Yogyakarta, June 9, 2026 – Students from the Master’s Program in Literature and the Undergraduate Program in Javanese Language, Literature, and Culture organized a manuscript exhibition titled Pusaka Kata (“Heritage of Words”) at the first-floor lobby of Soegondo Building, Faculty of Cultural Sciences, Universitas Gadjah Mada (UGM), on Tuesday (June 9). Held from 8:30 a.m. to 3:00 p.m., the exhibition served as a platform for academic collaboration, bringing together the fields of philology, Javanese manuscript studies, and codicology in an effort to preserve and revitalize the manuscript heritage of the Indonesian archipelago.

The exhibition involved graduate students from the Philology and Javanese Manuscript Studies classes, as well as undergraduate students from the Codicology class of the Javanese Language, Literature, and Culture Program. The event was supervised by Prof. Dr. Sangidu, M.Hum., Dr. Arsanti Wulandari, S.S., M.Hum., and Zakariya Pamuji Aminullah, S.S., M.A.

Under the theme Pusaka Kata, the exhibition was inspired by the awareness that Nusantara manuscripts constitute invaluable intellectual and cultural heritage. These manuscripts preserve ancestral knowledge systems covering various aspects of life, including education, medicine, religious practices, and literature. However, beyond the threat of physical deterioration due to age, these manuscripts also face a growing challenge: the widening gap between younger generations and the knowledge contained within them.

The name Pusaka Kata was chosen to emphasize the significance of manuscripts as an intergenerational legacy. In Javanese tradition, pusaka refers not merely to an inherited object but to a trust passed down through generations, carrying values, identity, and responsibility. Meanwhile, kata (“words”) represents the medium through which knowledge has been preserved and transmitted from ancestors to future generations.

Interpreting Knowledge Preserved in Manuscripts

One of the highlights from the Philology class was a Malay-Islamic manuscript titled Kitab Jimat, Tangkal, dan Obat-obatan (Book of Talismans, Protective Charms, and Medicines). Digitized by the British Library through the Endangered Archives Programme (EAP), the manuscript contains knowledge related to self-protection, healing practices, and environmental safeguarding through prayers, Qur’anic verses, magical diagrams (rajah), and herbal remedies.

Fajar Nur Zaima explained that one of the most prominent sections of the manuscript discusses the virtues of Qur’anic verses, particularly the recitation of the basmalah. According to him, the manuscript presents the basmalah not merely as an opening formula but also as a source of blessings, protection, and safety in various aspects of life.

Another featured object was the section on talismans contained in Serat Primbon, a manuscript from the collection of the National Library of Indonesia, catalog number NB 973. This section includes at least twenty-nine types of talismans serving different purposes, ranging from attracting affection and maintaining health to ensuring safety and warding off misfortune.

Giandra Febriyan Haidar explained that talismanic texts can be understood as representations of how Javanese society perceived the relationship between humans, nature, and forces beyond everyday rationality. He cited a love talisman described in the manuscript as a means of gaining affection and social acceptance. In this context, he argued, talismans should not be viewed merely as magical objects but as symbols of human aspirations for harmonious social relationships.

Reading Manuscript Histories Through Physical Form and Aesthetics

The Javanese Manuscript Studies class presented research on the physical and aesthetic aspects of Javanese manuscripts. One exhibition item focused on a manuscript written in Javanese script, currently preserved in the Department of Nusantara Literature Library under the code 899.047.

Through this study, visitors were invited to understand manuscripts not only as textual repositories but also as cultural artifacts that document copying practices, literary traditions, and histories of ownership and transmission. Elements such as paper type, binding structure, script, and physical damage provide valuable information about a manuscript’s journey through time.

The class also showcased a study of manuscript illumination titled Wêdana Gapura Rênggan. The manuscript contains several texts, including Aji Pamasa, Mihradipun Jêng Nabi, Rajah Kalacakra, Jumbuhing Panembah, and Lêlampahanipun Raden Sahid.

Affan Akbar explained that manuscript illuminations serve not only as decorative elements but also as important sources of information regarding manuscript production processes. Observations of unfinished sketches and coloring revealed that the text had been written before the ornamental designs were added. Such findings provide insights into the stages undertaken by manuscript scribes in producing complete handwritten works.

Codicology and Creative Approaches to Manuscript Preservation

Meanwhile, the Codicology class introduced visitors to the study of manuscripts from a material perspective. Codicology examines manuscripts as physical objects, including their writing materials, binding techniques, ornaments, layouts, and patterns of damage that record traces of their historical use.

In addition to presenting research findings, students displayed practical projects such as manuscript covers, storage boxes, and hand-bound books accompanied by interpretive narratives.

One work that attracted particular attention was created by Arfia Kholifatul, who adopted the Javanese wayang character Semar as the central theme of her bookbinding and cover design. Through imagery inspired by shadow puppetry and botanical motifs, the work interpreted Javanese philosophical values such as urip iku urup—the belief that life should bring benefits to others. The upward-growing leaves and vines symbolized the continuous pursuit of truth and the sustainability of life.

Through the collaboration of these three academic fields, the Pusaka Kata Exhibition offered a comprehensive perspective on manuscripts as living cultural heritage. Rather than being regarded merely as historical artifacts preserved in archives, manuscripts were presented as enduring sources of knowledge that can continue to be read, understood, and reinterpreted by contemporary generations.

Author: Khotibul Umam

Yogyakarta, June, 8 2025 – Students of the Arabic Literature Study Program at Universitas Gadjah Mada (UGM), Class of 2023, successfully conducted their Thesis Proposal Seminar from 8 to 10 June 2026. The three-day academic event marked an important milestone as students presented their research proposals before proceeding to the next stage of their undergraduate thesis projects.

This year’s seminar showcased a wide range of research topics, reflecting the growing diversity of contemporary Arabic language and literature studies. Beyond traditional scholarly approaches, students explored issues related to artificial intelligence, digital media, social dynamics, and global geopolitical developments, demonstrating the relevance of Arabic studies in addressing contemporary challenges.

A significant number of research projects focused on translation studies, examining translation strategies and translation quality in novels, poetry, films, classical Islamic texts, and social media content. Notably, several students investigated the use of Artificial Intelligence (AI) in translation, including studies on the translation quality produced by ChatGPT. These topics illustrate how technological advancements are increasingly becoming an integral part of academic inquiry within the Arabic Literature Program at UGM.

In the field of literary studies, students analyzed various humanitarian and social issues represented in modern Arabic literary works. Topics such as war trauma, power relations, feminism, diaspora identity, family conflicts, and the struggles of the Palestinian people emerged as prominent themes. These studies highlight literature not only as an artistic expression but also as a reflection of complex social realities and human experiences.

Meanwhile, linguistic research offered equally compelling perspectives. Students examined topics including code-switching, code-mixing, pragmatics, discourse analysis, media framing, and the use of Arabic in digital spaces. These studies demonstrate how language continues to evolve and interact with various aspects of contemporary society.

Throughout the seminar, students presented their research backgrounds, research questions, and proposed methodologies. Supervisors and examiners provided constructive academic feedback to help refine and strengthen the proposed studies. The active discussions created a valuable learning environment that encouraged critical thinking, analytical skills, and academic argumentation.

The Thesis Proposal Seminar serves as an important academic milestone for the Class of 2023 as they prepare for the next phase of their research journey. Through the diverse range of topics presented, Arabic Literature UGM students continue to contribute to the development of Arabic language, literature, translation, and media studies while engaging with issues of global significance.

Author: Indana Zulfa Maulida

Yogyakarta, June 16, 2026 – The Arabic Literature Student Association of Universitas Gadjah Mada (IKMASA UGM) successfully organized SAMBUT: “IKMASA Menyambut” in collaboration with the West Asian Family Association of Universitas Indonesia (IKABA UI). Held at the Poerbatjaraka Auditorium, Faculty of Cultural Sciences, Universitas Gadjah Mada, the event served as a platform for fostering friendship and strengthening relationships among Arabic Literature students from both universities. The program commenced with welcoming remarks from the faculty advisors of IKMASA UGM and IKABA UI, who emphasized the importance of collaboration and maintaining strong inter-institutional relationships. They highlighted the value of building academic networks and encouraging future cooperation between student organizations.

The event continued with a cabinet-sharing session led by the presidents of IKMASA UGM and IKABA UI. During the session, both organizations exchanged insights on their work programs, organizational culture, and leadership strategies. This discussion provided participants with an opportunity to learn from one another’s experiences and organizational practices. Following the sharing session, participants took part in a campus tour around Universitas Gadjah Mada. The activity introduced IKABA UI members to the UGM campus environment while also fostering closer connections among participants. As part of the tour, a group photo session was held at the iconic Balairung UGM as a symbol of friendship and a memorable keepsake of the gathering between IKMASA UGM and IKABA UI. The program then proceeded with a series of Focus Group Discussions (FGDs) involving divisions and departments from both organizations. These discussions provided a space for participants to exchange experiences, share best practices, and discuss organizational management systems within their respective student associations. Overall, the event was conducted smoothly in a warm and enthusiastic atmosphere. Through SAMBUT 2026, both organizations strengthened their ties and reaffirmed their commitment to fostering collaboration, mutual learning, and long-term partnerships among Arabic Literature students across universities.

Author : Ismail

The Master’s Program in Literature once again held a public discussion titled “Exercises in Chineseness: Literature, Mythmaking & Identity in Contemporary Tionghoa Communities” at Room 105 Soegondo, Faculty of Cultural Sciences, Universitas Gadjah Mada, on Wednesday (20/5/2026). The event featured researcher Alexandra Masri Do from Cornell University, moderated by Naria Nur Iftitah from the Master’s Program in Literature, FIB UGM. The discussion explored contemporary Chinese Indonesian identity through literature, collective memory, and everyday cultural practices.

In her presentation, Alexandra highlighted the position of Chinese Indonesians as part of the world’s largest Chinese diaspora population. She explained that Chinese communities in the Indonesian archipelago existed long before the emergence of the modern nation-state, with records of settlements dating back to the seventh century. According to her, “Chinese” identity in Indonesia has never been singular, but rather continuously negotiated through language, culture, historical experience, and intergenerational social relations.

Alexandra also examined how the legacy of Dutch colonialism created social stratifications whose effects continue to persist today. She referred to 1965 and 1998 as two traumatic historical moments deeply embedded in the collective memory of Chinese Indonesian communities. The political circumstances of those periods, she argued, shaped the ways Chinese Indonesians viewed themselves, the state, and the very idea of citizenship.

Through several contemporary literary works, Alexandra demonstrated how the experience of being Chinese in Indonesia is articulated through personal narratives. She quoted The Longing by Alberta Natasia Adji, which portrays the younger generation’s disconnection from their ancestral cultural roots: “I’m a copy of my mother, but I speak the language of the locals. The closest thing I’ve got to my Chinese heritage now is eating noodles with chopsticks and checking my luck according to the Chinese horoscope.”

Referring to the passage, Alexandra noted that Chinese identity often survives only through simple cultural symbols such as chopsticks or zodiac beliefs, while ancestral languages gradually disappear from everyday life.

Beyond literature, Alexandra presented field documentation that she described as both collective and deeply personal, gathered from areas such as Glodok, Pantjoran PIK, Jambi, and Yogyakarta. Photographs of Chinese temples, Chinese schools, markets, and even citizenship archives from 1953 illustrated how Chinese identity continues to be reproduced through social spaces and cultural practices. She referred to this process as “mythmaking,” or the construction of collective narratives surrounding who Chinese Indonesians are and how they are understood.

Alexandra’s research also explored the aspirations of contemporary Chinese Indonesians, particularly the post-1998 generation. She questioned whether the idea of “homeland” is understood as Indonesia, China, or an in-between space of identity. These questions emerge alongside social change, globalization, and the increasing mobility of younger generations.

During the discussion, Alexandra emphasized the importance of fiction and literature as mediums for understanding minority experiences that are often absent from official historical narratives. In her view, literary works are capable of capturing the emotions, anxieties, and hopes of Chinese Indonesian communities more intimately than formal historical documents.

The event proceeded interactively with enthusiastic participation from students and academics. The discussion expanded to issues of discrimination, nationalism, and the representation of Chinese Indonesians in Indonesian popular culture. Through this public lecture, participants were encouraged to see Chinese identity not as a static category, but as an experience continually shaped by history, politics, culture, and everyday life.

[Magister Sastra, Khotibul Umam]

Good news comes from three undergraduate students in Cultural Anthropology at the Faculty of Humanities, UGM, who achieved a proud accomplishment at the 2026 National Excellence Competition (NEC). The NEC was organized by Eduhub Incubator in collaboration with Mataram University. The competition took place on May 9–10, 2026, at the Faculty of Agriculture, Mataram University, Lombok, West Nusa Tenggara. The team, consisting of Dinaesy Fadillah Hidayat, Aly Aydeed, and Nadila Aryani Az-Zalfa, won a Gold Medal in the Tourism and Creative Economy Research Essay category under the guidance of Agus Indiyanto, S.Sos., M.Si.

The competition’s theme was “Integrating Critical Thinking, Social Innovation, and Sustainable Entrepreneurial Capabilities within the Framework of Inclusive Development and Achieving the SDGs in Indonesia.” In their paper, the team addressed the issue of event management and tourism waste in Yogyakarta, which is still considered a challenge in supporting sustainable tourism.

As a solution, the team proposed an innovation in the form of a circular economy-based event management agency. This concept is designed to integrate event management with waste reduction and reuse systems, thereby creating a more environmentally friendly event ecosystem while supporting the creative economy sector in a sustainable manner.

It is hoped that this achievement will motivate other students to remain critical of phenomena occurring in society, to present innovative ideas, and to contribute to addressing various social issues through research and academic work that has a positive impact on the community.

Author: Dewi W – adapted from a report by Dinaesy Fadillah Hidayat

Photo: Dinaesy Fadillah Hidayat et al.