Yogyakarta, March 3, 2026 – The Faculty of Cultural Sciences at Universitas Gadjah Mada (UGM) awarded two outstanding alumni during the peak of its 80th anniversary celebration in the Poerbatjaraka Auditorium. The awards were presented to Setya Amrih Prasaja, S.S., M.Pd., and Dra. Rini Suryati as a token of appreciation for their dedication to the advancement of science and education, as well as their tangible contributions to the broader community.

The first outstanding alumni award was given to Prasaja, a graduate of the Javanese Language, Literature, and Culture Study Program. Prasaja is widely recognized as the driving force behind the digitization of the Javanese script. His efforts to integrate this traditional script into the international standard (Unicode) have now produced results, allowing the Javanese script to be widely used across various digital devices, such as mobile phones and computers.

In addition to his role as the founder of the Segajabung community, Prasaja currently serves as the Head of the Language and Literature Section at the Department of Culture of the Special Region of Yogyakarta. His contributions are considered crucial in maintaining the relevance of local culture during an era of massive digital transformation.

The second award went to Suryati, who is also an alumna of the Javanese Language, Literature, and Culture Study Program. Suryati is a senior journalist for the Jakarta bureau of the Kedaulatan Rakyat daily newspaper, having built her career since 1992. Her reporting focuses on strategic issues in politics, social affairs, and education.

Throughout her career, Suryati has recorded various journalistic achievements, including an assignment at the 2023 Hajj Media Center and conducting an exclusive interview with President Joko Widodo. Beyond journalism, she is also an active author whose books received national recognition from the Ministry of Higher Education, Science, and Technology and the Ministry of Religious Affairs in 2025.

The initiative by the UGM Faculty of Cultural Sciences to appreciate its alumni demonstrates the educational institution’s commitment to continuously supporting the development of high-quality human resources. Efforts to preserve language through technology and strengthen literacy through journalistic work represent a long-term investment. This serves as a vital foundation for preserving cultural heritage and continually educating the nation for a more inclusive future.

[Public Relations of FIB UGM, Candra Solihin]

Yogyakarta, 13 January 2026 – Galuh Febri Putra underwent an Open Doctoral Promotion Examination at the Faculty of Cultural Sciences, Universitas Gadjah Mada (UGM) on Tuesday. In the examination held in the Multimedia Room of the Soegondo Building, Galuh defended his dissertation entitled Sexual Narratives in Motinggo Busye’s Novels from 1967 to 1969: A Study of Political Aestheticization, which analyzes literature as a medium of critique against power during the New Order era.

In his dissertation, Galuh examines the works of Motinggo Busye published in the early New Order period, specifically Tante Maryati (1967), Perempuan Paris (1968), and Cross Mama (1969). The study is rooted in the political context of Indonesia in the 1960s, when the government exercised strict control over freedom of expression in literature and media to support political and economic stability.

Galuh explained that the sexual narratives in Busye’s works go beyond mere entertainment. Instead, he argued, sexuality functions as an aesthetic strategy to disrupt mainstream literary patterns that tended to be repetitive and aligned with dominant ideology. “The sexual narratives in Motinggo Busye’s novels are used as a form of resistance against the New Order political system and as a means of raising readers’ social awareness,” Galuh stated during the examination.

The research outlines three primary focuses: the role of sexual narratives as an intervention in the New Order’s storytelling politics; the auratic effects these narratives produce in building class consciousness; and the role of such narratives in creating deautomatization of repetitive erotic literature of that period. Galuh employs the theory of political aestheticization to explain how literature can lose critical power when trapped in mass production devoid of social substance.

In his analysis, Galuh shows that Motinggo Busye incorporated criticism of patriarchy, capitalism, and authoritarianism through his portrayal of characters’ sexuality. Sexuality is thus positioned not only as a symbol of social tension and class conflict, but also as a medium to challenge state control over bodies and morality. This approach distinguishes Busye’s works from other erotic literature of his time, which generally prioritized sensation without social reflection.

The study’s findings also reaffirm the relevance of literary studies in interpreting Indonesia’s socio-political dynamics. By contributing theoretically to the development of sociological approaches to literature and political aestheticization, this dissertation is expected to serve as a reference for researchers and authors who view literature as a productive space for critique.

The open examination concluded with an emphasis that literary scholarship remains deeply connected to efforts to build critical societal awareness. Through re-reading past literary works, academic inquiry contributes to preserving collective memory, fostering freedom of thought, and nurturing cultural practices that support a more just and sustainable social life in the future.

[Public Relations of FIB UGM, Candra Solihin]

The Anthropology Laboratory for Research and Action (LAURA) represents Universitas Gadjah Mada in the Participation of Women in Renewable Energy (POWERE) project. This initiative is funded by the UKRI Ayrton Challenge and involves several universities, including the University of Sussex, Universitas Indonesia, and Universitas Gadjah Mada. POWERE addresses issues of unequal access and the impacts of climate change in island and coastal communities. It introduces innovation through the use of floating photovoltaic systems (FPV) as an alternative renewable energy source, while also emphasizing gender perspectives and economic conditions in off-grid coastal communities. The project is not only focused on developing physical infrastructure but also building social infrastructure by strengthening gender inclusivity in the seaweed-based economy across coastal and island areas in South Sulawesi. Led by Prof. Raminder Kaur (US), Dr. Muhammad Zamzam Fauzanafi (UGM), Dr. Mia Siscawati (UI), Dr. Bradley Parrish (US), and Prof. Peter Newell (US), POWERE stands as a comprehensive multidisciplinary collaboration centered on renewable energy.

Since mid-year, the POWERE team has conducted preliminary studies in several locations, including Rannu, Katingting, and Biawasa, and presented the findings at the World Conference on Governance and Social Sciences at Hasanuddin University on 11–12 November 2025. The initial studies explored topics such as community-based infrastructure design, sensory ethnography, feminist perspectives on gender, climate change, and women’s resilience, renewable energy and social infrastructure, as well as climate adaptation challenges faced by seaweed-farming women. The broad range of issues emerging from solar energy development and its social implications continues to pose challenges for the project moving forward.

In addition to the Project Leads, the initiative involves postdoctoral researchers such as Dr. Diah Irawaty, Dr. Runavia Mulyasari, Dr. Chu Chun Yu, Dr. Agung Iswadi, and Monika Swastyastu, M.A., who contribute to ongoing research throughout the project. POWERE receives support from both governmental and non-governmental organizations, including CARE Indonesia, Aquatera, Development Finance International, Auroville Consulting, and the Ministry of Marine Affairs and Fisheries of the Republic of Indonesia, serving as financial partners and policy collaborators. Entering the first stage of the three-year program, the POWERE team has published newsletters in both Indonesian and English, accessible through the University of Sussex website and the Department of Anthropology. For the latest updates, readers may follow the official Instagram account @powere.women, which regularly shares photos and videos documenting project activities.

Writer: Okky Chandra Baskoro

Yogyakarta, November 29, 2025 — The Faculty of Cultural Sciences (FIB) of Universitas Gadjah Mada recorded an impressive achievement at the 2025 Gadjah Mada Sports and Arts Week (PORSENIGAMA). Based on the official recap, the FIB contingent secured victories across various sports and arts categories, in both individual and team competitions, highlighting the strong competitiveness of its students beyond academic fields.

In the athletics division, FIB earned three achievements through I Putu Arya Ananda Adi Nugraha Santosa, who won third place in the Men’s 1500 m, Yustisia Raka Saputra who claimed first place in the Men’s Long Jump, and Ahmad Mikail who took third place in the Men’s 200 m. In orienteering, Rangga Rayhan Paristyo and Shang Narendra Paramarthadewa Suryaputra secured second place in the General Team category.

Outstanding results also came from the FIB Men’s Hockey Team, which won first place. The team members included Alif Yoga Pratama, Arjuna, Fadly Bayu Laksono, Jonathan Ephram Purnomo, Reihan Mandiri Wangsa, Rasendriya Evan Muhammad Walia, Ferdika Dwi Cahya, Firlan Maulana Sayogya, Ibrahim, Jonathan Kefas, Muhammad Farhan, and Muhammad Thoriq Aziz. In addition, Rasendriya Evan Muhammad Walia received the Top Scorer award.

In judo, Wanita Perkasa Bijaksana earned third place in the Women’s +57 kg category and second place in the Women’s +57 kg Tachiwaza category, while Dewan Gusti Dinantaka took third place in the Men’s +90 kg Tachiwaza. In karate, Muhammad Faiz Darmawan won second place in the Men’s Individual Kata, followed by Human Irsyad Sabil in third place for the same category. Kevin Naufal Bagaskara secured third place in Men’s Kumite +60 kg, and Sarah Jasmine Kahiking earned third place in Women’s Kumite +55 kg.

In archery, Affa Arif Hukmana Rahayu won second place in the Men’s Barebow Individual Qualification and third place in the Individual Elimination in the same division. FIB also excelled in pencak silat, with Labibah Haya Nurmaulidza taking first place in Women’s Class C and Lakshita Pradnya Dayinta claiming first place in the Women’s Artistic Single category.

Achievements in the arts category also strengthened FIB’s position. Alna Hafifah won first place in Poetry Reading, Najmah ‘Ulya Syahidah secured first place in Comic Strip, and the monologue category received the Best Directing title. In scriptwriting, Berekhya Kiri Grace Syandana earned third place. In modern dance, FIB won first place through the team consisting of Azra Khansa Ahista Melody Putri Wijayanto, Fransisca Cindy Putri Tet Hun, Justin Liepangi, Kyla Ajizah Rahardhi, Nadia Nasywa Naila Pentha Calista, Nadira Renata Nur Setyaningrum, Nicola Shevarelia Bima Putri, Oryza Sativa Rosyadi, Salsabila Rizky Alifa Zul’am, and Syaira Radhwa Aqila. For traditional dance, Alexandra Gendhis Danurdara, Arba’Athun Nisa Adhya Nur Baity, Audrey Gizella Islamey, Ermin Dhiva Nurhaliza, and Hapsari Inez Kinasih secured third place in the group category.

In the keroncong vocal category, Muhammad Isa Dafa Hakam won first place in the Men’s Solo performance, and Dian Patmisari earned second place in the Women’s Solo category.

These achievements reflect the commitment of FIB students to developing their full potential through healthy, collaborative, and quality-oriented competition. The accomplishments not only bring pride to the faculty, but also emphasize the importance of support and facilities for interest and talent development within higher education environments, contributing positively to the growth of character and the competitive capacity of the younger generation.

Photo: pixabay.com
[Public Relations of FIB UGM, Candra Solihin]

Yogyakarta, 18 November 2025 — As part of its ongoing effort to expand creative dialogue within the academic community, the Master’s Program in Literature, Faculty of Cultural Sciences, Universitas Gadjah Mada, held a public lecture titled “Tracing Self-Identity Through Fiction” on Tuesday, 18 November 2025, in Room 204 of the Soegondo Building, FIB UGM. The event featured California-based writer of Vietnamese–Indonesian descent, Mazdo, as the keynote speaker, with Naria Nur Iftitah serving as moderator. Her presence drew enthusiastic attention from students, alumni, and literary researchers eager to explore how fiction can serve as a medium for reflecting identity, personal experience, and socio-cultural dynamics.

In her presentation, Mazdo explained that writing, for her, is a deep dialogue between personal experience, imagination, and the internal questions that continually shape her creative process. She introduced three of her short stories as examples of how she navigates identity through fiction. The first piece she discussed, When the Moths Came (2023), stems from her personal experience. “This story began from my experience living in an apartment where moths were flying everywhere— in the kitchen, around the living room, everywhere. I felt disturbed, but I thought it would be interesting to turn it into a short story,” she explained. From this simple experience, Mazdo crafted a narrative about a married couple dealing with the constant presence of moths, which disrupt their daily life and create emotional distance between them.

Her second story, The Collector (2024), is rooted in her time studying at the Southeast Asia Program building at Cornell University, which was filled with cultural artifacts. She invited the audience to examine how such objects hold long historical traces, including power relations between the United States and Southeast Asian nations. Through the perspective of two curious and innocent children, she demonstrates how Orientalism and colonial traces can be reimagined in fictional space.

Meanwhile, her story Cut Blooms (2025) highlights the relationship between two sisters—shaped by affection, misunderstanding, and an unbreakable emotional bond. Mazdo shared that the inspiration for this work came from her closeness to her own sisters. “When I write, inspiration can come from anywhere, even from my own life experiences. For example, Cut Blooms comes from my personal experience, but I do not write it literally as it happened. Since I write fiction, only small details that truly happened in my life are adapted into the story,” she explained. This statement helped the audience understand that fiction does not require literal adherence to real events, but instead transforms lived experience into a broader emotional structure.

The public lecture also aligned with values of social and cultural sustainability. Through her stories, Mazdo demonstrated that literature can serve as a tool for cultivating empathy, honoring diverse identities, and encouraging reflection on one’s place within larger historical contexts.

The question-and-answer session unfolded warmly and thoughtfully. The first question came from Marisa Santi (Kagama UGM), who asked about the narrative approach Mazdo most frequently uses, whether she prefers the author as an omniscient narrator or allows the characters full autonomy. Responding to this, Mazdo said, “I tend to use the first approach, where the writer serves as the narrator.” She added that this position allows her to guide the fictional world while still giving her characters space to move freely.

The next question was posed by Marsya Kamila, a student of UGM’s Master’s Program in Literature, who asked whether Mazdo plans to write fiction that explicitly addresses migration or identity exploration in the United States, given that her parents migrated there. Mazdo responded enthusiastically: “Yes, because both of my parents come from Vietnam and Indonesia, I think it would be interesting to write fiction that gives voice to our origins and experiences.” Her answer indicates that family history and migration remain enduring sources of inspiration in her creative journey.

The event concluded with great appreciation from participants, who felt they gained new insights into how fiction operates as a tool for self-exploration, historical reading, and reinterpreting lived experience. The Master’s Program in Literature hopes that similar public lectures will continue to provide creative spaces that strengthen literary literacy while fostering cultural awareness and sustainability in society.

[Master’s Program in Literature, Marsya Kamila]