Yogyakarta, September 22, 2026 – The Undergraduate Program in Korean Language and Culture, Faculty of Cultural Sciences, Universitas Gadjah Mada (UGM), has officially entered into a partnership with Silla Korean Tablehouse. This collaboration aims to provide special offers and facilities to support the welfare of the academic community, particularly students and faculty members within the department.

The partnership was formalized through the signing of a Memorandum of Understanding (MoU) and a ceremonial handshake between the Head of the Korean Language and Culture Study Program at UGM, Achmad Rio Dessiar, Ph.D., and representatives from the management of Silla Korean Tablehouse. This partnership is expected to create a positive synergy between an educational institution and Yogyakarta’s culinary and tourism sector.

Under this agreement, Silla Korean Tablehouse offers a special 20% discount on all à la carte menu items. This benefit is valid for one year during happy hours (11:00 AM – 4:00 PM WIB) from Monday to Thursday.

This exclusive offer is available to active students of the Korean Language and Culture Study Program (batches 2023–2026) as well as active faculty members. To claim the discount, members of the academic community must present valid identification at the cashier upon transaction. Students are required to show their active Student ID profile via the SIMASTER application, while faculty members must present their active Faculty ID through the official university application.

Furthermore, this collaboration offers long-term benefits for the study program’s academic community. Students and faculty members who make their first transaction by showing their active ID will automatically be registered as Silla Korean Tablehouse Customer Members at no additional cost or registration fee.

Through this partnership, the Korean Language and Culture Study Program at UGM hopes to continue building mutually beneficial relationships with external partners while delivering tangible benefits to enrich the off-campus experience and convenience for its students and faculty.

Author: Salwa Aulia

The 2nd American Studies International Conference was held again at the Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM) on September 10–11, 2026. Organized by the American Studies Study Program, the conference carried the theme “Global America: Exploring Flows, Borders, and Transnational Exchanges”. Simply put, the theme examines America in relation to flows, borders, and cross-border exchanges.

In this conference, American Studies was not merely understood as the study of English language or American culture. The field serves as a multidisciplinary study covering culture, society, politics, technology, literature, environment, and America’s relations with the world. This was reflected in the diverse subthemes discussed, ranging from American Literature, American Transnational Culture, Politics in the US, Film and Media Studies, to Digital Lives and Virtual Realities.

The theme “Global America: Exploring Flows, Borders, and Transnational Exchanges” also highlights exchanges that extend beyond national boundaries. For example, ideas originating in America can spread to other countries and be implemented or adapted to local contexts. In this framework, America is seen not just as a nation, but as a part of broader global processes involving culture, migration, digital media, the environment, and various other forms of exchange.

One of the presenters, Anna M. Gade from the University of Wisconsin–Madison, United States, presented a paper titled “What Does a Data Center Look Like? American Studies and Political Ecology of a Global Digital Landscape”. The presentation explored data centers as integral components of the global digital landscape. It pointed out that the digital world relies on physical infrastructure: behind digital services lie physical components such as servers, electricity, cooling systems, buildings, and other supporting facilities.

Through these discussions, the conference demonstrated that American Studies is not confined to American culture or domestic society, but also examines how concepts and phenomena related to America interact with the global community. Thus, American Studies provides a platform to understand America from multiple perspectives and observe how these relationships evolve in a global context.

[Author: Humas FIB, Zaidan Abdurrahman]

The Department of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences, Universitas Gadjah Mada, has produced many alumni who have contributed to the preservation and development of the Javanese language, literature, and culture. One of them is Aji Setyowijaya, a member of the 2008 cohort who is now dedicated to the world of batik as a craftsman of traditional Yogyakarta batik.

The Department of Javanese Language, Literature, and Culture had the opportunity to visit and interview Aji Setyowijaya, hereafter referred to as Mas Aji, in person on Tuesday, 21 July 2026. The 2008 alumnus, who was also a recipient of a scholarship from Yayasan Arsari Djojohadikusumo (YAD), also known as Yayasan Keluarga Hasyim Djojohadikusumo (YKHD), explained that his interest in batik began with his admiration for inherited batik cloths. He often came across old batik fabrics of exceptional quality and beauty, but they had become so fragile that they were no longer suitable for use. “I used to enjoy looking at inherited batik cloths. The fabrics were beautiful and I wanted to wear them, but they had become too fragile. Eventually, I was motivated to try reproducing old batik cloths. At the same time, during my university years, I also enjoyed wearing rasukan, or traditional Javanese attire,” he said.

This interest encouraged him to begin learning batik-making in 2009. He studied various batik techniques by observing and learning directly at several batik centers in Yogyakarta. During this early period, Mas Aji focused on understanding the principles and techniques of traditional Yogyakarta batik as the primary foundation before developing his own works.

Building on this understanding, between approximately 2013 and 2015, Mas Aji began producing antique batik, also known as batik kama or batik lawasan. According to him, during that period both the public and collectors highly appreciated batik lawasan because it was assumed to have originated several decades earlier. “At that time, in the batik trade, people appreciated antique batik, or kama, or lawasan, with the assumption that the batik was 50–70 years old,” he explained.

However, this experience also gave rise to a sense of concern. According to Mas Aji, batik should not merely be regarded as a classical work that ends with reproducing the past. Batik should continue to develop without abandoning its traditional roots. Based on this perspective, he began incorporating his personal identity into every work he created while also expanding his exploration beyond the characteristic style of Yogyakarta batik.

In line with this spirit, since 2018 Mas Aji has devoted himself to studying natural dye techniques for traditional Yogyakarta batik. For him, learning about natural dyes is not merely about producing a wider range of colors, but also about rediscovering the technical knowledge inherited from earlier generations of batik artisans.

In his creative process, Mas Aji does not work alone. He collaborates with his colleague, Yahya Adi Sutikno, who focuses on the design process, while Mas Aji is primarily responsible for production. This collaboration enables them to produce a wide range of batik works through complementary approaches.

Their works include sample pieces featuring various batik motifs on a single piece of cloth consisting of 27, 260, and even 480 motif samples, as well as replicated batik, batik lawasan, and batik resulting from transformation, media transfer, and various forms of creative batik. Their exploration extends beyond batik cloth itself to other textile media, such as sarung and other types of fabric.

In addition to producing batik cloth, Mas Aji is also active in Perkumpulan Wastra Indonesia, a community that brings together enthusiasts and advocates of Indonesian traditional textiles. His dedication to batik is also reflected in his contribution to the book Pesona Padu Padan Wastra Indonesia as a fashion contributor featuring the use of traditional Yogyakarta batik.

Behind all of these creative processes, Mas Aji believes that one aspect that must continue to be preserved in the world of batik is technical knowledge. According to him, discussions of batik have largely focused on philosophical meanings, symbolism, and cultural values, while knowledge of batik-making techniques is at risk of disappearing if it is not documented and passed on. “In my opinion, that domain (philosophy) is not easily lost because there is already abundant literature about it. But technical knowledge can disappear. For example, where should a parang motif begin, and in which direction should it be made? There are specific ways and methods.” For Mas Aji, preserving technical knowledge is just as important as preserving the philosophical values of batik because both are integral parts of the batik-making tradition.

Toward the end of the interview, Mas Aji also shared a message for students of the Department of Javanese Language, Literature, and Culture, encouraging them not to be afraid of exploring opportunities beyond the classroom. “Make big problems smaller, and ignore the small ones. Do not hesitate or be afraid to try and explore. Also, do not limit your horizons to classroom learning alone.”

Mas Aji Setyowijaya’s journey demonstrates that the study of the Javanese language, literature, and culture does not end within the academic sphere, but can also be realized through cultural preservation practices that benefit society. Through his dedication to studying batik-making techniques, reproducing traditional batik, developing innovations grounded in established principles, and continuously exploring new possibilities in the world of wastra, Mas Aji has shown that cultural heritage can continue to live and develop with the times without losing its identity.

For mahadaya who would like to learn more about Mas Aji’s works and activities, they may visit his Instagram account, @setyowijaya, and his Facebook page, Batik Setyowijaya. Through these social media platforms, Mas Aji shares his creative processes, his works, and his activities in preserving and developing the art of batik. 

Author : Haryo Untoro

Yogyakarta, July 17, 2026 — On Friday, July 17, 2026, the Faculty of Cultural Sciences at UGM held an informational session on IoT scales as part of the 2026 UGM Sustainability Campus Action program. The event took place in the Multimedia Room of the Margono Building and featured Dr. Ir. Thomas Oka Pratama, S.T., M.Eng., IPP, from UGM’s Sensor and Controlled Systems Laboratory. This session served as training for educational support staff on managing the faculty’s waste using IoT scales.

IoT scales are devices that measure the weight of waste generated at collection points (pick-up points) in real time, integrated with the Internet of Things (IoT) system. The weight data is used for digital monitoring, evaluation, and planning of waste management policies. During the session, participants were instructed on how to use the IoT scales to manage waste generation. FIB support staff were also asked to practice using the IoT scales.

Through the implementation of IoT scales, FIB UGM aims to strengthen a waste management system that is more accurate, measurable, and data-driven. The use of this technology is expected to enhance the capacity of support staff to support sustainable waste management while also contributing to UGM’s Sustainability Campus Action 2026 commitment. This initiative aligns with efforts to achieve the Sustainable Development Goals (SDGs), particularly SDGs point 12: Responsible Consumption and Production, and also supports SDGs point 11: Sustainable Cities and Communities and SDGs point 13: Climate Action.

[Humas FIB, Maylafaizza Nafisha Zifa]

The night atmosphere in Wringinputih Tourism Village, Muncar District, Banyuwangi Regency, looks different from typical rural areas due to the vast fields brightly illuminated by thousands of hanging lights. This unique phenomenon was witnessed directly by the UGM Student Community Service (KKN-PPM) team of Muncar Memancar 2026, who participated in dragon fruit farming activities with local farmers on June 26, 2026. Through direct involvement in the field, the students had the opportunity to learn about the local knowledge systems and cultural adaptations that the community applies to optimize their agricultural yields.

This intensive nighttime farming activity occurs because dragon fruit flowers only fully bloom at night and will wither the next morning. Due to the lack of natural pollinating agents in the plantation during those hours, local farmers take over this role by conducting manual artificial pollination, which the locals often refer to as “marrying” the flowers. In addition to manual pollination, the installation of hanging lights among the plants also serves to provide artificial lighting. This ensures the plants receive longer light exposure, stimulating the dragon fruit trees to continue flowering and producing out of season.

Besides pollination techniques and light manipulation, the students also gained new insights into the farmers’ strategies for dealing with bad weather. When it rains at night precisely when the flowers are blooming, the farmers swiftly snap the flower stem fibers slightly so that the flower faces downward without detaching from the tree. This tactical step is intentionally taken so the upper part of the flower crown can act as a natural umbrella. It protects the sensitive pollen from the rain, ensuring the fertilization process does not fail due to rotting.

The farming practices in Wringinputih Village ultimately form a circular and sustainable integrated agricultural agroecosystem. As a substitute for concrete pillars, farmers utilize live kapok trees as supporting poles and shade to prevent the dragon fruit stems from being damaged by extreme sun exposure. When the kapok tree leaves grow too thick, farmers trim them to be used as feed for cattle or goats. The manure from these farm animals is then reprocessed through fermentation into organic fertilizer to re-enrich the dragon fruit plants and the kapok trees.

This close interaction between human activities, technology utilization, and environmental management attracts attention from a social and cultural sciences perspective. Adinda, an Anthropology student from the UGM Faculty of Cultural Sciences class of 2023 who was involved in the KKN activities, shared her views during this field learning process.

“From the dragon fruit pollination technique, we can see that in farming practices, humans play a role in helping to optimize natural processes so that the production yield is maximized. When viewed from an anthropological perspective, this indicates a reciprocal relationship between humans and the environment. Humans use the knowledge they have to support the pollination process, while nature remains the source of life that sustains human activities,” she explained.

Adinda further explained that this dragon fruit farming knowledge is not simply generated overnight, but is shaped through continuous experience, observation, and interaction with the environment. From that process, the community can understand when the flowers bloom, how to assist their pollination, and the steps that can be taken to ensure the plants produce fruit more optimally. This relationship shows that agriculture is not solely seen as a production process, but also as a form of interaction, adaptation, and knowledge built by humans in living side by side with their environment.

Through the integration of local knowledge, the use of lighting technology, and the application of an integrated farming system, the community of Wringinputih Village has successfully created independent economic resilience. The dynamics of this nocturnal farming activity prove that the success of a commodity does not solely depend on large-scale equipment modernization. Rather, it depends on the human ability to read nature’s signs, adapt, and build harmony with the surrounding ecosystem.

[Public Relations of FIB UGM, Candra Solihin]