Yogyakarta, 28/8/2025 – The Faculty of Cultural Sciences at Universitas Gadjah Mada (FIB UGM) hosted a thought-provoking workshop titled “Archives of Ethnographic Encounters”  at the Multimedia Room, Margono Building. The event ran from 10 a.m. to 2 p.m. and featured Marco Del Gallo, a PhD candidate in Anthropology at the London School of Economics.

In this workshop, Marco shared his experience working with the personal photographic archive of the late Haswinar Arifin, an anthropology student and photographer who documented life in North Jakarta from the 1970s to the early 2000s. Through this material, Marco invited participants to reconsider the meaning of archives—not merely as collections of documents, but as living traces that hold stories, emotions, and social dynamics.

The discussion raised fundamental questions about the very definition of an archive. Are people, through the simple act of storing photographs, notes, or recordings, in fact producing historical documents for the future? If so, how should researchers engage with these materials—both their own and those created by others? This line of thought opened up a broader understanding of archives, extending beyond official documents to include photographs, sound recordings, videos, and creative writings that capture everyday experiences.

Marco also emphasized the ethical responsibility that comes with working on archives collected by others. Personal materials that enter the academic space bring their own dilemmas: how can intimacy be preserved when private archives are circulated publicly? Where do we draw the line between the researcher’s role, the rights of ownership, and the community represented in these archives? Such questions demand sensitivity to ethics, care, and fairness in collaborative ethnographic work.

Marco’s reflections stem from his doctoral research based on 26 months of fieldwork among fishing communities in North Jakarta. His work contributes to broader discussions on urbanism, capitalism, environmental transformation, collective politics, and labor. His presence at FIB UGM demonstrated how ethnographic experiences in the field can be woven into larger theoretical reflections through archival engagement.

The workshop ultimately became more than an academic gathering; it served as a reminder that archives are not static collections but living spaces of memory. They allow us to see how everyday life becomes history, and how preserving archives also means preserving collective memory for the future.

Yogyakarta, 17/5/2025 – A student of the Javanese Language, Literature, and Culture study program, class of 2023, Maysa Putri Fatihah, won the 1st runner-up prize in the Javanese Script Literacy competition. This competition was held by Pura Pakualaman in the framework of the 219th (in Javanese year) Hadeging Kadipaten Pakualaman Ngayogyakarta. This year, the Hadeging Kadipaten Pakualaman event carries the theme ‘Manggala Gati Wiwaraning Rat’.

This Javanese Script Literacy Competition is divided into two categories, namely General and Students. For the general category, the competition is to translate Latin text into Javanese script and draw rerenggan/illustrations according to the participants’ interpretation of the contents of the text. The questions are in the form of macapat songs from the Sestra Ageng Adidarma manuscript text collected by the Widyapustaka Pakualaman Library. This text contains 6 verses of the Durma song, all of which must be depicted in the renggan, but only the first verse is translated. The text was given when the registration was announced, so participants could prepare illustration ideas well in advance.

On the day of the event, participants were given 5 hours to complete the work. During the process, participants were prohibited from opening their cellphones, copying letters, or plagiarizing images. The committee only provided drawing paper with Pakualaman stickers to minimize cheating.

Maysa’s work itself has a deep meaning. She mentioned in the description of her rerenggan that the color red symbolizes courage, while blue symbolizes peace and noble character. In the ornament under the renggan, a circle is depicted which has the meaning of rat or universe. In addition, there are ornaments of cannons, arrows, and spears as weapons of war. These weapons of war symbolize a source of strength or support to achieve victory.

Apart from Maysa, there were 2 other students from the 2023 batch who took part in this competition, namely Rafi Nur Fauzy and Rafif Wicaksono. Both are among the top 10 nominees with the best works. By participating in this competition, it is hoped that students can love and appreciate the literary works left by our ancestors more.

“It certainly feels happy to have the opportunity to participate in the Javanese script literacy competition and win. It’s great to meet great people there (especially philologists). Alhamdulillah, I was able to bring home the trophy from Pakualaman and make my parents proud. Hopefully, my other friends will be motivated so that in the next opportunity they can participate and compete together,” said Maysa.

Authors: Haryo Untoro

Yogyakarta, 15/8/2025 – Two lecturers from the Master’s Program in Literature at Universitas Gadjah Mada, Prof. Faruk Tripoli, S.U., and Dr. phil. Ramayda Akmal, S.S., M.A., launched their latest book Naratologi Klasik through a discussion event held at SaRang Art, Books & Coffee on Friday, August 15, 2025. The event was part of the Forum Bakal Buku program, which provides a platform for authors and publishers to present their upcoming works.

In a discussion moderated by Heru, the authors emphasized the importance of narratology as one of the pillars of literary studies. Prof. Faruk likened narratology to a camera capable of “shooting” and “zooming,” helping readers to grasp a story in its entirety. “No matter how much we analyze the content through various approaches, narratology allows us to better understand the story,” he remarked.

Moderator Heru added that narratology makes readers more attentive to narrative techniques rather than merely the content of a story. He illustrated this by showing how the 1998 events could be understood differently through direct testimony compared to a novel addressing the same events. “One of the greatest mistakes literature students make is to immediately focus on the content, while narratology actually explains how the story is conveyed,” he explained.

Meanwhile, Dr. Ramayda Akmal stressed that the way a story is told often carries ideological weight. “The foundation of narratology lies in two things: first, studying the content of the story in literary works, and second, examining how the story is presented. It is in this mode of presentation that political elements often emerge,” she noted.

The discussion was interactive, with an enthusiastic audience engaging directly with the authors. The presence of Naratologi Klasik is expected to make a significant contribution to enriching literary theory in Indonesia, while also reinforcing the position of narratology as a critical tool for reading literary texts within their social, cultural, and political contexts.

Author: Marsya Kamila/Public/Public Relations, Master’s Program in Literature