Yogyakarta, October 30, 2025 — Three students from the Javanese Language, Literature, and Culture Study Program, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM)—Eka Nur Cahyani, Alma Syahwalani, and Nur Wakhid Fajar S.—contributed to the book Sestra Manitra through an artistic work titled “Prameswari.” The piece takes the form of a Gapura Renggan, a decorative gate that harmoniously combines aesthetic beauty with the philosophical values of Javanese culture.

The Prameswari artwork presents a text rich in meaning about the ideal woman from the Javanese cultural perspective. The text reads:

“Tiyang wadon kang kasebut Prameswari langkung luhuring estri. Tiyang wadon utama ana ing manah kudu sabar, nrima, rila, lan sumarah. Wong wadon kang sinau olah rasa kudu bisa nampa kanthi lila legawa lan lembah manah.”

The passage translates as follows:

“A woman referred to as a queen, one who holds a higher virtue than other noble women. A woman with a noble heart must be patient, sincere, generous, and accepting. A woman who learns to master her emotions can embrace life with humility and an open heart.”

Through this work, Eka, Alma, and Wakhid aim to portray the noble virtues of Javanese women—emphasizing patience, sincerity, and inner wisdom. Prameswari serves not only as a symbol of respect for women’s roles in Javanese culture but also as a medium for younger generations to reflect on the essence of feminine virtue from a local cultural perspective.

The students’ participation in Sestra Manitra demonstrates the synergy between learning and cultural preservation, where students not only engage in literary creation but also develop artistic expressions that reflect Javanese cultural identity.

This initiative aligns with the Sustainable Development Goals (SDGs), particularly SDG 4 (Quality Education) and SDG 5 (Gender Equality). Through such activities, students are encouraged to appreciate cultural values while promoting the recognition of women’s wisdom and strength—supporting the realization of humanistic and gender-inclusive education.

Moreover, Prameswari represents a concrete effort in preserving regional culture, contributing to social and cultural sustainability within the community. The work embodies the spirit upheld by the Faculty of Cultural Sciences, Universitas Gadjah Mada, to nurture a young generation that is cultured, ethical, and dedicated to the values of humanity.

[Public Relations of FIB UGM, Alma Syahwalani]

Yogyakarta, October 29, 2025 — The Study Program of Javanese Language, Literature, and Culture, Faculty of Cultural Sciences, Universitas Gadjah Mada (FIB UGM), held an event titled “From Paper to Stage: Alihwahana Workshop on Javanese-Islamic Epics from Literary Texts to Performance.” The workshop served as a learning platform for students to practice the process of alihwahana—the transformation of literary texts into creative and communicative performing arts.

The event opened with I Made Christian Wiranata Rediana as the master of ceremonies, who began the program with a joint prayer for its smooth running. The workshop then continued with an opening remark by Head of the Javanese Language, Literature, and Culture Study Program, Daru Winarti, M.Hum. In her speech, Daru expressed hope that this activity would serve as a space for students to enhance their artistic abilities while realizing that literary texts hold great potential to be brought to life on stage.

The workshop featured several experienced speakers in the fields of art and culture, including Kusnanta Riwus Ginanjar, S.Sn. (actor, playwright, director, and puppeteer of Wayang Golek Menak), Rinal Khaidar Ali, ST., M.Eng. (activist of Wayang Golek Menak), and Dr. Drs. Sudibyo, M.Hum. (Head of the Department of Language and Literature, FIB UGM). The event was moderated by Dr. Rudy Wiratama, lecturer at the Javanese Language, Literature, and Culture Study Program.

In his presentation, Kusnanta Riwus Ginanjar explained the four main characteristics of art, which he considers the foundation of creative processes: seni, senengan, seneb, and serem.

“Art brings joy and entertainment. However, art is also subjective (senengan), can evoke tragedy or fear (seneb), and has a side that can both enlighten and mislead (serem),” he explained.

Kusnanta emphasized that his experiences in theater, puppetry, and film have shaped his understanding of the meaning of alihwahana. According to him, ancient manuscripts should not remain locked away in archives but instead be revived and shared with the public through performing arts such as wayang kulit, wayang golek, or theater.

He further added that the process of alihwahana is not limited to classical manuscripts but can also be applied to modern literary works such as novels or stories. Through such adaptation, students are encouraged to broaden their perspectives on literature as a living source of cultural expression.

The “From Paper to Stage” Workshop was not only a platform for sharing artistic knowledge but also a reflection of FIB UGM’s academic commitment to promoting inclusive and quality education in line with the principles of the Sustainable Development Goals (SDGs). Through this activity, students were trained to think creatively, work collaboratively, and develop awareness of the importance of cultural preservation in the context of sustainability. The effort to bring Javanese manuscripts to life through performing arts represents a tangible implementation of humanistic education that values sustainability, creativity, and local wisdom.

In addition to enriching students’ learning experiences, this workshop also embodies the spirit of preserving local cultural continuity as part of sustainable community development. The synergy between art and education in this activity illustrates how the treasures of Javanese literature can remain relevant in modern society while strengthening Indonesia’s cultural identity—rooted in tradition yet open to innovation.

[Public Relations of FIB UGM, Alma Syahwalani]