The international workshop “Commodity, Plantation, and Colonialism in Indonesia: Current Research in Social, Economic, and Architectural History” will be held on July 23–24, 2026, at Pavillon 333, the Architecture Museum of the Technical University of Munich (TUM), Germany. This workshop is part of the exhibition series “Nge-Téh / Tea Time: Architectures of the Colonial Commodity Chain from Indonesia to Germany, 19th Century,” which runs from July 23–26, 2026. The workshop brings together scholars from various disciplines engaged in the study of commodity history, plantations, and colonialism. This event aims to foster dialogue encompassing architectural, social, economic, and cultural history from a historical perspective, spanning the early modern to the contemporary periods that shaped the tea commodity chain from Indonesia to Europe. Through an interdisciplinary lens, the workshop explores how colonial plantation systems not only shaped the physical landscape but also created social, economic, and cultural relationships whose influence is still felt today.

This workshop was held in conjunction with a visit by Prof. Dr. Pujo Semedi, known as the “Historical Anthropologist.” He was invited to serve as the keynote speaker and spoke about plantations in Indonesia from 1870 to 2020. His contributions to the advancement of knowledge serve as a fine example for students. Through research rooted in the experiences of local communities, knowledge of Indonesia’s colonial history can be enriched and introduced to an international audience as part of efforts to foster a more inclusive understanding of global history.

In addition to the discussion sessions, a “Nge-Téh / Tea Time” exhibition was also held. The exhibition explored the history of tea as a colonial commodity, from the plantations in West Java, through the processing and distribution via Batavia and Hamburg, to its consumption by the public in Germany. A variety of historical archives, photographs, tea trade artifacts, ceramic artworks, and documentary films were displayed to illustrate Indonesia’s connection to global trade networks. The exhibition also underscored that although Indonesia was never a German colony, the tea trade linked the two regions within the global colonial economic system.

This workshop serves as an important forum for strengthening international collaboration in the fields of colonial history, anthropology, architecture, and Southeast Asian studies. The discussions that emerged not only shed light on the colonial past but also encouraged critical reflection on sustainability, historical justice, and the importance of incorporating local communities’ perspectives in understanding the history of global commodities.

Author: Dewi Widyastuti

Picture: Prof. Pujo Semedi

SLEMAN — The Malam Inisiasi for new students of the Master’s in Literature Program at the Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM), offered more than an introduction to academic life. It became a space where students came together, got to know one another, and expressed themselves through a diverse range of artistic performances.

Held under the theme “Antara Kata dan Kita: Sebuah Cerita yang Ditulis Bersama,” the event took place on August 28–29, 2026, at Pondok A. Salam, Kalimasada, Sleman, and brought together new students of the Master’s in Literature Program for the 2026/2027 Academic Year.

The evening opened with remarks from Head of the Master’s in Literature Program Prof. Dr. Aprinus Salam, S.S., M.Hum., followed by a session on UGM’s philosophy and institutional values delivered by Prof. Drs. M. Mukhtasar Syamsuddin, M.Hum., Ph.D. of Arts.

Students were also introduced to several academic initiatives within the program, including Academic Student Networking (ASN) and International Dissemination.

The artistic performances became one of the evening’s highlights. Rather than relying on elaborate staging or formal performance facilities, the students created an intimate and spontaneous setting where they could share their talents, ideas, and personal experiences.

Alya performed Nadin Amizah’s “Bertaut,” while Deni presented a musical interpretation of his own poetry. Chaca took the audience through a personal story in an English-language storytelling performance.

Adit, Nurdin, Riki, and Veto presented a theatrical piece addressing a range of social issues, including environmental and political concerns, accompanied by poetic verses. Fajri followed with a poetry reading, while Eloi brought the performances to a close with a dance.

The range of performances underscored the many ways literature and art can be expressed—not only through writing, but also through voice, music, movement, the body, and personal experience. For the students, the simple stage became a space to introduce themselves while sharing their perspectives and creativity.

Reflecting on the event, Aprinus Salam described the students’ performances through the idea of “radical art” and “zero-rupiah art.”

For Aprinus, radical art is art that is free from political and economic agendas. It is created simply as an act of artistic expression and as an affirmation of friendship and community.

One of its defining characteristics, he argues, is the absence of monetary exchange. The artists perform without payment, while the audience attends without paying. Art, in this sense, is not created for profit or accumulation, but for the sake of expression itself.

Art can also become a way of strengthening solidarity within a community. It allows people to express friendship, affection, and a sense of belonging, while at the same time revealing something of their individual character.

“The courage to free oneself from that is itself a form of radicalizing life,” Aprinus wrote.

He further noted that art is often confined to designated spaces governed by administrative requirements and formal structures. When this happens, art—which can originally function as a form of resistance—can instead become commercial entertainment and a commodity.

Against this tendency, Aprinus sees zero-rupiah radical art as a form of authentic resistance. Poetry, prose, and literature can emerge without being shaped by commercial interests, external agendas, or institutional co-optation. What remains is the experience of art itself: admiration, wonder, and emotional resonance.

That spirit, he said, was evident in the performances presented by the new Master’s in Literature students during the Malam Inisiasi on August 28.

Aprinus acknowledged that putting on a performance requires preparation and practice. Yet technical skills alone cannot produce everything that makes an artistic performance meaningful.

“What cannot be trained is the ability to bring forth spirit, personal character, and profound feeling,” he wrote.

His reflection captures what made the evening distinctive. In the midst of an event welcoming students into their new academic community, art became a space for students to reveal their personalities, share their experiences, express their ideas, and build solidarity.

Malam Inisiasi thus became more than a welcoming event. Through performances created and presented by the students themselves, the evening turned into a shared stage where words, voices, bodies, and ideas came together—becoming, in its own way, a story written together.

Author: Khotibul Umam

Yogyakarta— The Literary Camp with Nature and the Universe, organized by the Master’s Program in Literary Studies at the Faculty of Cultural Sciences, Universitas Gadjah Mada (UGM), at Pondok A. Salam, Kalimasada, featured a Literary Oration session on Friday evening, August 14. Beginning at 7:30 p.m., the session brought together two speakers from the academic community of FIB UGM: Muhammad Lutfi Dwi Kurniawan, a doctoral student in Humanities at FIB UGM, and Rini Febriani Hauri, a master’s student in Literary Studies at FIB UGM.

The Literary Oration was an important part of the camp, providing a space for reflection on literature, the relationship between humans and nature, technological developments, and the future of the humanities.

In his presentation, “Unveiling the Pulse of the Text: Biopoetics and the Crisis of the Human–Nature Boundary in Literature,” Muhammad Lutfi Dwi Kurniawan introduced biopoetics as a way of exploring the relationship between life, human beings, nature, and literary works.

Broadly speaking, biopoetics is an interdisciplinary approach that brings together biology—the study of life—with poetics, literature, the arts, and other forms of creative expression. It opens up a way of understanding literature not simply as a product of language and culture, but as part of a wider conversation about life and humanity’s relationship with the biological world around us.

In his presentation, Lutfi offered the Achilles tendon as an intriguing example. This important part of the human body connects the calf muscles to the heel bone. The name Achilles comes from Achilles, the legendary Greek hero immortalized in Homer’s epic Iliad. The example illustrates how traces of literature and mythology can become embedded in the language through which human beings describe and understand the world—even in scientific terminology.

From this perspective, biopoetics becomes particularly relevant as the boundary between humans and nature is increasingly being questioned. Literature can provide a space to explore how people understand life, how nature is represented, and how relationships between humans and other living beings are shaped through language, imagination, and experience.

The theme “Unveiling the Pulse of the Text” thus takes literature into a broader intellectual territory, bringing textual studies into conversation with questions of life and the environment. Biopoetics allows literature to engage with scientific knowledge while also inviting us to reconsider the human position—not as something entirely separate from nature, but as part of a larger web of life.

Meanwhile, Rini Febriani Hauri presented “Reading Literature in the Age of Algorithms: Experience, Interpretation, and the Future of the Humanities.” Her presentation invited participants to reconsider the experience of reading literature amid rapid digital transformation and the relentless flow of information.

During her presentation, Rini quoted Franz Kafka:

“A book must be the axe for the frozen sea within us.”

The quotation offered a starting point for thinking about reading as more than an act of gathering information. Reading can be an experience that moves us, unsettles us, and even transforms the way we understand ourselves and the world.

In a digital culture increasingly defined by speed, where information arrives continuously and algorithms help determine what we see and read, Rini encouraged participants to read slowly. The invitation to slow down becomes a form of pause, and perhaps even a quiet resistance to the pressure to move constantly from one piece of information to another and to form immediate judgments.

Reading slowly gives the reader space to allow a text to work its way inward. It creates an opportunity to attend to language, discover layers of meaning, question one’s own experience, and encounter interpretations that might otherwise be missed in hurried reading.

In the age of algorithms, the experience of reading therefore becomes increasingly significant. As technology becomes capable of producing, circulating, and processing an almost limitless amount of text, the human capacity to read, feel, interpret, and make meaning remains something worth preserving.

Together, the two presentations brought into focus two important questions facing contemporary literature: the relationship between humans and nature, and the relationship between humans and technology. On the one hand, biopoetics invites us to reconsider the boundary between humanity and the living world. On the other, the discussion of literature in the age of algorithms asks us to consider how technology is reshaping the experience of reading and interpreting literary works.

Bringing these two themes together broadened the intellectual scope of the Literary Camp. Literature was not treated merely as an activity of reading and writing, but also as a space for understanding a changing world, questioning the boundaries of human experience, and reconsidering the future relationship between humans, nature, and technology.

Held at night, the Literary Oration also formed an integral part of the distinctive atmosphere of the Literary Camp. After spending the afternoon outdoors and experiencing the natural surroundings of Kalimasada, participants gathered to listen, discuss, and exchange perspectives on literature and the wider questions of human life.

The Literary Camp thus offered more than an opportunity to camp and socialize. It created an intellectual space where literary works, ideas, nature, science, technology, and human experience could meet within a single shared experience.

Author: Khotibul Umam

The first stage of the Community Service Program (PkM) entitled “Polite and Responsible Social Media Use among Adolescents,” organized by the Master’s Program in Linguistics, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM), was successfully held at SMA Negeri 1 Depok, Sleman. The activity was enthusiastically attended by students and featured a series of educational activities focusing on polite, wise, and responsible social media use.

The activity began with a report on the implementation of the program delivered by the Head of the Master’s Program in Linguistics, Dr. Hayatul Cholsy, S.S., M.Hum. The report outlined the implementation of the program and its objectives, particularly in raising adolescents’ awareness of the importance of politeness in communication on social media.

Following the report, Drs. H. Tri Nardono, Public Relations Vice Principal of SMA Negeri 1 Depok, expressed his appreciation for the implementation of the program. He also welcomed the collaboration between SMA Negeri 1 Depok and the Master’s Program in Linguistics, FIB UGM, as a joint effort to provide students with guidance on using social media wisely and respectfully.

Before the main session, students completed a pretest designed to map their social media habits and experiences. The results provided an initial overview of social media use among the students and supported the delivery of materials that were relevant to their experiences and needs.

The main session on polite social media use was delivered by Prof. I Dewa Putu Wijana, S.U., M.A., with Dr. Wira Kurniawati, S.S., M.A. serving as the moderator. Through the session, students were encouraged to understand the importance of using polite, thoughtful, and responsible language when communicating in digital spaces.

The activity continued with group dynamics, during which students developed ideas and prepared creative follow-up projects. Working in groups, the students created flyers or videos under the theme “Jarimu Harimaumu!” (“Your Fingers, Your Responsibility!”). Through these works, students were encouraged to convey messages about the importance of thinking carefully before posting, commenting, or sharing information on social media.

All student works will be presented during the evaluation activity scheduled for 10 August 2026. The evaluation will form part of the PkM series and will provide an opportunity to assess the students’ understanding and creativity while allowing them to communicate messages about polite and responsible social media use through their own works.

Through this program, the Master’s Program in Linguistics, FIB UGM, continues to contribute to the development of language and digital literacy among adolescents. The collaboration with SMA Negeri 1 Depok is expected to serve as a meaningful step toward fostering a culture of polite, critical, and responsible communication in digital spaces.

The PkM program will continue with the next stage, featuring the evaluation and presentation of the students’ works. We look forward to seeing the students again in the next stage of the program!

Author: Magister Linguistik

BANGI, SELANGOR — Three Master’s students in Literary Studies from the Department of Language and Literature, Faculty of Cultural Sciences, Universitas Gadjah Mada (UGM)—Priyo Joko Purnomo, M. Aufal Ghufron, and Maulana Nurul Izza—participated as paper presenters at the 4th International Seminar on Malay Manuscripts (Seminar Antarabangsa Manuskrip Melayu/SEMALU IV) 2026.

At the international seminar, organized by the Malay World Manuscript Research Centre (Pusat Penyelidikan Manuskrip Alam Melayu/PPMAM), Institute of the Malay World and Civilization (Institut Alam dan Tamadun Melayu/ATMA), Universiti Kebangsaan Malaysia (UKM), the three researchers presented a study entitled “Fortune-Telling: The Dynamics of the Abajadun Numerical System in Malay and Javanese Manuscript Traditions.”

SEMALU IV 2026 was held at Universiti Kebangsaan Malaysia, Bangi, Selangor, Malaysia, on July 21, 2026. The seminar carried the theme “Preserving the Heritage of Malay World Manuscripts through Research and Innovation” and brought together scholars, researchers, academics, and the general public to discuss the richness of Malay manuscripts and the intellectual heritage of the Malay world.

Through their research, the three UGM students examined the dynamics of the adaptation of the Abajadun numerical system within Malay and Javanese manuscript traditions, particularly in the manuscripts Syair Raksi Macam Baru (SRMB) and Kitab Mujarrabat Pegon (KMP). The study highlights how a numerical system that assigns numerical values to Arabic letters underwent processes of adaptation, negotiation, and localization as it interacted with Malay and Javanese cultures.

The study demonstrates that Abajadun is not merely a system of calculation or fortune-telling. Within the manuscript traditions of the Nusantara, the system developed into a cosmological technology that connects human beings, time, nature, and God within a network of meaning. Through calculations involving letters, names, days, and various other elements, communities sought to understand future possibilities and determine appropriate courses of action.

In the Malay tradition, the study of Syair Raksi Macam Baru reveals the use of the Abajadun system to determine compatibility between couples through the calculation of names. Meanwhile, Kitab Mujarrabat Pegon demonstrates the intersection between the Abajadun numerical system and the Javanese tradition of petungan, including the use of the concept of neptu—the numerical values associated with days and market days—for various purposes, such as determining auspicious times for trading, medical treatment, and marriage.

The study also emphasizes that Malay and Javanese manuscripts serve as spaces for the production and negotiation of knowledge. Numbers, letters, names, days, and fate are woven together into a cultural mechanism that helps communities understand uncertainty and organize various decisions in social life.

Drawing on Stuart Hall’s perspective on cultural representation and E.J. Aarseth’s concept of ergodic literature, the study views Abajadun as a sign system whose meanings are not always directly available in the text. Readers must perform a series of operations, beginning with converting letters into numbers, calculating particular values, and interpreting the results. In this process, readers play an active role in discovering the meanings contained within the manuscripts.

“Abajadun serves as a navigator that guides readers from letters to numbers, from numbers to interpretation, and from interpretation to social decisions,” reflects the central idea proposed in the study.

The participation of UGM Master’s students in SEMALU IV 2026 forms part of broader efforts to expand research on Nusantara manuscripts while demonstrating the relevance of traditional knowledge heritage within contemporary academic discourse. The study of Abajadun also shows that Malay and Javanese manuscripts reflect a creative encounter between Islamic traditions and local cosmologies, giving rise to distinctive knowledge systems in the Nusantara.

Through the SEMALU IV forum, the study further strengthens efforts to preserve the manuscript heritage of the Malay world through research and innovation. Manuscripts are not merely viewed as historical relics, but also as sources of knowledge that can continue to be studied, interpreted, and introduced to new generations.

Author: Khotibul Umam