Yogyakarta, April 8, 2026 – The Arabic Literature Student Association (IKMASA) successfully held its Syawalan event which was titled IKMASA Balalan 2026 at Gedung Soegondo, Faculty of Cultural Sciences Universitas Gadjah Mada. The event served as a warm gathering space for students and lecturers of Arabic Literature at UGM following the holy month of Ramadan 1447 H.

Held from 08:45 to 10:30 AM, the event began with an opening by the MC, followed by a recitation of the Holy Qur’an. It continued with remarks from the Head of the Study Program and the Head of IKMASA, both of whom emphasized the importance of maintaining strong relationships and a sense of togetherness within the academic community. Isa, as the Head of IKMASA, also expressed his hope that such events will continue to serve as a meaningful platform to strengthen unity among students and lecturers. A solemn atmosphere filled the room during the Syawalan pledge session, delivered in turns by representatives from each cohort. This moment became a deeply meaningful occasion for mutual forgiveness, reflecting sincerity and openness among participants. The pledge was not merely ceremonial—it truly created a space for heartfelt reconciliation, both among students and between students and lecturers.

The highlight of the event featured a session by Arief Budiman, S.S., M.A., who emphasized the importance of cultivating strong determination in all aspects of life. In his talk, he encouraged participants to set clear goals, remain consistent, and persevere through challenges. According to him, a firm determination is the foundation for achieving success—not only academically, but also in personal growth and everyday life.

The event concluded with a prayer led by Nur Kholid, S.Pd.I., M.Pd.I., followed by a group documentation session and mushofahah (a gesture of mutual greetings and forgiveness). The warm and friendly atmosphere was evident in the interactions between students and lecturers throughout the event. Through this halal bihalal gathering, IKMASA successfully strengthened the bonds of friendship while also fostering a deeper sense of reflection and togetherness during the blessed month of Syawal.

[Arabic Literature, Indana Zulfa Maulida]

Amid the overwhelming flow of information, writing is often reduced to a mere technical skill—the ability to arrange words so they read smoothly. Yet in an academic context, writing is fundamentally an intellectual act: a way of thinking, responding, and ultimately taking a position in relation to reality.

In a workshop organized by the Master’s Program in Literature at the Faculty of Cultural Sciences, Universitas Gadjah Mada, Prof. Dr. Aprinus Salam, M.Hum. emphasized that students should not remain confined to the classroom. Ideas, he argued, must be brought into the public domain—into mass media and shared spaces where discourse is exchanged and debated. “Students need to be present in the public sphere through their writing. It is also important to include institutional affiliation as a form of academic responsibility,” Aprinus noted.

There is often a noticeable gap between academia and the wider public. Overly technical language, ideas circulating within limited circles, and a tendency to write merely for assignments can strip knowledge of its broader relevance. This is where the essay finds its significance.

Unlike formal academic writing, essays do not demand rigid structures. They allow space for subjectivity, reflection, and even doubt. Paradoxically, this is precisely where their strength lies—in the courage to take a stance, not merely present data.

However, this freedom is not without direction. Essay writing still requires strategy. There is a long, often invisible process behind it: reading, experimenting, failing, and trying again. Prof. Aprinus illustrated that the journey of writing can be winding—from critiques that fail to “break through” to discovering more nuanced, even ironic ways of expressing ideas.

Writing, then, is not only about the end result, but about the process of finding one’s voice.

One approach offered is to use literary works as a lens for interpreting reality. Fiction is no longer seen as a separate world, but as another way of understanding the real one. From there, writers can build bridges between imagination and concrete social conditions.

Depth, too, becomes essential. In an age that favors speed and superficiality, there is a call to slow down and immerse oneself in a single idea, figure, or perspective until it is fully internalized—not to imitate, but ultimately to move beyond it.

In this session, there was no conventional Q&A. Instead, participants were invited to reflect directly through reviews of the essays they had previously submitted. The feedback may have seemed simple, yet it touched on fundamental aspects: appropriate length, fresh and relevant titles, and the courage to take a clear stance.

What may appear technical, in fact, conceals deeper questions: for whom do we write, and why?

When students begin to write for mass media, they are not merely practicing a skill—they are assuming a role. They step into the public sphere as thinking individuals who do not simply consume information, but actively produce it.

At this point, writing becomes more than just an academic exercise. It becomes a path home—a way for intellectuals to reconnect with the very reality that gave rise to them.

[Master of Arts in Literature, Khotibul Umam]

Amid the noise of everyday life, many things seem to unfold as if by default: traffic jams, crowded markets, and casual conversations in digital spaces. Yet for a social scientist, these are far from ordinary occurrences. They are living “texts,” rich with meaning and waiting to be interpreted more deeply.

During a Social and Cultural Essay Writing Workshop held on Wednesday (April 8, 2026) by the Master’s Program in Literature at the Faculty of Cultural Sciences, Universitas Gadjah Mada, Prof. Dr. Agus Suwignyo, M.A. emphasized that the work of social scientists does not operate within fixed spatial boundaries. Their “laboratory” is life itself—a fluid, dynamic, and often unpredictable space.

According to Agus, social scientists inhabit a broad and ever-changing field of inquiry, as their object of study is human interaction across various dimensions of life. “All social phenomena—from traffic congestion to everyday habits—can serve as material for analysis that reflects social structures and public policy,” he explained.

He stressed that sensitivity is the key foundation of a social scientist’s work. With such sensitivity, seemingly mundane phenomena can be transformed into meaningful and critical analysis.

In the discussion session, participants highlighted the condition of social critics in Indonesia, who are perceived to face pressure from the state. Agus acknowledged that the situation is neither entirely hopeful nor entirely bleak. He argued that criticism will persist as long as social awareness remains alive within society.

“What matters is the courage to question reality while remaining grounded in one’s conscience,” he said.

He further asserted that subjectivity in social analysis is inevitable, but it must be anchored in rationality and a commitment to marginalized groups. This approach is essential for upholding social justice amid the complexities of power relations.

The discussion also addressed the shifting nature of social criticism—from what was once organic to forms that are increasingly complex due to interventions by various actors, including the state. In this context, social scientists are required to be more discerning in distinguishing between authentic, organic public voices and those that are manipulative.

Ultimately, being a social scientist is not only about analytical ability, but also about maintaining integrity. As reality becomes increasingly blurred, perhaps the only reliable compass is conscience—constantly reminding us that the primary task of social science is not only to understand humanity, but also to stand up for it.

[Master of Arts in Literature, Khotibul Umam]

Human migration and displacement are increasingly relevant issues in this era of global cross-regional relations. On Friday, February 13, 2026, the Department of Anthropology at Gadjah Mada University held a film screening and discussion on this topic. When The Water Horse Seeks a New Home is a short film by director Andrianus “Oetjoe” Merdhi, who has produced many films about various communities in Indonesia. The film was also produced with the assistance of Gerhard Hoffstaedter from the University of Brisbane and Prof. Dr. Antje Missbach (Mbak Antje) from the University of Bielefeld. Broadly speaking, this film tells the story of the experiences of Rohingya refugees who crossed the sea to seek asylum in Aceh, Indonesia. The screening was attended by Mbak Antje and facilitated by Dr. Realisa Darathea Masardi (Mbak Lisa) as the event organizer from the Department of Anthropology at UGM.

The film begins with an exposition from the perspective of a Rohingya migrant who fled to Aceh. During their journey, the group faced many challenges, such as engine failure that forced them to drift at sea for several days, unable to control their direction. They received assistance from several patrol officers in the waters they crossed, but no one gave them permission to dock. After a long journey, they finally arrive on the coast of Aceh.

Upon arrival, many local residents express their rejection of their presence. During negotiations with residents over where to live, the refugees wait on the coast, near their boat, not allowed to go far. After that, they settle in a crowded and squalid refugee camp. The residents’ rejection was actually justified, due to concerns about the behavior of the Rohingya refugees. However, there were also residents who empathized with these refugees. After the refugees moved to the camp, he found a hippopotamus toy belonging to one of the refugee children. Some time later, he tried to return the toy, but it turned out that the child and her family had left the camp and could not be contacted.

The empathy shown stems from a sense of shared destiny, because he himself was once a refugee. The Aceh war forced him to leave his home and family. So, he has experienced what the Rohingya refugees are experiencing today. This perspective shows the human side of this conflict, and reveals that many similar experiences have been endured by communities in Indonesia itself.

After the screening, Ms. Antje opened a discussion and QnA session with the audience. A lively discussion ensued, focusing on how civilians can respond and help these refugees. The discussion also touched on how the state can handle this crisis, balancing the interests of its citizens with providing humanitarian assistance to refugees. After the discussion, the event concluded with the Department of Anthropology presenting a memento to Ms. Antje.

Author: Amadeus Abhirama Paramanindita