Yogyakarta, April 8, 2026 – The Arabic Literature Student Association (IKMASA) successfully held its Syawalan event which was titled IKMASA Balalan 2026 at Gedung Soegondo, Faculty of Cultural Sciences Universitas Gadjah Mada. The event served as a warm gathering space for students and lecturers of Arabic Literature at UGM following the holy month of Ramadan 1447 H.

Held from 08:45 to 10:30 AM, the event began with an opening by the MC, followed by a recitation of the Holy Qur’an. It continued with remarks from the Head of the Study Program and the Head of IKMASA, both of whom emphasized the importance of maintaining strong relationships and a sense of togetherness within the academic community. Isa, as the Head of IKMASA, also expressed his hope that such events will continue to serve as a meaningful platform to strengthen unity among students and lecturers. A solemn atmosphere filled the room during the Syawalan pledge session, delivered in turns by representatives from each cohort. This moment became a deeply meaningful occasion for mutual forgiveness, reflecting sincerity and openness among participants. The pledge was not merely ceremonial—it truly created a space for heartfelt reconciliation, both among students and between students and lecturers.

The highlight of the event featured a session by Arief Budiman, S.S., M.A., who emphasized the importance of cultivating strong determination in all aspects of life. In his talk, he encouraged participants to set clear goals, remain consistent, and persevere through challenges. According to him, a firm determination is the foundation for achieving success—not only academically, but also in personal growth and everyday life.

The event concluded with a prayer led by Nur Kholid, S.Pd.I., M.Pd.I., followed by a group documentation session and mushofahah (a gesture of mutual greetings and forgiveness). The warm and friendly atmosphere was evident in the interactions between students and lecturers throughout the event. Through this halal bihalal gathering, IKMASA successfully strengthened the bonds of friendship while also fostering a deeper sense of reflection and togetherness during the blessed month of Syawal.

[Arabic Literature, Indana Zulfa Maulida]

Universitas Gadjah Mada (UGM) has officially inaugurated Professor Dr. Nur Aini Setiawati, M.Hum., Ph.D., as a Professor of Agrarian History at the Faculty of Cultural Sciences. The inauguration ceremony took place at the UGM Central Building on Tuesday, April 14, 2026. In her inauguration speech, she analyzed the dynamics of agrarian reform and its impact on agricultural development through a comparative study between Indonesia and South Korea.

Professor Setiawati delivered a speech titled “From Agrarian Phenomena to Agricultural Development: Indonesia and Korea.” She emphasized that land ownership and control are key factors in determining the success of a country’s development. Using a chronological and thematic historical approach, she evaluated how changes in agricultural production have been heavily influenced by land policies of the past.

“Agrarian reform plays a crucial role in agricultural development. By understanding agrarian issues, this study evaluates changes in agricultural production. The main problem to be addressed in this speech is how the impact of agrarian reform on agricultural development can be re-examined, considering that the issues of agrarian reform and agricultural development since the era of kingdoms have always been a compelling subject,” stated Professor Setiawati in her speech.

In her presentation, she explained South Korea’s success in implementing agrarian reform between 1945 and 1950. The policy successfully increased agricultural productivity by providing incentives to farmers. Consequently, the Korean agricultural sector was able to provide a stable food supply amidst waves of industrialization and urbanization. Furthermore, this reform contributed to the formation of an educated working class and encouraged the emergence of a new capitalist class.

A different situation occurred during the period of 1960 to 1984. Professor Setiawati revealed that Indonesia tended to be trapped in ideological conflicts and weak bureaucracy. National industrialization in Indonesia was not aligned with land reform. Instead, land procurement for industry actually strengthened the concentration of land control by the state and corporations. On the other hand, South Korea placed agrarian reform as the main foundation of their national industrialization.

The failure to equalize land ownership in Indonesia was also triggered by a lack of supervision and resistance from local elites. This stands in stark contrast to South Korea, which successfully distributed land evenly thanks to strong institutional support, such as cooperatives and village development programs. The impact can be seen in farmers’ welfare, where South Korea achieved rice self-sufficiency while Indonesia experienced stagnation due to structural inequality.

These findings indicate that consistent agrarian governance is the main differentiator in transforming land challenges into developmental strengths. Agrarian reform is not merely an economic policy, but a historical process that reflects power relations and the future direction of a nation.

This historical record serves as an important reflection for current policy formulation. Inclusive management of agrarian resources is an absolute prerequisite for ensuring food sovereignty and public welfare in the future. Through the continuity of appropriate policies and social legitimacy, land justice is expected to become an engine of development that provides tangible benefits to all levels of society fairly and equitably.

[Public Relations of FIB UGM, Candra Solihin]

Amid the overwhelming flow of information, writing is often reduced to a mere technical skill—the ability to arrange words so they read smoothly. Yet in an academic context, writing is fundamentally an intellectual act: a way of thinking, responding, and ultimately taking a position in relation to reality.

In a workshop organized by the Master’s Program in Literature at the Faculty of Cultural Sciences, Universitas Gadjah Mada, Prof. Dr. Aprinus Salam, M.Hum. emphasized that students should not remain confined to the classroom. Ideas, he argued, must be brought into the public domain—into mass media and shared spaces where discourse is exchanged and debated. “Students need to be present in the public sphere through their writing. It is also important to include institutional affiliation as a form of academic responsibility,” Aprinus noted.

There is often a noticeable gap between academia and the wider public. Overly technical language, ideas circulating within limited circles, and a tendency to write merely for assignments can strip knowledge of its broader relevance. This is where the essay finds its significance.

Unlike formal academic writing, essays do not demand rigid structures. They allow space for subjectivity, reflection, and even doubt. Paradoxically, this is precisely where their strength lies—in the courage to take a stance, not merely present data.

However, this freedom is not without direction. Essay writing still requires strategy. There is a long, often invisible process behind it: reading, experimenting, failing, and trying again. Prof. Aprinus illustrated that the journey of writing can be winding—from critiques that fail to “break through” to discovering more nuanced, even ironic ways of expressing ideas.

Writing, then, is not only about the end result, but about the process of finding one’s voice.

One approach offered is to use literary works as a lens for interpreting reality. Fiction is no longer seen as a separate world, but as another way of understanding the real one. From there, writers can build bridges between imagination and concrete social conditions.

Depth, too, becomes essential. In an age that favors speed and superficiality, there is a call to slow down and immerse oneself in a single idea, figure, or perspective until it is fully internalized—not to imitate, but ultimately to move beyond it.

In this session, there was no conventional Q&A. Instead, participants were invited to reflect directly through reviews of the essays they had previously submitted. The feedback may have seemed simple, yet it touched on fundamental aspects: appropriate length, fresh and relevant titles, and the courage to take a clear stance.

What may appear technical, in fact, conceals deeper questions: for whom do we write, and why?

When students begin to write for mass media, they are not merely practicing a skill—they are assuming a role. They step into the public sphere as thinking individuals who do not simply consume information, but actively produce it.

At this point, writing becomes more than just an academic exercise. It becomes a path home—a way for intellectuals to reconnect with the very reality that gave rise to them.

[Master of Arts in Literature, Khotibul Umam]

Amid the noise of everyday life, many things seem to unfold as if by default: traffic jams, crowded markets, and casual conversations in digital spaces. Yet for a social scientist, these are far from ordinary occurrences. They are living “texts,” rich with meaning and waiting to be interpreted more deeply.

During a Social and Cultural Essay Writing Workshop held on Wednesday (April 8, 2026) by the Master’s Program in Literature at the Faculty of Cultural Sciences, Universitas Gadjah Mada, Prof. Dr. Agus Suwignyo, M.A. emphasized that the work of social scientists does not operate within fixed spatial boundaries. Their “laboratory” is life itself—a fluid, dynamic, and often unpredictable space.

According to Agus, social scientists inhabit a broad and ever-changing field of inquiry, as their object of study is human interaction across various dimensions of life. “All social phenomena—from traffic congestion to everyday habits—can serve as material for analysis that reflects social structures and public policy,” he explained.

He stressed that sensitivity is the key foundation of a social scientist’s work. With such sensitivity, seemingly mundane phenomena can be transformed into meaningful and critical analysis.

In the discussion session, participants highlighted the condition of social critics in Indonesia, who are perceived to face pressure from the state. Agus acknowledged that the situation is neither entirely hopeful nor entirely bleak. He argued that criticism will persist as long as social awareness remains alive within society.

“What matters is the courage to question reality while remaining grounded in one’s conscience,” he said.

He further asserted that subjectivity in social analysis is inevitable, but it must be anchored in rationality and a commitment to marginalized groups. This approach is essential for upholding social justice amid the complexities of power relations.

The discussion also addressed the shifting nature of social criticism—from what was once organic to forms that are increasingly complex due to interventions by various actors, including the state. In this context, social scientists are required to be more discerning in distinguishing between authentic, organic public voices and those that are manipulative.

Ultimately, being a social scientist is not only about analytical ability, but also about maintaining integrity. As reality becomes increasingly blurred, perhaps the only reliable compass is conscience—constantly reminding us that the primary task of social science is not only to understand humanity, but also to stand up for it.

[Master of Arts in Literature, Khotibul Umam]

Yogyakarta, March 3, 2025 – A choir composed of students, lecturers, and administrative staff enlivened the Open Senate Meeting celebrating the 80th Anniversary of the Faculty of Cultural Sciences Universitas Gadjah Mada by performing two popular Indonesian songs, “Ondel-Ondel” and “Rumah Kita.” The performance created an atmosphere of togetherness while celebrating cultural diversity through specially prepared musical arrangements.

The performance was arranged and conducted by Muhammad Rasyid Ridho, who also served as the trainer and conductor. The choir was supported by several accompanying musicians, including Riski Puluhulawa on piano, Emilia Widya Pranasari on viola, Sekar Arrum Sri Kinanthi on violin, and Fairuz Aufa Anza on kendang.

The first song performed was “Ondel-Ondel,” popularized by Benyamin Sueb in 1971. The song is widely recognized as a lively representation of Betawi culture that developed amid the dynamic life of Jakarta. Through its simple yet energetic lyrics, the song portrays ondel-ondel as a cultural icon in the form of giant puppets that were once believed to symbolize protection for the community.

Over time, ondel-ondel has become not only part of tradition but also a symbol of identity and cultural pride for the Betawi people. The song also reminds audiences of the importance of appreciating cultural heritage and preserving local wisdom amid ongoing societal change.

The choir then performed “Rumah Kita,” a song popularized by Achmad Albar together with the legendary band God Bless. Widely known since the late 1980s, the song conveys a heartfelt message about the meaning of home as a space for togetherness.

In the context of the FIB UGM anniversary celebration, the song was interpreted as a symbol of unity among members of the academic community. The campus environment, particularly at Universitas Gadjah Mada, is seen as a shared home where people from diverse backgrounds come together to learn, create, and build their future.

This choir performance, involving members from different groups within the faculty, added vibrancy to the series of events commemorating the 80th anniversary of the Faculty of Cultural Sciences. Through music and performing arts, messages about the importance of unity, respect for diversity, and the preservation of local culture were warmly conveyed to the audience. These values form an essential foundation for fostering an inclusive and sustainable academic community.

[Public Relations of FIB UGM, Candra Solihin]