Yogyakarta, July 14, 2025 – Eka Nur Cahyani, a 2023 student of the Javanese Language, Literature, and Culture Study Program at the Faculty of Cultural Sciences, Universitas Gadjah Mada, has embarked on a long journey in the world of dance. Since the age of 7, Eka has been acquainted with and has loved classical dance, particularly the Yogyakarta style, thanks to the support of her late father, who was a court servant (abdi dalem) at the Ngayogyakarta Hadiningrat Palace.

“I started dancing since I was little, often brought to the palace by my father. Since then, I fell in love with classical dance and have continued learning until now,” she recalled.

Although she never studied at a formal dance studio, Eka gained knowledge from art teachers since elementary school and is now active as a member of UGM’s Swagayugama Student Activity Unit. There, she learns directly from the palace’s dance instructor, Dra. Veronica Ratnaningsih (Nyi Mas Riya Murtiharini).

Eka’s dedication to dance extends beyond performing. She has served as an instructor in the “Kampung Menari” program by the Yogyakarta City Cultural Office and has taught children in Pakembinangun. Since 2024, she has joined the Pamulangan Hamong Beksa at the palace, where she delves deeply into techniques, movement variations, philosophy, and ethics of Yogyakarta-style classical dance.

In addition to mastering Yogyakarta-style classical dance, Eka has broadened her horizons by studying Surakarta-style classical dances, such as Gambyong and Srimpi. Currently, she actively participates in the Pamulangan Hamong Beksa at the Ngayogyakarta Hadiningrat Palace. Every Sunday at 12:00 PM, Eka attends the palace wearing full traditional attire (jangkep), consisting of a kebaya tangkeban, jarik seredan, sanggul tekuk and subal, subang, and carrying a Sampur Gendala Giri.

“I am motivated to keep learning because I come from an artistic family—my grandfather was a puppeteer (dhalang), my paternal grandfather was a court servant, and my mother is a sindhen (traditional singer),” she said.

For Eka, dancing is not merely about aesthetic movements but also a spiritual and personal expression. She believes that each dance movement embodies the philosophy of patience, sincerity, and harmony between the body, feelings, and rhythm.

“Dancing is a form of prayer. The movements teach us to be sincere and patient in facing life,” Eka expressed.

Since beginning her journey in dance, Eka has performed on numerous stages, from campus events like the Kraton Performance Tourism Package featuring the Senggana Duta play by Swagayugama at Bangsal Srimanganti, Ngayogyakarta Hadiningrat Palace, and the Grand Swagayugama Performance at Taman Budaya Yogyakarta, to national and international forums such as the 4th International Seminar on Malay-Javanese Studies (SEMEJA IV) and ASEAN in Today’s World.

Despite frequent performances, Eka maintains her enthusiasm for learning. She emphasizes the importance of understanding the concepts of wiraga (physical movement), wirama (rhythm), and wirasa (feeling), as well as knowing the names and meanings of various dance movements. According to her, consistency stems from love and the desire for continuous growth.

Eka Nur Cahyani’s journey in dance since the age of seven not only reflects her love for the art but also her tangible contribution to sustainable development. Through her activities in learning and teaching dance, especially to children, Eka supports SDG 4: Quality Education. Her role as an active woman in preserving culture aligns with SDG 5: Gender Equality. Moreover, her involvement in maintaining and revitalizing classical dance art strengthens SDG 11: Sustainable Cities and Communities by preserving intangible cultural heritage as the identity of Yogyakarta’s society.

Eka proves that cultural preservation is not solely the responsibility of previous generations but also a duty for the current generation to ensure a more cultured future.

“If we feel we have talent, it needs to be developed through continuous practice and not being afraid to try, because I believe learning will never lead to regret, and every process in learning will shape us into individuals with true identity.” – Eka Nur Cahyani

[Public Relations FIB UGM, Alma Syahwalani]

Yogyakarta, 12/5/2025 –The Faculty of Cultural Sciences at Universitas Gadjah Mada (FIB UGM) proudly celebrates a remarkable international achievement. Prof. Dr. Wening Udasmoro, S.S., M.Hum., DEA., who currently serves as UGM’s Vice-Rector for Education and Teaching, has been honored with the prestigious Inclusive Global Engagement Award from Universitas 21 (U21). This award recognizes her outstanding commitment to advancing inclusive and global education, particularly in the areas of literature, gender studies, and cultural discourse.

Universitas 21 is a global network comprising leading research-intensive universities across six continents. The Inclusive Global Engagement Award is part of the U21 Awards program, given to individuals or teams who have made significant contributions to promoting global inclusion in higher education. Recipients are selected based on their alignment with the United Nations Sustainable Development Goals (SDGs), especially Goal 5 (Gender Equality) and Goal 10 (Reduced Inequalities), as well as their exceptional international impact beyond their formal roles.

As a scholar, Prof. Wening is widely known for her dedication to gender equality and inclusive practices in academia. She has played a crucial role in building cultural and academic bridges between Indonesia and other countries, particularly France. Her expertise in literature, identity studies, and postcolonial theory has made her contributions impactful not only nationally but also on the global stage. She frequently serves as a voice for women academics from developing countries in international forums.

This award not only marks a personal milestone for Prof. Wening but also reflects UGM’s strong commitment to promoting diversity and equity at the global level. As one of Indonesia’s leading universities, UGM takes great pride in seeing its faculty recognized internationally for their work and values.

Congratulations to Prof. Wening Udasmoro for this outstanding achievement. May her recognition continue to inspire the academic community at FIB UGM to foster inclusive and just education for all.

[Humas FIB UGM, Muhammad Ebid El Hakim]

Yogyakarta, 16/4/25 — The Doctoral Promotion Open Examination of Dr. Ronidin was held on Tuesday, April 15, 2025, at the Faculty of Cultural Sciences, Universitas Gadjah Mada. The session took place in the Multimedia Room, 2nd Floor of the Margono Building, at 10.00 AM (WIB). This academic agenda marked the culmination of his doctoral journey in the Humanities Study Program at the Faculty of Cultural Sciences, UGM.

In this open examination, Dr. Ronidin defended his dissertation entitled “The Expression of Minangkabau Tabedo in Novels by Minangkabau Authors Post-PRRI to the First Half of the New Order: A Genetic Structuralism Study.” The examination was supervised by Dr. Sudibyo, M.Hum. as Promoter, and Dr. Novi Siti Kussuji Indrastuti, M.Hum. as Co-Promoter, and chaired by the Dean of the Faculty of Cultural Sciences UGM, Prof. Dr. Setiadi, M.Si.

This dissertation delves deeply into how the historical events of the PRRI (Revolutionary Government of the Republic of Indonesia) and the political transition during the early New Order period shaped cultural expressions and worldviews of Minangkabau authors through the medium of novels. Utilizing Lucien Goldmann’s genetic structuralism approach, reinforced by Lotman’s narrative theory, this research demonstrates how the Minangkabau tabedo worldview—characterized by difficult and dilemmatic social conditions—is reflected in literary texts.

The study examines five novels by Minangkabau authors: Dari Puncak Bukit Talang by Soewardi Idris, Panggilan Tanah Kelahiran by Dt. B. Nurdin Jacub, Saraswati Si Gadis dalam Sunyi by A.A. Navis, Warisan by Chairul Harun, and Bako by Darman Moenir. These novels depict the realities of Minangkabau society post-PRRI, amidst state hegemony and the shifting of traditional values, such as the role of the maternal uncle in the matrilineal system, the role of religion, and the relationship between the village and the diaspora.

Dr. Ronidin emphasizes that the Minangkabau tabedo phenomenon emerges as a representation of the tension between traditional values eroded by political realities and modernity introduced from external influences. In these novels, complex social realities are metaphorically portrayed through characters and narrative relationships, structurally reflecting the sociological conditions of Minangkabau society during that era.

This open examination not only affirms Dr. Ronidin’s intellectual capacity as an academic but also contributes significantly to Indonesian literary studies, particularly in understanding literature as a mirror of a society’s socio-political dynamics.

[Public Relation of Faculty of Cultural Sciences, Muhammad Ebid El Hakim]

The Women’s Crisis Center is a place for complaints of various cases of violence experienced by women. So far, public attention has centered on the development of legal cases, and places the victim as the sole subject who experiences the effects of trauma. In fact, the traumatic effect spreads to other actors who listen and fight for the case. On the occasion of the Caring for the Victim, Caring for the Self seminar (27/08/2024), the Anthropology Department of the Faculty of Arts UGM invited Mona Elisa Behnke to share the results of her months of research with the assistants at one of the Women’s Crisis Centers in Java, especially Yogyakarta.

Mona Behnke is a doctoral candidate in Social and Cultural Anthropology at Free University Berlin, Germany. Her Master’s thesis was on hyperreality, state rhetoric and collective memory in contemporary Indonesia, and combined her interest in psychological and visual anthropology with a philosophical approach. After graduation, Mona worked for some time as a business anthropologist in the field of user experience and the organization of work structures. In her PhD project, she focused on the emotional labor of social assistance workers in a women’s crisis center in Java, Indonesia, touching on issues of emotion, gender, and conflict management.

Working in the humanitarian field has the consequence of great challenges, not only in terms of legal assistance skills, but also the skills that must be possessed to work in the field. Basically, gender itself is labor, where the articulation of actions, behaviors and performance are socially constructed in harmony. Women are considered more flexible in absorbing emotions and navigating concerns. Being an advocate for cases of violence against children and women makes them have to be able to navigate themselves technically and emotionally. Caring is the main asset that must be possessed by the assistants. Mona’s research tries to answer how care is practiced in a neutral environment through emotional labor from psychological and legal assistants.

Plunging as a companion shows that they consciously decide to enter a non-profit institution ready to experience institutionalization in three fundamental aspects, namely emotional labor, order of feelings, and emotion repertoires. ‘Emotional Labor’ refers to the management of emotions carried out to fulfill work performance when faced with clients. Facilitators are required to be able to harmonize their emotions with a socially constructed hierarchy or order. They must understand what emotions are allowed to be shown and not when listening to client stories. Repeated mentoring experiences shape their knowledge and memory of the repertoire of emotions when assisting clients. Furthermore, the process of assisting cases of violence against women and children has a dynamic approach both feminist and gender.

Listening to the emotions released by the client makes the companion experience second traumatization. This opens up further discussion that the experience of trauma is not only experienced by subjects who are directly treated with violence, but those who absorb the emotions of victims will also experience ‘second traumatization’, such as assistants and sign language interpreters. Emotional and mental exhaustion becomes the point where the assistants have an experience with the victim, beyond their technical skills. Mona describes the emotional flow of the helper and the victim in an interesting diagram, how the helper has to empty their emotional glass between before and after entering the hot table (where the client tells about their case). They professionally process their emotions in order to maintain themselves mentally so that they can continue to assist victims. This discussion brings us to the fact that the advocates actually have the potential to experience unequal care, where they give their full care to others, but they do not get the same care because they are considered not victims even though they absorb trauma from clients every day and fight for them. Sometimes, both survivors and caregivers feel very grateful when they can forget a very painful traumatic experience. From this we can conclude that forgetting is not a passive thing, but an active process that is also selective in building individual and collective memory. The ability to forget is also a valuable skill in emotional labor, in addition to the ability to remember which has been widely applied.

This discussion ended with several stories of assistants who were carrying out their temporal agencies by caring for each other and strengthening the emotional conditions of fellow assistants. Activities such as watching movies, joking, walking, telling stories and laughing out loud are a form of temporal agencies for the assistants so that their mental state is maintained and they can return to caring for other victims.

Author: Nuzul Solekhah
Photo: Puspita Nindya Sari

Monday, April 29, 2024, Faculty of Cultural Sciences UGM received a visit from Tgk Chiek Oemar Diyan Modern Islamic Boarding School from Aceh Besar Regency, Nanggroe Aceh Darussalam Province. This visit is part of a study tour organized by the boarding school for students accompanied by supervisors and representatives of the Modern Islamic Boarding School Tgk Chiek Oemar Diyan to introduce the students to the campus environment of Universitas Gadjah Mada, especially studies at the Faculty of Cultural Sciences UGM. Not only as an introduction, but also as a motivation to pursue higher education, considering that one of the students named Ahmad Faiz Musyarraf successfully passed the Physics Engineering study program through the results of the National Selection Based on Test (SNBT) Year 2023.

On this special occasion, one of the lecturers and Professor of the Anthropology Study Program, Prof. Dr. Irwan Abdul, also shared the story of his journey to study at the UGM Cultural Anthropology study program in his time. The professor, who was born in North Aceh, gave a message to the students to cultivate persistence and never give up, which was also the spirit of Prof. Dr. Irwan Abdul during his efforts to get an education at Gadjah Mada University and during his migration in Yogyakarta during his undergraduate studies at UGM. Through his message, he also mentioned the wide open opportunities in the future open to anyone who is brave and steadfast in the learning process.