Yogyakarta, June 9, 2026 – Students from the Master’s Program in Literature and the Undergraduate Program in Javanese Language, Literature, and Culture organized a manuscript exhibition titled Pusaka Kata (“Heritage of Words”) at the first-floor lobby of Soegondo Building, Faculty of Cultural Sciences, Universitas Gadjah Mada (UGM), on Tuesday (June 9). Held from 8:30 a.m. to 3:00 p.m., the exhibition served as a platform for academic collaboration, bringing together the fields of philology, Javanese manuscript studies, and codicology in an effort to preserve and revitalize the manuscript heritage of the Indonesian archipelago.

The exhibition involved graduate students from the Philology and Javanese Manuscript Studies classes, as well as undergraduate students from the Codicology class of the Javanese Language, Literature, and Culture Program. The event was supervised by Prof. Dr. Sangidu, M.Hum., Dr. Arsanti Wulandari, S.S., M.Hum., and Zakariya Pamuji Aminullah, S.S., M.A.

Under the theme Pusaka Kata, the exhibition was inspired by the awareness that Nusantara manuscripts constitute invaluable intellectual and cultural heritage. These manuscripts preserve ancestral knowledge systems covering various aspects of life, including education, medicine, religious practices, and literature. However, beyond the threat of physical deterioration due to age, these manuscripts also face a growing challenge: the widening gap between younger generations and the knowledge contained within them.

The name Pusaka Kata was chosen to emphasize the significance of manuscripts as an intergenerational legacy. In Javanese tradition, pusaka refers not merely to an inherited object but to a trust passed down through generations, carrying values, identity, and responsibility. Meanwhile, kata (“words”) represents the medium through which knowledge has been preserved and transmitted from ancestors to future generations.

Interpreting Knowledge Preserved in Manuscripts

One of the highlights from the Philology class was a Malay-Islamic manuscript titled Kitab Jimat, Tangkal, dan Obat-obatan (Book of Talismans, Protective Charms, and Medicines). Digitized by the British Library through the Endangered Archives Programme (EAP), the manuscript contains knowledge related to self-protection, healing practices, and environmental safeguarding through prayers, Qur’anic verses, magical diagrams (rajah), and herbal remedies.

Fajar Nur Zaima explained that one of the most prominent sections of the manuscript discusses the virtues of Qur’anic verses, particularly the recitation of the basmalah. According to him, the manuscript presents the basmalah not merely as an opening formula but also as a source of blessings, protection, and safety in various aspects of life.

Another featured object was the section on talismans contained in Serat Primbon, a manuscript from the collection of the National Library of Indonesia, catalog number NB 973. This section includes at least twenty-nine types of talismans serving different purposes, ranging from attracting affection and maintaining health to ensuring safety and warding off misfortune.

Giandra Febriyan Haidar explained that talismanic texts can be understood as representations of how Javanese society perceived the relationship between humans, nature, and forces beyond everyday rationality. He cited a love talisman described in the manuscript as a means of gaining affection and social acceptance. In this context, he argued, talismans should not be viewed merely as magical objects but as symbols of human aspirations for harmonious social relationships.

Reading Manuscript Histories Through Physical Form and Aesthetics

The Javanese Manuscript Studies class presented research on the physical and aesthetic aspects of Javanese manuscripts. One exhibition item focused on a manuscript written in Javanese script, currently preserved in the Department of Nusantara Literature Library under the code 899.047.

Through this study, visitors were invited to understand manuscripts not only as textual repositories but also as cultural artifacts that document copying practices, literary traditions, and histories of ownership and transmission. Elements such as paper type, binding structure, script, and physical damage provide valuable information about a manuscript’s journey through time.

The class also showcased a study of manuscript illumination titled Wêdana Gapura Rênggan. The manuscript contains several texts, including Aji Pamasa, Mihradipun Jêng Nabi, Rajah Kalacakra, Jumbuhing Panembah, and Lêlampahanipun Raden Sahid.

Affan Akbar explained that manuscript illuminations serve not only as decorative elements but also as important sources of information regarding manuscript production processes. Observations of unfinished sketches and coloring revealed that the text had been written before the ornamental designs were added. Such findings provide insights into the stages undertaken by manuscript scribes in producing complete handwritten works.

Codicology and Creative Approaches to Manuscript Preservation

Meanwhile, the Codicology class introduced visitors to the study of manuscripts from a material perspective. Codicology examines manuscripts as physical objects, including their writing materials, binding techniques, ornaments, layouts, and patterns of damage that record traces of their historical use.

In addition to presenting research findings, students displayed practical projects such as manuscript covers, storage boxes, and hand-bound books accompanied by interpretive narratives.

One work that attracted particular attention was created by Arfia Kholifatul, who adopted the Javanese wayang character Semar as the central theme of her bookbinding and cover design. Through imagery inspired by shadow puppetry and botanical motifs, the work interpreted Javanese philosophical values such as urip iku urup—the belief that life should bring benefits to others. The upward-growing leaves and vines symbolized the continuous pursuit of truth and the sustainability of life.

Through the collaboration of these three academic fields, the Pusaka Kata Exhibition offered a comprehensive perspective on manuscripts as living cultural heritage. Rather than being regarded merely as historical artifacts preserved in archives, manuscripts were presented as enduring sources of knowledge that can continue to be read, understood, and reinterpreted by contemporary generations.

Author: Khotibul Umam

Yogyakarta, June, 4 2026 — A public lecture featuring Min Seong Kim was held on Thursday, June 4, from 11:00 a.m. to 1:00 p.m. in Room 205 of the Poerbatjaraka Building. On this occasion, Kim delivered a presentation entitled “Trembling Grounds of the Archipelago: Pluriversal Ontopolitics and More-than-Human Antagonism,” a study that reexamines the foundational assumptions of pluriversal politics through ecological and political experiences emerging across the Indonesian archipelago.

In his presentation, Kim addressed ongoing debates surrounding pluriversal politics that have recently gained prominence within environmental studies, decolonial thought, and posthumanist scholarship. As articulated by a number of contemporary thinkers, pluriversal politics seeks to challenge the modern worldview that separates humans from nature and treats the world as an object to be mastered and controlled. Instead, this perspective emphasizes that life is constituted through networks of interdependent relations among humans and a wide range of nonhuman entities, including animals, plants, landscapes, and the material forces of the earth.

According to Kim, pluriversal politics is generally grounded in the assumption that relationality constitutes the ontological basis of life. From this perspective, politics is understood as the effort to establish and sustain relationships that enable diverse forms of existence to coexist. However, Kim questioned whether relationality can truly serve as an adequate foundation for understanding political dynamics, particularly when confronted with conflict, tension, and division that cannot always be resolved through reconciliation and relational repair.

To develop this critique, Kim drew on the works of Adam Bobbette and Sophie Chao, whose research explores various forms of human–nonhuman relations in Indonesia. The cases they examine demonstrate that interconnectedness among beings does not necessarily produce harmony. Rather, such relations are often marked by frictions, competing interests, and forms of instability that reveal the political dimensions of the more-than-human world. The presence of nonhuman actors in politics, therefore, not only creates possibilities for collaboration and relationality but also gives rise to antagonisms that shape social and ecological fields.

Building on this reading, Kim connected the question of more-than-human politics to the tradition of post-foundational political thought, particularly the concept of antagonism developed by Ernesto Laclau. Within this framework, antagonism refers to the condition that no social order can ever be fully complete, final, or free from conflict. Every attempt to establish order inevitably encounters something that cannot be fully integrated into the existing system. Politics, therefore, is never simply a matter of creating relationships; it must also contend with the limits, tensions, and forms of negativity that accompany every mode of collective existence.

Through this analysis, Kim proposed that conflict and negativity should occupy a more central place in discussions of pluriversalism. Rather than treating relationality as a pre-given foundation, he argued that collective life—whether among humans or between humans and nonhumans—is always shaped through processes of negotiation, struggle, and antagonism that can never be entirely eliminated.

The public lecture offered a critical perspective on contemporary developments in political theory and ecological thought while opening a space for reflection on how societies understand their relationship with a world that extends beyond the human. At a time of growing concern over ecological crises and interspecies relations, Kim’s presentation provided a compelling framework for understanding conflict, tension, and uncertainty as inseparable dimensions of political life itself.

Author: Khotibul Umam

Yogyakarta, May 16, 2026 – At Pondok A. Salam Kalimasada in Pakem, Sleman, Yogyakarta, a new chapter of Matragama became more than merely an organizational agenda. It transformed into a gathering space for people who believe that literature still needs to be nurtured collectively. Since 6:00 PM WIB, people arrived one by one, bringing voices, stories, laughter, and memories. They sat on woven mats in the cold night air, while the dim light in the corner of the lodge made every conversation feel more intimate. The event was attended by the extended Matragama family from various generations, doctoral students of Humanities Studies, and invited guests from Middle Eastern Cultural Studies, American Studies, Linguistics, History, Anthropology, and various circles within the Faculty of Cultural Sciences at UGM.

Since its establishment in 2022 under the leadership of Billy, Matragama has continued moving forward through a relay of generations. Leadership was then continued by Awan in the second generation, and now enters a new phase with Brian steering the third generation. That evening marked a sign that the relay had not stopped. Amid the cold air of Pakem and the warmth of conversations beginning to grow, Matragama seemed to be rediscovering its flame.

The head of Matragama, Giandra Febrian Haidar, opened the event in a calm yet confident tone. In his remarks, he expressed hope that literature would not remain confined to classrooms alone, but would also grow in gathering spaces, through long nights, and among people who still wish to listen to one another.

The Head of UGM’s Master’s Program in Literature, Aprinus Salam, was also present and delivered warm remarks. Before the students and invited guests, he emphasized the importance of organizing and building communities as part of intellectual and cultural processes. According to him, literature cannot live in isolation. It grows through encounters, conversations, and collective work. Aprinus also stated that Pondok A. Salam Kalimasada could serve as a venue for literary and artistic activities—an open house for anyone wishing to keep the pulse of culture alive.

After the opening session, warmly guided by Pute as the host, poem after poem began to be recited. Short stories were brought to life through voices. Under the theme Little Candles at the Foot of Merapi, moments of silence felt deeply meaningful, as though everyone was gathering something from within themselves. The readers appeared one after another: M. Iqbal Saputra, Romzul Falah, Awabeen Samsuding, Ella Manikam, Nuzul Ilmiawan, Islahudin Muhammad, Khatibul Umam, and several invited guests. They did not merely read poetry, but also shared anxieties and inner experiences with the audience.

At times, the sound of crickets slipped between the poetry readings. Some listeners bowed their heads in silence as the poems were recited. Then a light drizzle fell gently, as though helping preserve the calm and warmth of the night. As the rain grew heavier, some participants slowly moved to the terrace and inside the lodge while continuing to listen attentively. Words continued floating through the night air, mingling with the cold winds from the slopes of Mount Merapi and the aroma of coffee and boiled soybeans wafting from the lodge.

In between sessions, M. Iqbal Saputra, a committee member from the technical division, shared his reflections on the importance of literary appreciation nights such as this. According to him, events like the launch of Matragama are something that should exist amidst the turbulence of changing times. He said that poetry, storytelling, and even simple discussions are efforts to become whole human beings again—to see life from various perspectives and then determine one’s path, whether through writing, action, or perhaps simply through a smile.

One of the evening’s most captivating moments came through a dramatic reading by Luthfi, a doctoral student in Humanities at UGM. The dramatic performance transformed the text from mere writing into a moving body, a pulsating voice, and emotions vividly alive before the audience’s eyes. The invited guests were swept into the intimate yet energetic atmosphere.

In the middle of the appreciation night, Rini Febriani Hauri read her short story titled The Three Deaths of Dayang Temulun in a calm and rhythmic voice. The climax of the event came when Rini’s short story was discussed collectively. The discussion was moderated by Giandra, featuring Ricky Yudhistira Nasution, a doctoral student in Humanities at UGM, as the speaker. The short story, which won Second Place in the 2025 International HB Jassin Award, was explored through the lens of magical realism—a landscape where bodies, earth, trees, mist, and memories coexist without rigid boundaries between the real and the supernatural. The discussion unfolded warmly. It examined how literature operates within collective memory, myth, the body, and human history. Participants listened enthusiastically; some remained silent in contemplation, while others immersed themselves in endless interpretive possibilities.

The night grew later, yet no one truly wished to leave. After the entire series of events concluded, the atmosphere became more relaxed. Some people sang together, while others chatted freely, joked, and shared long laughter. Some sat in circles discussing books and literature, while others simply enjoyed the night while exchanging unfinished life stories beyond the formal forum. It was there that Matragama truly felt alive—not in banners, event schedules, or ceremonial formalities, but in encounters and conversations that continued glowing deep into the night.

Several invited guests from various departments and communities within UGM’s Faculty of Cultural Sciences also shared reflections and hopes for Matragama. Representatives from Middle Eastern Cultural Studies, American Studies, Linguistics, History, and Anthropology expressed hopes that inter-organizational bonds would continue warmly. They also wished for Matragama to have a long life and remain consistent as a shared space for nurturing literature, art, and culture.

At the foot of Merapi that night, literature appeared like little candles—not grand, but enough to keep the warmth of encounters and conversations alive. The drizzle still fell softly as people slowly began leaving Pondok Kalimasada one by one.

Author: Rini Febriani Hauri

Efforts to strengthen the academic capacity of students and researchers in producing high-quality scientific publications continue to be promoted on campus. The Master’s Program in Literature at the Faculty of Cultural Sciences, Universitas Gadjah Mada organized a “Scientific Article Writing Workshop: Strategies for Publishing in Reputable Journals” on Monday, February 23, 2026, in Room 709 Soegondo, Faculty of Cultural Sciences UGM.

The event, which took place from 12:30 to 15:00 WIB, featured a scholar in cultural and gender studies, Wening Udasmoro, as the main speaker. The workshop aimed to enhance the ability of young academics to write scientific articles capable of competing in reputable international journals.

In her presentation, Wening emphasized that academic publishing is not merely about techniques or quick strategies to get articles accepted by journals. According to her, writing in reputable journals is an important process for testing the intellectual quality of an academic before a broader scholarly community.

She stressed that academic publication should be viewed as a process of learning and intellectual development rather than simply fulfilling administrative academic requirements. Through publication, scholars’ ideas can be read and critically examined by researchers from various universities and countries, thereby enriching academic discourse.

During the session, participants were introduced to the importance of problematization in research. Wening explained that strong research generally begins with social or cultural phenomena that attract attention and generate scholarly questions.

She illustrated how contemporary phenomena—such as the display of luxurious lifestyles on social media—can become entry points for research relevant to current social dynamics. Researchers are encouraged not merely to find objects that have not yet been analyzed but to develop new perspectives that make their research academically significant.

In addition to formulating research problems, participants were also equipped with an understanding of the importance of a strong literature review. The workshop highlighted that scientific research must be built upon a dialogue with theories and previous studies.

Several theoretical frameworks can be used to analyze social phenomena, including the concept of conspicuous consumption, the symbolic value of goods (sign value), and modern consumer culture. These theoretical frameworks help researchers interpret social phenomena in a more critical and systematic way.

Through this training, it is hoped that postgraduate students will be able to produce scientific articles that not only meet academic standards but also contribute to the advancement of knowledge and provide solutions to various social issues.

The workshop was enthusiastically welcomed by the Master’s students in Literature who attended. The discussion was highly interactive, particularly when participants explored strategies for identifying research topics with novelty and academic relevance.

Through initiatives such as this, the Faculty of Cultural Sciences UGM seeks to strengthen a critical, reflective, and productive academic culture in producing high-quality scientific publications at both national and international levels.

Author: Khotibul Umam

The Master’s Program in Literature, Faculty of Cultural Sciences (FIB), Universitas Gadjah Mada (UGM), recorded a notable academic achievement at the Postgraduate Graduation Ceremony for Period II of the 2025/2026 Academic Year, held in Yogyakarta on Tuesday (January 21, 2026). One of its graduates, Iftinan Rose Putri Safana, earned the distinction of fastest graduate, completing her studies in 1 year, 8 months, and 8 days.

The postgraduate graduation ceremony of the Faculty of Cultural Sciences this period conferred degrees upon 46 graduates, consisting of 38 master’s graduates and 8 doctoral graduates. Of the total master’s graduates, 21 received the cum laude distinction, with an average Grade Point Average (GPA) of 3.77.

Iftinan’s achievement as the fastest graduate reflects academic consistency, careful study planning, and the effectiveness of the learning process and academic supervision within the Master’s Program in Literature. Completing a master’s degree in less than two years demonstrates that postgraduate education can be pursued optimally without compromising academic quality.

In her remarks at the Mangayubagya (farewell and appreciation) ceremony for graduates of the Faculty of Cultural Sciences, Vice Dean of FIB UGM, Dr. Nur Saktiningrum, S.S., M.Hum., emphasized the vital role of education in shaping individuals who are critical and socially responsible. She cited Paulo Freire’s thought that the task of education is to form people who will later become agents of change.

“Education does not change the world. Education changes people. People change the world. Education at the Faculty of Cultural Sciences, including in the Master’s Program in Literature, is directed toward shaping graduates who possess intellectual sensitivity and a commitment to humanitarian values,” she said.

Academic excellence at the master’s level was also demonstrated by the highest GPA achievement, attained by Hanina Naura Fadila, a graduate of the Anthropology Study Program, with a GPA of 3.93. In her address as the representative of master’s students, Hanina invited graduates to view their academic work as a form of intellectual responsibility.

The achievements of the Master’s Program in Literature graduates at this graduation ceremony align with UGM’s commitment to supporting quality education, through the provision of excellent, reflective postgraduate education oriented toward holistic human development.

Author: Khotibul Umam