Universitas Gadjah Mada (UGM) reaffirmed its commitment to international academic collaboration and knowledge exchange through its active participation in the CHSS 2026 Conference held at Lahore University of Management Sciences (LUMS), Pakistan, from 23 to 27 September 2026. The conference brought together scholars, researchers, policymakers, and practitioners from across Asia and beyond to discuss contemporary challenges and opportunities facing societies in the region.

UGM was represented by Prof. Dr. Wening Udasmoro, Dr. Aprillia Firmonasari, and Dr. Merry Andriani from the Faculty of Cultural Sciences, who participated in a range of academic and networking activities throughout the conference. Their involvement contributed to scholarly discussions on issues affecting Asia and the Global South while strengthening partnerships between UGM and international institutions. Prof. Dr. Wening Udasmoro also serves as the Hub Leader for UGM in the academic cooperative project among Association for Asian Studies (AAS), Cultivating the Humanities and Social Sciences and Supporting Underrepresented Scholars of Asia (CHSS), and Universitas Gadjah Mada (UGM).

The conference featured an extensive program consisting of pre-conference workshops, panel presentations, roundtable discussions, exhibitions, cultural activities, and networking forums. Participants explored a wide range of topics, including migration, education, governance, gender studies, climate resilience, public health, cultural heritage, and regional cooperation. Through these sessions, attendees exchanged perspectives and research findings while identifying opportunities for future collaborative initiatives.

In addition to academic presentations, the conference emphasized intercultural engagement through exhibitions and cultural showcases that highlighted the diversity and dynamism of Asian societies. These activities provided participants with valuable opportunities to connect across disciplines and national boundaries. UGM’s participation in the conference reflects the university’s ongoing efforts to promote internationally engaged scholarship and foster meaningful partnerships that address global and regional challenges. The event also served as a platform for expanding academic networks and exploring collaborative research opportunities with institutions across Asia and beyond.

Building on the momentum generated in Lahore, Universitas Gadjah Mada will host a similar international workshop in Yogyakarta, Indonesia, from 19 to 23 October 2026. The workshop is designed as an inclusive academic forum that welcomes participants from diverse disciplinary, institutional, cultural, and geographical backgrounds. In line with UGM’s commitment to social equality and inclusivity, the program will provide a platform for scholars, researchers, practitioners, and community representatives to engage in dialogue, share perspectives, and exchange knowledge on issues of societal relevance. Through this initiative, UGM seeks to foster an academic environment that values diversity, promotes equitable participation, and encourages cross-cultural and interdisciplinary engagement.

Through its participation in CHSS 2026 and its forthcoming role as host, UGM continues to demonstrate its commitment to advancing impactful research, fostering international dialogue, and contributing to the development of inclusive and sustainable solutions to contemporary global challenges. For Universitas Gadjah Mada, these engagements represent not only opportunities for scholarly exchange but also strategic efforts to strengthen the university’s position as a leading institution in facilitating regional and global academic collaboration.

There is a question that initially sounds simple but is difficult to answer: who has the right to tell women’s stories?

That question led Sofiana Martha Rini and her two colleagues, Priyo Joko Purnomo and Mulya Atmana Dwiyana WNA, much deeper. What began as an assignment for a prose course eventually developed into a paper presented at The 2nd International Conference Bali Gender Studies Forum (BGSF) 2026.

The paper, titled Walking in Her Shoes: Gender and Ethics of Representing Women in Post-Reform Indonesian Novels (2000–2025), went on to receive the Best Paper award at the conference, organized by Yayasan Bali Sruti on August 28–29, 2026, online.

For Sofiana, the paper did not suddenly emerge from a research desk piled high with books and theories. It began with a sense of unease.

One of the things that prompted it was Sofiana’s reading and reconsideration of the works of Panji Sukma. From there came questions about representation: how women are written, who writes them, and whether women’s experiences can truly be represented in their entirety by someone else.

The questions did not disappear after a single reading.

“The point is that we have to recognize that representation is difficult to make completely free from bias,” Sofiana said.

She even carried this concern into other discussions, including during a summer school, where she discussed representation and the boundaries one encounters when attempting to tell an experience that does not belong to oneself with Ramayda Akmal, a lecturer and literary writer, as well as Prof. Arnez.

From there, a topic that initially stemmed from a single work expanded into a broader question: how are women represented in Indonesian literature after the Reformasi era?

Together with her two colleagues, Sofiana did not stop at one or two novels. They read 21 Indonesian novels published between 2002 and 2025, written by both male and female authors from different literary backgrounds and ideological orientations.

One of the theoretical frameworks informing their analysis was Stuart Hall’s concept of representation. Within this framework, representation is not merely about making something visible or presenting something so that it can be seen. Rather, it is a process through which meaning is produced.

The question therefore shifted: who constructs meaning about women? From whose perspective are women’s experiences told? And who has the authority to represent women?

To examine these questions, they employed several theoretical tools, including Laura Mulvey’s concept of the male gaze, as well as the concepts of focalization and non-narratorial commentary in Mieke Bal’s narratology.

Their reading of dozens of female characters across the 21 novels revealed an interesting pattern.

Women increasingly appear at the center of stories. But being at the center of a story does not automatically mean being at the center of power. Women may speak. But who determines what that voice means?

In a number of novels, Sofiana and her team found that women were still largely positioned around male characters.

There are women who speak, feel, love, and even make decisions. Yet their voices remain within narrative structures determined by male characters.

They found one example in Ayat-Ayat Cinta by Habiburrahman El Shirazy. Aisha has her own voice and emotional experiences. However, the way readers come to understand those experiences remains closely connected to Fahri’s position as the center of the story.

Another pattern emerges when women become the main characters.

Yet once again, being a protagonist does not necessarily mean possessing authority.

In their reading of several novels, women may become the focus of the narrative, while decisions about how their bodies, experiences, trauma, and lives are interpreted can still be controlled by a larger narrative structure.

At this point, Sofiana identified an important distinction between agency and authority.

Women may possess agency—the ability to choose, act, refuse, and even resist. But that does not necessarily mean they possess the authority to determine how their own stories are understood.

Then comes another question: what happens when women write about women?

This question brought their research to its next stage. Does representation automatically become more ethical when women are the ones writing it? Their answer turned out to be more complicated than that.

Sofiana and her team also examined works written by female authors. In these works, they found that women could indeed appear with more diverse voices, experiences, and concerns.

But for them, the author’s gender is not the only measure. The issue is not simply who holds the pen. More important is how the text produces meaning about women and the extent to which it recognizes the limits of its authority when speaking about someone else’s experience.

That is why the conclusion of their paper feels more like a question deliberately left without closure:

Can we ever fully walk in her shoes?

Perhaps not. And precisely because of that, Sofiana and her team argue, literature needs to recognize that no one can ever completely walk in another person’s shoes.

The ethical task is not to pretend that one has arrived at or fully understood that experience. It is to recognize the limits.

Interestingly, the paper that eventually brought Sofiana the award began with something very close to everyday student life: a course assignment.

The paper originated as an assignment for a prose course. After completing it and reading it again, Sofiana and her two colleagues realized that there was an idea within it that could still be developed.

They then revised the paper and submitted it to the BGSF call for papers.

Yayasan Bali Sruti has long worked to develop publications in the fields of academic literacy, social and cultural studies, women and children, language, and public policy. The organization also has publication lines for conference proceedings and book chapters. Sofiana and her team’s paper was eventually presented online on August 28.

Their presentation time was also limited—only about six minutes.

Six minutes to bring 21 novels, several theories, concerns about representation, and questions of authority before an international forum.

In the end, it was that paper that brought Sofiana and her team the Best Paper award. The recognition came not simply because of the number of novels they had read or the theories they had employed. There was a longer journey behind it: a course assignment that did not remain merely an assignment, a concern that continued to occupy their thoughts, and a question that they carried all the way into the conference room.

Who has the right to tell women’s stories?

Sofiana herself does not offer a simple answer. Perhaps there is none.

Because the further she reads, the clearer it becomes that the question of representation is not merely about who gets to speak. Whenever someone speaks about another person, there will always be a part of that experience that can never completely belong to them.

 

Author: Khotibul Umam

Yogyakarta — The Master’s Program in Literary Studies at the Faculty of Cultural Sciences, Universitas Gadjah Mada (UGM), held the 2026 Literary Camp with Nature at Pondok A. Salam, Kalimasada, from August 14 to 15. Conceived as a community-oriented and collaborative initiative, the camp brought together writers and literary enthusiasts in an informal setting while inviting them to reflect on what literature means—and what it can do—in everyday life.

The camp was intentionally modest and non-commercial. For Prof. Dr. Aprinus Salam, M.Hum., Head of UGM’s Master’s Program in Literary Studies and one of the event’s facilitators, this simplicity was part of the point. At its heart, he argues, literature should help people remain independent and hold on to their sense of humanity.

“What matters in literature, including an event like this Literary Camp, is the effort to preserve independence and uphold our character. And perhaps the chances of failing are greater.”

For Aprinus, independence is never easy to maintain. Throughout its history, literature has often occupied a distinctive position in relation to political and economic power, as well as to social and cultural structures built on hierarchy and inequality.

Literature, he suggests, has a critical responsibility: to examine the world we inhabit and distinguish what has been compromised from what remains worth defending.

“Ethically and aesthetically, literature is a continuing effort to discern what in life has been corrupted and what ought to be defended.”

This perspective helps explain the spirit behind the Literary Camp. It was not conceived as a commercial event, nor as a gathering defined by elaborate facilities. Instead, it sought to create a space where people could meet, exchange ideas, and reconnect through literature.

Aprinus acknowledges that maintaining independence is a difficult undertaking and that failure is always a real possibility. Independent initiatives, he observes, are becoming increasingly difficult to sustain, particularly in a society where many people live under significant constraints and have had few opportunities to cultivate self-reliance.

For him, however, literature’s concern with independence goes hand in hand with something deeper: preserving the human capacity for empathy, integrity, and conscience.

“Historically, literature has also been a space for reaffirming our essential humanity. It is a space where we struggle to preserve what is genuine in being human. Literature is one way of keeping our conscience alive.”

Participants in the 2026 Literary Camp were selected through a literary curation process. Applicants were asked to submit either at least one short story or five poems. Around 40 percent of the submissions—roughly 40 participants—were ultimately selected.

Their works will be compiled into an anthology of short stories and poetry. Initially, the anthology will be produced as a photocopied edition according to the number of copies needed. If the collection proves worthy of further development, the organizers plan to pursue an ISBN for a subsequent edition.

In this sense, the Literary Camp was more than a gathering. It brought together several dimensions of literary life—writing, reading, curation, discussion, and exchange—within an intentionally modest setting.

The program began on Friday afternoon with the arrival of participants and the formation of groups, followed by communal prayer and a briefing. The afternoon unfolded informally, with introductions, conversations, walks, light exercise, and time spent exploring the gardens around Kalimasada. As evening fell, participants gathered to watch the sunset before beginning the main evening program.

After dinner came Literary Oration, featuring Muhammad Lutfi Dwi Kurniawan and Rini Febriani Hauri, followed by a reading of Curatorial Notes. The evening continued with a relaxed conversation with writer Mahfud Ikhwan, titled Unggunan Cerita, before moving into poetry and short-story readings.

The night eventually gave way to rest, and the program resumed on Saturday morning with dawn prayers, a morning walk, coffee and tea, breakfast, a group photograph, and preparations for departure.

For Aprinus, the significance of the camp lies partly in its brevity. The event lasted only about 18 hours, but even such a short encounter can offer a temporary space in which participants attempt to live out the values they associate with literature.

Yet he is careful not to romanticize the experience. The real test, he suggests, begins after everyone leaves.

“The Literary Camp is one example. During those hours, it may seem that we are trying to preserve our independence and hold on to our humanity. But unfortunately, it lasts only 18 hours.”

Once the camp is over, participants return to their separate lives. The temporary community dissolves, and each person must once again negotiate the pressures of everyday existence.

“After the Literary Camp, we have to struggle on our own again—caught up in noisy political routines, anxious economic pressures, and a social and cultural routine that can become tedious.”

Seen in this light, the camp is not an escape from reality so much as a brief interruption of it. It offers participants a chance to step away from the noise, even momentarily, and to read, write, talk, listen, and reflect.

The limited facilities at Pondok A. Salam are part of that experience. The camp does not promise comfort or convenience. Participants share simple spaces, adjust to limited resources, exchange stories, and learn to take responsibility for their own needs.

That simplicity also reinforces the event’s broader ethos: literature does not necessarily require elaborate infrastructure to create meaningful encounters.

With a relatively full schedule, participants were expected to respect time and remain attentive to one another. But discipline was not meant to undermine the camp’s convivial spirit. On the contrary, the organizers hoped that the event would be a joyful occasion—a place where literature could be experienced rather than merely talked about.

Ultimately, as Aprinus Salam suggests, literature is about more than texts, literary technique, or aesthetics. It is also about the ongoing struggle to preserve something more fundamental: our independence, our humanity, and our conscience.

 

Author: Khotibul Umam

The inter-staff (tendik) volleyball competition among the Faculty of Economics and Business (FEB), Faculty of Philosophy, Faculty of Psychology, and Faculty of Cultural Sciences (FIB) was held once again. The event took place at the FEB South Volleyball Court on August 14, 2026, from 07:30 to 09:30 WIB. Around 45 female staff members enthusiastically participated in the competition, with 10 players per team.

This inter-faculty sports event was specially organized to celebrate the 71st Anniversary (Dies Natalis) of FEB.

From the first round, the competition ran smoothly and was full of excitement leading up to the final round, which brought together the staff teams from FIB and FEB. The final match featured several intense rallies. Continuous cheering from FIB staff on the sidelines created a thrilling and vibrant atmosphere.

In the end, the FEB staff team emerged victorious with a clean 3-0 score over FIB. Despite falling short in the final, the FIB staff remained cheerful and proud of their team’s improved performance. “Second place is okay; we have come a long way compared to before,” said Vivin, one of the FIB staff members, after the match.

Sports as Part of Work-Life Balance

This friendly volleyball match carries broader meaning beyond a simple sports competition. Joint activities between faculties serve as an effort to build work-life balance—achieving equilibrium between work responsibilities, physical health, social relationships, and individual well-being. Exercising together offers lecturers and administrative staff an opportunity to engage in physical activity, relieve routine work stress, and build positive interpersonal relationships. A healthy and supportive work environment is expected to boost enthusiasm, happiness, productivity, and overall work quality among the academic community.

For FIB UGM, this event aligns with its commitment to creating a healthy, inclusive, collaborative work and academic environment oriented toward community well-being.

Supporting the Sustainable Development Goals (SDGs)

The execution of the Humanities Cluster Friendly Volleyball Tournament contributes to achieving several relevant Sustainable Development Goals (SDGs), including:

• SDG 3 – Good Health and Well-being: Joint sports activities promote a healthy lifestyle through physical activity while providing space for recreation and relaxation.
• SDG 4 – Quality Education: Although a non-academic event, sports activities and cross-faculty interactions support the creation of a holistic educational environment.
• SDG 5 – Gender Equality: Sports activities offer an equal participation space for the academic community regardless of gender, promoting an inclusive campus environment with equal opportunities in social and sports events.
• SDG 8 – Decent Work and Economic Growth: Efforts to build work-life balance, health, fitness, and overall well-being for lecturers and administrative staff foster a healthy and productive work environment.
• SDG 10 – Reduced Inequalities: Friendly matches serve as an interactive space that brings together members from various faculties on an equal footing.
• SDG 16 – Peace, Justice, and Strong Institutions: Sportsmanship, respect for rules, teamwork, and positive communication are key values in building harmonious inter-faculty relationships.
• SDG 17 – Partnerships for the Goals: The friendly volleyball match is a concrete example of strengthening partnerships and collaboration across faculties within the Humanities Cluster.

Thus, this activity not only yields athletic achievements but also contributes to building a healthy, prosperous, inclusive, collaborative, and sustainable campus.

Moving forward, inter-faculty sports and community activities are expected to continue sustainably. In addition to strengthening friendships and partnerships, these events serve as a means to maintain fitness, enhance happiness, and support work-life balance for the UGM academic community.

 

[Author: FIB Public Relations, Zaidan Abdurrahman]

YOGYAKARTA — On 6 July 2026, the Indonesian Language and Literature Programme at UGM, Kepustakaan Populer Gramedia (KPG), Bentara Budaya and ELTI Jogja organised a literary discussion entitled “From Reporting to Literary Works”. The event, which featured the writer and journalist Linda Christanty, also included a presentation by Prof. Dr Aprinus Salam, a professor who analysed her works. The discussion was attended by around 50 participants in the Multimedia Room, Margono Building, 2nd Floor, Faculty of Cultural Sciences, Gadjah Mada University (UGM).

The discussion was attended by around 50 participants in the Multimedia Room, Margono Building, 2nd Floor, Faculty of Cultural Sciences, Gadjah Mada University (UGM).

One of the most interesting points raised in this discussion was Linda’s concern regarding publishers’ interest in her latest works. In today’s publishing industry, literary works based on serious and weighty humanitarian reporting are often considered to lack commercial appeal or to struggle to break into the mainstream market.

Although this presents both an obstacle and a challenge, Linda remains steadfast in her idealism. “Even if no one is interested yet, it will still be published so that the next generation can read and discover other short stories,” she said.

Linda’s strong commitment suggests that she will continue to produce works of literature. Through her field reporting, she aims to demonstrate that historical facts and dark humanitarian issues can be transformed into powerful literary narratives. A concrete example of this can be found in her short story entitled “A Dead Dog in Bala Murghab”.

Author: Humas FIB, Zaidan Abdurrahman