Yogyakarta, May 25, 2025 — A solemn and heartfelt atmosphere filled the event “Membaca Karya Emha dan Doa Ambal Warsa Cak Nun 72 Tahun” held in celebration of the 72nd birthday of cultural and spiritual figure Emha Ainun Nadjib, widely known as Cak Nun. Hosted at the West Office Hallway of Jogja Expo Center (JEC) from 6:00 to 9:00 AM, the event drew participants from various backgrounds—academics, cultural practitioners, and the general public.

More than a tribute, the gathering served as a spiritual and intellectual forum where participants shared readings of Cak Nun’s works, offered prayers, and expressed hopes for his continued health and contribution to Indonesian culture and Islamic thought. The initiative was led by Sigit Sugito, Head of Koperasi Seniman Yogyakarta (KOSETA).

In addition to artists and cultural figures, several academics were in attendance, including Professor Aprinus Salam, Head of the Master’s Program in Literature, who read aloud one of Cak Nun’s poems. His presence was made even more meaningful as he was joined by his wife, Pristi Salam, whose melodious performance of a lyrical piece deeply moved the audience.

Also present was senior artist Yati Pesek, a well-known comedian and legendary ketoprak performer. She shared her admiration for Cak Nun’s ability to preserve local culture while remaining a devout follower of Islamic teachings. “One day I met Kyai Maimun Zubair. In his sermon, he said that local culture should go hand-in-hand with Islam. I believe Cak Nun has embodied that in his life. He remains devoted to Prophet Muhammad while upholding Javanese cultural values. That’s what I admire most about him,” she remarked.

Cultural figure Yani Saptohoedojo also highlighted the reflective and critical nature of Cak Nun’s literary works. “Sometimes his work contains criticism, but it’s always conveyed gently,” he noted, underscoring the poet’s subtle and humane approach to addressing social issues.

The event left a lasting impression on all who attended. It served as both a celebration and a reflection on the life and legacy of Cak Nun. On his 72nd birthday, attendees extended heartfelt prayers for his continued health and productivity, hoping he will persist in creating meaningful contributions to culture, spirituality, and society.

[Public Relation Magister of Literature, Marsya Kamila]

Yogyakarta, May 21, 2025 — The re-launch of Kereta Api yang Berangkat Pagi Hari by Kuntowijoyo marked a special moment at the 2025 Jogja Art + Books Fest. Held at The Ratan, Bantul, the event was attended by academics, literary activists, and literature enthusiasts. The launch discussion featured Prof. Faruk H.T.  (Lecturer in the Master’s Program in Literature and Literary Critic) and writer Mahfud Ikhwan as keynote speakers, with Amanatia Junda serving as moderator.

Originally written by Kuntowijoyo in 1964, the novel is set against the backdrop of the 1949 Indonesian revolution. Rather than emphasizing heroism, the story portrays village life, interpersonal conflict, and a collective search for the meaning of independence in a more humanistic light. This work is especially important to revisit today, notably for its unique sense of locality and spirituality.

In his presentation, Prof. Faruk highlighted that the novel expresses a spirit of reconciliation and communal cooperation as a way out of socio-political conflict. “This novel offers a communal solution to the tensions of that time—between the colonizers and the colonized, between nationalists and traditional elders. Its foundation is oral tradition, and forgiveness is the key theme,” he explained. This underscores an effort toward ideological reconciliation after conflict.

Mahfud Ikhwan, affectionately known as Cak Mahfud and widely recognized for his deep interest in the history of Indonesian literature, noted that the novel had long been “forgotten” and seldom read by the younger generation. He also drew attention to the historical context of Kuntowijoyo’s creative process. “The novel was written between 1963 and 1964, but it is often associated with the events of 1965. This is interesting because we might ask whether Kunto was responding to the events of 1949 or actually preparing for 1965,” he remarked.

The re-publication of this novel was initiated by Dodo Hartoko through Pabrik Tulisan Publishing, with illustrations by Enka Komariah. “Our hope is that this work can reach younger readers without feeling outdated or vintage,” said Dodo in his opening remarks. The new edition features a minimalist and modern design while remaining faithful to the original manuscript. He also emphasized that the setting of the story—Ngawonggo, Ceper—further strengthens the novel’s local thematic character.

The discussion session was lively and interactive. During the Q&A, Arif Kurniawan asked, “If Kuntowijoyo were given the opportunity to write and respond to today’s chaotic political landscape, what would come out of his typewriter?” Prof. Faruk responded by reflecting on Kuntowijoyo’s creative trajectory. “If we look at his first novel, it was very spontaneous, with little control—like the author was directly conversing with the reader. Over time, his writing became more disciplined and autonomous, as though the author gradually stepped back. If Kuntowijoyo were still alive and responding to today’s issues, perhaps his writing would be more realistic, yet still carry his prophetic mission,” he stated. Mahfud added that Kuntowijoyo’s authorship evolved alongside his deepening Sufi ideology: “Kuntowijoyo’s works do not merely record history—they provide meaning through spirituality. If he were writing today, that would likely still define his style.”

The re-launch of Kereta Api yang Berangkat Pagi Hari not only marks the return of one of Indonesia’s important literary works to the public eye but also underscores the significance of preserving classic literature. This event is part of the Jogja Art + Books Fest 2025’s broader mission to position Yogyakarta as a collaborative space for art, literature, and critical discourse. Kuntowijoyo’s work, in this context, is not merely read as a historical document, but as an interpretation of Indonesia’s present and future.

[Public Relation Magister of Literature, Marsya Kamila]

Yogyakarta, 9 May 2025 — To commemorate the 100th anniversary of Pramoedya Ananta Toer, Himpunan Sarjana-Kesusastraan Indonesia (HISKI) held an Academic Writing Workshop titled “100 Years of Pramoedya Ananta Toer.” The event was conducted in a hybrid format—offline at the Faculty of Cultural Sciences, Universitas Gadjah Mada, and online via Zoom Meeting—bringing together literary scholars from various higher education institutions across Indonesia.

This initiative served not only as a tribute to Pramoedya’s intellectual legacy but also as an academic platform for scholars and writers to engage with his literary works through a wide range of theoretical approaches. As part of this framework, HISKI facilitated the workshop as a forum for academic writing, enabling participants to develop and present scholarly articles that critically examine Pramoedya’s oeuvre from multiple perspectives.

The event was officially opened by Prof. Dr. Novi Anoegrajekti, M.Hum., Chairperson of HISKI, who underscored the strategic role of academic publishing in both scholarly and cultural domains. She noted that HISKI has consistently contributed to collaborative publications such as Sastra Pariwisata, Antologi 222, 100 Years of A.A. Navis, and Antologi 122, reflecting the collective academic engagement of the association.

“We are delighted by the enthusiastic response to this initiative. To date, we have received a total of 136 abstracts from prospective contributors,” stated Prof. Novi. She further emphasized that Pramoedya’s commitment to writing remained unwavering, even during his periods of imprisonment. “Physical confinement never silenced Pram’s voice. His work exemplifies the enduring power of ideas and writing beyond physical limitations.”

Following the opening remarks, Prof. I Nyoman Darma Putra, M.Litt., Ph.D. from Universitas Udayana, representing the editorial team, highlighted the importance of the workshop as a space for critical dialogue and inspiration. He encouraged participants to engage in intellectual exchange and to strengthen the intertextual foundations of their academic manuscripts. According to him, the constructive and reflective discussions cultivated during the sessions are essential to enhancing the academic quality of the written works.

Several notable scholars also attended to support the event, including Prof. Dr. Djoko Saryono, M.Pd. (Universitas Negeri Malang), Dr. Sastri Sunarti, M.Hum. (Vice Chairperson III of HISKI Central Board), Sudartomo Macaryus, M.Hum. (HISKI UST-UTY), and Dr. Shoim Anwar, M.Pd. (Universitas PGRI Adi Buana Surabaya).

The main sessions of the workshop consisted of presentations by selected contributors, each outlining the framework of their academic papers. These works were critically reviewed by two distinguished reviewers Prof. Dr. Aprinus Salam, M.Hum. (HISKI UGM) and Dr. Y. Yapi Taum, M.Hum. (Universitas Sanata Dharma). Their insightful feedback stimulated dynamic discussions and encouraged deeper analytical engagement with Pramoedya’s literary contributions.

The diversity of theoretical frameworks presented—ranging from postcolonial theory to identity and historical narratives—reflected the extensive influence of Pramoedya’s thought in the field of literary studies. Participants offered interpretations that were not only critical and analytical but also contextually reflective of the socio-political dimensions embedded in his works.

Beyond commemorating a literary icon, the workshop represented a concrete effort by the academic community to foster a vibrant, critical, and relevant literary discourse. With a collaborative and intellectually stimulating atmosphere, the Academic Writing Workshop on 100 Years of Pramoedya Ananta Toer successfully provided a meaningful forum for intellectual exchange, interpretative exploration, and the spirit of transformative thought that Pramoedya championed throughout his life and writings.

[Public Relation Master of Literature, Marsya Kamila]

Yogyakarta, May 14, 2025 — As part of an effort to broaden academic perspectives, the Tadris Bahasa Indonesia Study Program at IAIN Madura conducted an academic visit (Studi Wawasan) to the Master in Literature Program, Faculty of Cultural Sciences, Universitas Gadjah Mada. Held on Wednesday, May 14, 2025, at the L1 Seminar Room of the UGM Library and Archives Building, the event was attended by over 70 undergraduate students from IAIN Madura along with their faculty supervisors.

The main agenda of the event included an introduction to UGM, an overview of the Master of Literature curriculum and student activities, insights into academic life on campus, and a Q&A session discussing admissions and scholarships available for postgraduate study.

In his opening remarks and presentation, Prof. Dr. Aprinus Salam, M.Hum., Head of the Master in Literature Program of Universitas Gadjah Mada, emphasized that the program not only offers academic learning in the classroom but also a variety of enrichment activities to support student development.

Meanwhile, Agus Purnomo Ahmad Putikadyanto, M.Pd., Head of the Tadris Bahasa Indonesia Program of IAIN Madura, expressed his hope that the visit would broaden students’ horizons and encourage them to pursue deeper academic engagement.
“We hope our students can learn and gain new insights into further education, so they are motivated to expand their knowledge even more,” he stated.

The Q&A session became one of the most engaging parts of the event. Nada Nadillah, a current student of the Master in Literature Program and recipient of the LPDP scholarship, shared her experience in obtaining the scholarship. She explained the application process, selection stages, and required documents in detail.
“There are various types of LPDP scholarships, such as regular and affirmative. The selection process includes administrative screening, a scholastic test, and a substantive interview. Requirements include a TOEFL score, academic transcript, and a study plan,” Nada explained in response to one of the participants’ questions.

Marisa Santi Dewi, an alumna of the Master in Literature Program at UGM, addressed a question about the difficulty level of gaining admission to a master’s program. She emphasized that the selection process is manageable if students prepare well in advance.
“Getting into the Master’s program is quite easy, actually. You just need a TOEFL score, a TPA test result, and your transcript. You can start preparing now—especially since you’re still in your fourth semester,” Marisa encouraged.

This academic visit served as a valuable platform for the exchange of knowledge and experiences between the two institutions. It aimed not only to provide insight into postgraduate education but also to inspire students from IAIN Madura to continue developing themselves academically. In addition to presenting information on curriculum structure, admissions pathways, and available scholarships, the event featured warm and interactive discussions with current students and alumni of the Master of Literature Program, enriching participants’ perspectives. As such, the visit was not only informative but also motivational, fostering greater readiness among students to pursue higher education in the future.

[Public Relation Master of Literature, Marsya Kamila]

Yogyakarta, 23/4/2025 – The Master’s Program in Literature at Universitas Gadjah Mada organized a public lecture entitled “Beyond Borders: Rethinking Homeland and Belonging in Diaspora and Francophone Studies” on Tuesday, April 23, 2025, in the Soegondo Hall of the Faculty of Cultural Sciences, Universitas Gadjah Mada. The event, attended by students from various departments, was officially opened by the Head of the Master’s Program in Literature, Prof. Dr. Aprinus Salam, M.Hum. In his welcoming remarks, Prof. Aprinus Salam emphasized that public lectures are a concrete manifestation of the Tri Dharma Perguruan Tinggi. He underlined the importance of broadening international perspectives, “Although our focus is in literature from a particular country, global awareness remains an essential asset. Therefore, our program will continue to present lectures on cutting-edge literary topics from around the world.” he said. 

The main material was delivered by Dr. Arifah Arum Candra Hayuningsih, S.S., M.A., who invited students to reassess conventional understandings of homeland and belonging within the context of diaspora and Francophone studies. The lecture raised fundamental philosophical and political questions, What does “home” mean? And must identity always be rooted in a specific place?

Dr. Arifah Arum highlighted that the theories of homeland and belonging are often understood in rigid terms–in terms of citizenship, territory, or national identity–whereas diasporic experiences show that identities are fluid, negotiated, and shaped by memory, language, and the legacies of colonialism. This lecture dissects important thoughts in diaspora studies from various scholars such as Paul Gilroy to Stuart Hall. Furthermore, Dr. Arifah Arum presented an analysis of Francophone literary works such as those by Leïla Sebbar, Maryse Condé, and Mariama Ba, which showed how experiences of migration and colonialism gave birth to plural creole identities. Francophone diasporic literature, according to her, is an important medium to reveal experiences that are often excluded from the dominant national narrative.

In the Q&A session, students were actively involved  in raising personal and political issues around multiple identities, repatriation, and the meaning of ‘second home’. In responding to the issue of multiple identities, Dr. Arifah Arum argued that “what makes us who we are today is not a single thing. There are always broken fragments in shaping our identity. Our identities will continue to change and reproduce.” she explained. Then, she emphasized the importance of language, memory, and representation as a bridge to build an authentic sense of existence.

At the end of the session, participants were invited to reflect, could ‘homeland’ be plural, emotional, even imaginary? And how does literature play a role in shaping and re-questioning the meaning of home, identity and existence? This public lecture marks the importance of cross-cultural studies in understanding the dynamics of global identity. Not only did it enrich students’ academic insights, it also underscored the relevance of sustainable development values.

[Public Relation Magister of Literature, Marsya Kamila]