretive narratives.

One work that attracted particular attention was created by Arfia Kholifatul, who adopted the Javanese wayang character Semar as the central theme of her bookbinding and cover design. Through imagery inspired by shadow puppetry and botanical motifs, the work interpreted Javanese philosophical values such as urip iku urup—the belief that life should bring benefits to others. The upward-growing leaves and vines symbolized the continuous pursuit of truth and the sustainability of life.

Through the collaboration of these three academic fields, the Pusaka Kata Exhibition offered a comprehensive perspective on manuscripts as living cultural heritage. Rather than being regarded merely as historical artifacts preserved in archives, manuscripts were presented as enduring sources of knowledge that can continue to be read, understood, and reinterpreted by contemporary generations.

Author: Khotibul Umam